<?xml version="1.0" encoding="utf-8"?>
<rss version="2.0" xml:base="http://typophile.com" xmlns:dc="http://purl.org/dc/elements/1.1/">
<channel>
 <title>Typophile - Caps, a question. - Comments</title>
 <link>http://typophile.com/node/41389</link>
 <description>Comments for &quot;Caps, a question.&quot;</description>
 <language>en</language>
<item>
 <title>Muchas gracias Ricardo.</title>
 <link>http://typophile.com/node/41389#comment-257015</link>
 <description>&lt;p&gt;Muchas gracias Ricardo.&lt;/p&gt;
</description>
 <pubDate>Thu,  7 Feb 2008 08:07:52 -0800</pubDate>
 <dc:creator>David Sudweeks</dc:creator>
 <guid isPermaLink="false">comment 257015 at http://typophile.com</guid>
</item>
<item>
 <title>Hi, David, 
Nice work. I</title>
 <link>http://typophile.com/node/41389#comment-254415</link>
 <description>&lt;p&gt;Hi, David, &lt;/p&gt;
&lt;p&gt;Nice work. I know of at least two typefaces that work with a similar idea, but then again they use different types of shapes as their starting points. One of them is &lt;a href=&quot;http://www.fontbureau.com/fonts/Avia&quot;&gt;Avia&lt;/a&gt;, by Raphael Boguslav and Jill Pichotta. The inspiration was &amp;#8220;faulty platemaking or light inking&amp;#8221; that causes the hairlines to be lost, according to Font Bureau&amp;#8217;s catalog. It goes on to say that Boguslav &amp;#8220;understood it as a sophisticated form of stencil design.&amp;#8221;&lt;/p&gt;
&lt;p&gt;I think this shows that two different people can arrive at similar solutions while working on different problems. And it wouldn&amp;#8217;t be the first time this has happened. Since you&amp;#8217;re relatively new to type design, it might be a good idea to continue with this project... You will probably learn a lot from it.&lt;/p&gt;
&lt;p&gt;I&amp;#8217;ve forgotten what the other typeface is called... It might be a custom job, actually, or unreleased. I am pretty sure that it was featured in Print or Step Inside Design a year or two ago, in those annual Young Visual Artists/Ones to Watch specials that they do.&lt;/p&gt;
&lt;p&gt;Oh, and this older thread might have something, too: &lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://typophile.com/node/15767&quot; title=&quot;http://typophile.com/node/15767&quot;&gt;http://typophile.com/node/15767&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;One more thing... If you would also like a critique of your typeface, try posting some examples in the Critique section of Typophile.&lt;/p&gt;
</description>
 <pubDate>Sat, 26 Jan 2008 20:58:05 -0800</pubDate>
 <dc:creator>Ricardo Cordoba</dc:creator>
 <guid isPermaLink="false">comment 254415 at http://typophile.com</guid>
</item>
<item>
 <title>Caps, a question.</title>
 <link>http://typophile.com/node/41389</link>
 <description>[img:Ralph 001_3626.gif][img:Ralph 001b_5289.gif]
The first glyph I drew when I was sketching out this idea Thursday was the capital R. I&#039;m trying to demonstrate the idea of pieces of positive and negative space fitting together implying lines.
Now how do I ask this? Am I unwittingly copying someone else&#039;s work here? What I mean is—I&#039;m relatively new to type design and I haven&#039;t read more than a handful of books on the subject—does this look like a ripoff of someone else&#039;s design or concept?</description>
 <comments>http://typophile.com/node/41389#comments</comments>
 <category domain="http://typophile.com/taxonomy/term/54">Blog</category>
 <pubDate>Sat, 26 Jan 2008 12:23:32 -0800</pubDate>
 <dc:creator>David Sudweeks</dc:creator>
 <guid isPermaLink="false">41389 at http://typophile.com</guid>
</item>
</channel>
</rss>
