Can't fin anything closer than Atlas Grotesk you've already found. This /t can't lie to me. But you're right, numerals (/2 is even closer to Helvetica actually). Depending on time period of your sample, could be the original Mercator that Atlas Grotesk is based on: http://typophile.com/node/53257
This /a reminds me of Akkurat.
Quoted from Atlas Grotesk description text
The aesthetic of Atlas was inspired in large part by the sans serifs of the 1950s, specifically Dick Dooijes’s Mercator, released by the Amsterdam Type Foundry in 1957.
It sure looks like Mercator including the numerals. If that’s printed from digital data it must be Laurenz Brunner’s digital version mentioned in the above thread.
Thanks for all these interesting informations. – Isn't that lowercase »a« of Mercator just perfect!
Regarding the layout it reminds of Laurenz Brunner's handwriting too.
25 Jan 2013 — 6:44am
Can't fin anything closer than Atlas Grotesk you've already found. This /t can't lie to me. But you're right, numerals (/2 is even closer to Helvetica actually). Depending on time period of your sample, could be the original Mercator that Atlas Grotesk is based on: http://typophile.com/node/53257
This /a reminds me of Akkurat.
Quoted from Atlas Grotesk description text
25 Jan 2013 — 6:36am
Mercator thread:
http://typophile.com/node/53257
25 Jan 2013 — 8:42am
Considering the delicate trapping (see the four corners of the "4" for example) this is probably a font made in the late 20th century.
hhp
25 Jan 2013 — 9:15am
It sure looks like Mercator including the numerals. If that’s printed from digital data it must be Laurenz Brunner’s digital version mentioned in the above thread.
25 Jan 2013 — 9:22am
Mercator does make sense - the Amsterdam Foundry was big on trapping.
hhp
25 Jan 2013 — 12:39pm
Thanks for all these interesting informations. – Isn't that lowercase »a« of Mercator just perfect!
Regarding the layout it reminds of Laurenz Brunner's handwriting too.