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More information about the recovery of this iconic metal type:
Inspired by the classic proportions of traditional book typography, and crafted for today’s digital landscape, the newest release from the Monotype Studio is the Quire Sans™ typeface. Designed by Jim Ford, the family of 20 fonts is a typeface for all media, suitable for everything from branding, advertising and packaging, to displays, user interfaces, billboards, signage and environmental graphics.
Monotype’s Director of Words and Letters, Allan Haley, will Present “Typographic Master Lessons” on May 13, 2014, at 4:30 p.m., at the Hynes Convention Center.
Allan’s presentation will offer sage advice, design solutions and typographic inspiration from some of the most highly regarded design teachers and mentors, including Gail Anderson, Kit Hinrichs, DJ Stout, Michael Osborne, Carin Goldberg, Sean Anderson and Erik Spiekermann.
Allan will also be hosting a giveaway at the event for the following libraries:
Linotype Originals Library
René Braginsky has compiled his spectacular collection of Hebrew manuscripts over a period of more than three decades. It includes medieval documents, artfully prepared wedding contracts, richly illustrated scrolls, illuminated manuscripts, and rare prints.
The collection is characterized by a particular connection between text and art, as these Hebrew scriptures were often decorated with very elaborate illustrations. The focus is on illustrated manuscripts that originated in central and northern Europe of the 18th century showing high points of Jewish manuscript art. All the major Jewish calligraphers and illuminators of the period are represented with outstanding works in René Braginsky’s collection.
Interest in type, typefaces, typography and fonts has grown far beyond the graphic design community, yet few truly understand how and why these vital components of design are created and applied. This exhibition, organized by Monotype and designed by Pentagram for the AIGA National Design Center, celebrates 100 years of type as a constant influence in the world around us.
Noted New Zealand architect Bruce Rotherham (1926–2004) was inspired by Herbert Bayer’s "universal alphabet" created at the Bauhaus in 1927. While he admired Bayer’s pure geometry, Rotherham felt it was "virtually unreadable." The Bauhaus-inspired inclination for architectural publications to use sans serif faces provoked Rotherham to consider how a readable Roman book face might be approached using some of Bayer’s same principles of simplification, but also retracing the evolution and use of the Roman form in an analytic manner.
New to the Monotype® library, the 36-font Burlingame® typeface family offers designers a square, sans-serif design that is suitable for a wide range of purposes, from branding, advertising and packaging to automotive displays, user interfaces, motion graphics, and mobile and broadcast environments.
Designed by Carl Crossgrove, senior type designer at Monotype, the Burlingame typeface performs with strength and grace at any size. It’s a multifaceted, multipurpose typeface family.
World boxing champion Wladimir Klitschko is attempting to deal a knockout blow to illiteracy through a unique fundraising initiative – and Monotype is in full support. Klitschko has punched 26 letters to create a font, which is now available for free on Linotype.com. Monotype has optimized the fist-painted font to ensure clarity and quality.
All proceeds from the voluntary monetary contributions will go to the Klitschko Brothers Foundation in partnership with German charity organization BILD’s “A Heart for Children” charity http://www.ein-herz-fuer-kinder.de to combat illiteracy internationally.
Monotype is now the exclusive provider of more than 100 typefaces from The Foundry, a U.K.-based typeface design studio owned and operated by typeface designers, David Quay and Freda Sack. The Foundry is known for premium-quality typefaces, with designs that have been sought and used by ad agencies, businesses and design professionals across the globe.
New release by G-Type: Precious Sans Two.
G-Type’s first new font release of 2014 is actually a major reworking of an old one, Precious Sans, which originally appeared back in 2002. The new family is called Precious Sans Two, available from www.g-type.com with a 50% discount until the end of January, then with 25% off the standard price until Feb 28th 2014.
Over a decade after it’s first appearance G-Type’s Nick Cooke decided the time was right to re-appraise the typeface, scrutinise the old letterforms and make some important enhancements.
Monotype has become the exclusive distributor of more than 100 fonts from Sumner Stone of Stone Type Foundry Inc. Stone’s typefaces have earned an excellent reputation for quality and legibility for a wide range of uses, from books to display advertising. Along with lecturing, writing and teaching, Stone will be designing new typefaces that will become available through Monotype.
View Stone Type Foundry typefaces on Fonts.com - http://bit.ly/1iT4Cns
And read more about Stone Type Foundry typefaces – http://bit.ly/1kvCbHU
Fonts.com is offering free trials of desktop fonts using Monotype’s SkyFonts™ client, which allows you to temporarily install and trial fonts within documents for up to five minutes.
You can read more on the Fonts.com blog: http://bit.ly/1d15Rtm
And learn more about SkyFonts here: http://bit.ly/IKgHej
Monotype’s Akko typeface is now on “full display” at the Museum of Science, Boston, “Hall of Human Life,” exhibit. Akko is the main brand identity font for the museum’s newest permanent exhibit, which opened to the public this weekend.
P22 type foundry and the Hamilton Wood Type Museum are pleased to present their latest collaborative digital font release via Hamilton Wood Type Foundry (HWT): HWT Van Lanen, by renown type designer Matthew Carter.
Matthew Carter has had a long career as an innovative type designer. He received the 2010 MacAurthur Fellowship award, and in 2011, he received the Lifetime Achievement Award from the Smithsonian National Design Awards. Carter was trained as one of the last type designers to cut punches for metal type production. He has designed type for most technologies with the exception of wood type until 2009 when he was commissioned to create a new original type design by the Hamilton Wood Type Museum.
We are delighted to introduce a new a free version of Monotype’s Typecast application, now available through Google Fonts and Monotype: http://typecast.com/google-fonts
Our premium version of the Typecast application enables typographic experimentation without the need to hand code or use expensive design software. In this new public version, users are able to select any font on the Google Fonts website and then follow the link to the Typecast application.
Monotype has engaged with several of Japan’s top typeface foundries and distributors to enhance company’s portfolio of high-quality Japanese fonts. Typefaces from Iwata, JiyuKobo, Motoya, Ricoh and Type Project comprise the latest additions, bringing the total to more than 500 high-quality Japanese fonts that can be licensed from Monotype for a wide variety of uses.
HWT Gothic Round is the newest release from the Hamilton Wood Type Foundry. Gothic Round was first introduced as wood type by the George Nesbitt Co. in 1838. The font is a softened variation of a standard heavy Gothic typeface. The style evokes a much more recent history of the 1960s and 70s and can be seen in such places as donut shops and on children's toys as well as inspiration for such fonts as VAG Rounded.
Gothic Round has not previously been available as a digital font until now. The font was digitized by Miguel Sousa from a wide variety of historical sources, including visits to the Cary Collection at RIT (Rochester, NY), WNY Book Arts Center (Buffalo, NY) and the Hamilton Wood Type Museum (Two Rivers, WI). The result is a very solid and contemporary font with a 175 year history.
Monotype has announced the Monotype Baseline™ platform, a cloud-based developer platform that offers access to tens of thousands of fonts. The solution is designed to help OEMs, independent software vendors and developers build software products and connected devices that deliver the best user experiences.
LTC Italian Old Style was originally released by P22/Lanston Type Company in 2006. The font, based on Frederic Goudy's interpretation of Nicholas Jenson's Roman face as well as other Renaissance Roman faces, has been newly updated by James Grieshaber for the Lanston Type Company. LTC Italian Old Style Pro is now offered as a pro font family containing 4 styles- Regular, Italic, Light and Light Italic. OpenType features include the original ligatures, small caps and expanded language coverage. The Roman styles, Regular and Light, also welcome the addition of ornaments.
Download the extension for free and use from any Fonts.com subscription plan – including free plans
Access to desktop fonts and Web fonts to boost creative freedom – yes! Through your favorite Adobe applications – yes!
The Fonts.com Extension for Adobe Creative Cloud allows you to try, install and synchronize desktop fonts directly from within Adobe apps including Photoshop, Illustrator and InDesign. This extension also works with any Fonts.com Web Fonts subscription plans, including free plans, making it free and easy to experiment with thousands of desktop fonts within your favorite design apps.
Meet the Metro Nova typeface family, new from Monotype. Designed by Monotype’s Toshi Omagari, Metro Nova is the next-generation version of William Addison Dwiggins’ Metro design, released into the Linotype library in 1930.
Comprehensive, affordable and available online, the new App+ License is ideal for apps, games, editable PDFs, and hardware.
With App+, customers can now embed all FontFonts in software, hardware and editable documents that can be viewed, printed or edited.
HWT Slab features two styles-Antique and Columbian. These two extra bold fonts are classic slab serif wood type styles with one detail of difference. Columbian is an extra bold Clarendon wood type that was manufactured by many of the wood type manufacturers in the late 19th century. "Clarendons" feature bracketed or rounded serif joins whereas "Antique" was a class of typefaces that features squared off slab serifs. Some type designs have only minor differences from others. The Columbian design is essentially identical to Wm. Page & Co.'s "Antique no. 4", with the difference being the bracketed serifs.
Monotype has released more than 8,600 Web fonts on Linotype.com , now available for download and self-hosting. Customers are also able to save 50 percent off the desktop version of a font when purchasing both the desktop and Web font versions.