This flowertypeface is a beautiful composed, highly detailed, alphabet complete with numbers and special characters like an ampersand or an @-sign, designed by Novo Typo, designers from Amsterdam, The Netherlands.

NT Pure makes a beautiful combination with NT Fall and NT Lily.

NT Pure is a handset typeface collection of 43 images in high resolution RGB 26 cm (high) format on 300 dpi (3072 pixels). All images are PSD documents, placed on a seperate layer, on a transparant / white background.
Please notice; NT Pure is not a systemfont.

This flowertypeface is a beautiful composed, highly detailed, alphabet complete with numbers and special characters like an ampersand & or @ sign, designed by Novo Typo, designers from Amsterdam, The Netherlands.

NT Lily is a handset typeface collection of 43 images in high resolution RGB on a 26 cm format (height) on 300 dpi (3072 pixels). All images are jpeg or png documents, placed on a seperate layer, on a transparant / background.
Please notice; NT Lily is not a systemfont.

Andreas Stötzner's picture

Lettering workshop in Germany

topic moved to Design section

A. St.

maddin1577's picture


It is the printing on a wringer machine out of the 1950ties. I am gonna to restore this and before sanding out the printing I want to either conserve it or know what font it is to reproduce it with a transfer folie.
The text passages are very few: "33/55"
and "Miele"

5star's picture

Alpha Ship


Fictional magazine covers from Blade Runner... as shown in the blade runner bonus feature "Signs of the Times: Graphic Design". The covers were created by production illustrator Tom Southwell in 1980-1981 and appeared in the background on a magazine stand in the city streets.

Bert Vanderveen's picture

My lovely girl died

I tried posting this on my personal blog/site and it crashed in a really nasty way — repairing that is going to take ages. As well as other things.

The thing is: my girlfriend passed away on July 7, on the 52d day in hospital and care — a second brainstem stroke proved to be unsurmountable (is that a word?). I don’t have words for how I feel about this (and somehow I still have to share…).

So now I am designing cards and ads featuring ‘her’ font: National Light (are you reading this, Kris?).

Miep Jukkema
1954–2012 (that’s still running ok)

I have been trying to locate this font for a client to recreate a logo for them.
If anyone can help with this I would greatly appreciate it.

Hello everyone! I recently started this new design blog (3 months ago) and I'm glad to share it with you guys :) The blog is about logo designs, both creative and design-rich logotypes. All of the designs is featured from dribbble. I mainly started it because of my love to logo designs, that's actually also how I came up with the name "Logo Crush". It now has a capacity of over 250+ design-rich logotypes (and counting), to inspire, learn from or simply to enjoy!

akkasone's picture

Chorus Typeface

Chorus Typeface
In music Chorus means a collective effort to sing in unison. Harmony and uniformity are it's key characteristics, the same has been integrated in this typeface. Every letterform has been designed so as to reflect harmony and uniformity when used together to form a letter,
sentence or paragraph.

Available for purchase on:

deniserebryakov's picture

Statut. The Font

Statut is a ceremonial, elegant and highly readable display typeface with humanistic proportions based on Renaissance inscriptions.

This sophisticated typeface is excellent for a variety of uses, including branding of hotels, cafes, restaurants, packaging of premium-class food products, editorial design as well as for projects in fashion industry. Also Statut will fit within projects with a potentially high cultural and historical significance.

Statut typeface has been created under the influence of calligraphic works by Belarusian artist Pavel Semchenko. Works by Semchenko reveal the essence as well as unique characteristics of Belarusian writings in the slavic writing system.

You can try and buy font on

Stefan Seifert's picture


Once again the sensibility of Paolo Roversi inspires me drawing my letters. These photos are from an old Ferretti ad campaign (1998 I think). The characters are from my „Webadvanced“ font. A thicker but meant to be elegant character which I’d love to keep some elegance and liveliness even in the smaller sizes on monitor. What a hard way to go!
I am listening to the beautiful semiclassical music of William Orbit.

samirkkk's picture

what is this font

I Like this font very much but I am not able to see where to get it and what is the name of this font. As you can see the style of A, K, M and W I am not able to get it.

Please help


Here are more images showing composition sticks, type cast slugs, matrices, and press views showing the workings of the R.Hoe & Co. handpress, rods and springs, toggle, bar and platen. The three composings ticks are a standard hand setting stick, a straight Ludlow roman stick and a centering stick. Views of the centering stick with matrices show casting side and top of Eusebius open 36 point brass mats. More to come.

jeffhaste's picture

Please note

To view large images without scroll, do control click to view image and the image will appear full in window.

jeffhaste's picture

The Press at Deerbrook

This a turn of the century R. Hoe cast iron press approx. 22 by 29 platen with a rack and pinion instead of a rounce , and the platen has been thickened for rigidity making it quite strong and reliable. The Cincinnati pres I worked on, in the attachment, an earlier model had a thin platen with large fin braces could still print a large folio the size of a sheet of Roma handmade laid.
Also attached are some cases of hand type from the bank, galleys, and a form.
The sideways galley has Ludlow lines in it. I'll correct it at some point.
Please note; you can control click on large images to open in a new widow if need be.

jeffhaste's picture

Ludlow composing sticks

Here are some sticks showing matrices in line and a specimen sheet, not sure if it will appear large enough, but will scan anew if need be.
The fun in the Ludlow is the setting or composing is much like setting cast type or foundry type by hand in a composing stick. one gets to adjust word space and some letter space and ligature mats are available as well as some swash.

5star's picture



rjwvdk's picture

EUnity typeface

Europe is in a crisis! Countries are in doubt. How much power do we lend to the European Union? What is the value of the Euro? Do we have to suffer for other countries problems? What if we step out of the EU, and just fend for ourselfs?!

It's a crisis indeed, in which there are alot of short term visions and 'solutions'. Surely you can just drop out, but what about the future? Europe must remember that we are not the only economy around. You can fend for yourself for a while but in the end you must compete with future big economic powers like China, India and South America.

What Europe needs to survive on a long term is a solid platform. A strong network with clear guidelines that stimulates trading, but with the countries remaining their own seperate identity.

BAT - Instant from BAT Foundry on Vimeo.

A short video providing the rationale and design thinking behind Instant, a new typeface at Bureau des affaires typographique ( designed by Jérôme Knebusch.

Hat tip to Dan Reynolds (@typeoff) for the link.

5star's picture



jeffhaste's picture

Working Ludlow

Although looked down upon as not being for book work there are several faces designed for the Ludlow that are quite usable for books.
Until I can make a scan of them I'll name them: Eusebius, Goudy, Garamond, and Stellar. There may be a few others but these are ones that I chose based on their typographic merits. Stellar is a sans serif type that is quite nice for its weight and balance.

“The Complete Engraver” is now up on Mohawk Fine Paper's Felt & Wire:

maisnet's picture

Escrita no pavimento

Niels Shoe Meulman nasceu a 25 de Setembro de 1967 em Amesterdão . É um artista visual, grafiteiro, designer gráfico e diretor de arte. Alguns dos seus projetos estão em exposição permanente no Museu Stedelijk de Amesterdão e no  Museum of Modern Art, bem como em imensas colecções privadas um pouco por todo o mundo.

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