What style, other than fat? Serif? Sans? Handwritten? Etc.

Big Black, T-26.

Klimax.

hhp

Sniglet.

If I may be so bold as to appear to be self-promoting…

http://www.myfonts.com/fonts/nicksfonts/katzenfatzen-nf/
http://www.myfonts.com/fonts/nicksfonts/ozzi-modo-nf/
http://www.myfonts.com/fonts/nicksfonts/deukalion-nf/
http://www.myfonts.com/fonts/nicksfonts/weedy-beasties-nf/beastless/

More bloated than Nicks recommend of Big Black, T-26?

Hmm.

Seriously, though:
http://www.rosettatype.com/Sutturah

Do it!

Or:
http://www.myfonts.com/fonts/thecolourgrey/leyton/
Which seems almost restrained compared to the other examples.

Might as well through my fattest one in there too.

Baro

Adobe Illustrator can bloat stroke any font to heart's content.

Abuse it like you know how.

n.

Two more suggestions: for one, there is the modular Coma, as far as i know also available in a slightly rounded version.
And the slightly organic/modular Assai.

My apologies for self promotion. Not really organic though...

OVERKILL...

@Form Function: Welcome to Typophile. Can you tell us a bit more about your context? It may provide people with greater insight, and allow them provide you with more informed recommendations (and prevent random shots across the bow). It may even be possible that the solution lies in the treatment of the type, and not it’s selection.

An example an old professor used to illustrate this point was a client asking a designer to build a door. They spent days talking about blue doors, green doors, screen doors, french doors, sliding doors, rotating doors &c. After several failed attempts, the designer asked the client “Why do you want a door?” The client replied “So I can provide my guests with privacy.” The designer replied “Oh, well if what you want is privacy, there are many things other than a door we can do for that. A bent hallway or flight of stairs to obfuscate view, sound dampening walls, a guest house &c. By identifying privacy, a whole new set of solutions presented themselves. If memory serves, this was from a lecture on the role of rhetoric and semiotics in the design process.

My father used to use a medical analogy: “Don’t tell me what kind of treatment you want, just tell me where it hurts.”

It has also been my experience that members tend to get more feedback if they use their real names as their screen names. It used to be somewhat of a convention.

And remember: May the fonts be with you™.

This is the best I could find..
http://www.myfonts.com/fonts/los-andes/fatta/

My apologies and best of luck.

@Neil, that is a great figure (for lack of a better description), I particularly like the head, which feels like it is in motion. Do you have your site/identity ready to go yet?

Sorry for going off topic. Back on thread, if you can't find what you need from the variety of great suggestions here you should start teaching yourself how to make fonts. It will focus your mind and keep you out of (certain kinds of) trouble!

Neil, that is a great figure (for lack of a better description), I particularly like the head, which feels like it is in motion. Do you have your site/identity ready to go yet?

Karl, thanks so much for your comment!

It only took about twenty years for me to find that figure ...lol. I always admired guys like Dondi, Haring, Basquiat, et al, who could create a coolio stick figure almost as a second nature of expression. So natch I wanted to create my own. It's more of a squiggle man than a stick man but hey I'll take it :)!!

And what I really dig most about the figure is it's my name/signature.

The feet form an /N/ and up from there is the rest of my first name. The head is a /C/ and the rest of my last name down from there. So the mark doubles as a gestural figure and as my signature. I've snuck it into a couple of important graphics as a main feature ...hehe. It's gestural qualities and figural relationship compliment a manufactured element(s).

And thanks also for asking about my identity ready to go yet ... I'll have it ready sometime during the Spring ...long time coming.

Form Function, you still here???

Have you found a satisfactory thump of plump???

n.

@5Star
Hi. No I've not found a good font, but no matter, the project went in another direction. Your "Eat Fat" font is the closest thing I've seen till now though, so thanks for that.

@Chris Dean.
Thanks for a well written reply.
For this particular project there were no need for context to chose a font. I needed it for a very specific use, and I felt that the keywords I gave were descriptive enough by far.
Your professors example is a good one, and I try my best to think like this in my process.
Real name? Yes, I guess you are right. I will think about it.

@hrant
I know that I came across as rude when I said that, but I do not think you are right. Read my descriptions, and then look at some of the examples. They are not even close to what I asked for. But then again, I do feel a little like an asshole when saying this. I think you're right when you say that people are just trying to help, I just don't think that their effort was completely thought through. Their enthusiasm for showing their own work trumped my wishes.

Again, I do understand that I come across as an asshole, but I do think I'm right. But I do like a discussion, and I'm prone to change my mind if I'm convinced I'm wrong, so feel free to argue why I am.

Bolda Display possibly – not too sure about the S though.

http://cargocollective.com/infamousfoundry/Bolda-Display

Tim

The Shire Types

I just remembered this:
http://www.myfonts.com/fonts/adobe/copal/

hhp