It was just a thought, but am i wrong?
Makes sense. We already associate light weights to “elegance”/”seriousness” anyway.
I would agree with that. I should have said that features can become exaggerated to the point of caricature. I was just speculating why some very bold faces do look “funny.” I didn’t mean to imply that all of them do. I’m thinking of things like Cooper Black or Gill Kayo, for example.
>…Blackoak anyone? You call that a black face? This is a black face! Citation adapted from Paul Hogan in Crocodile Dundee
why not mike ?
I stand corrected!!
If there’s one font that totally dessimates the “we read best what we read most” claptrap, it’s FF Extra. Paul Neville, thank you! hhp
Mike, the more a situation is desperate, the more people will “appropriate” unrelated channels to voice their dissenting opinions. You could say that’s a natural and useful “automatic” tool for ﬁghting injustice, since the more desperate a situation the more urgent help humanity needs. hhp
Also, during the run-up to the invasion of Iraq, Typophile’s moderators invited participants to express their political views by modifying their avatars/portraits/monograms/logos.
Hrant said: “If there’s one font that totally dessimates the “we read best what we read most” claptrap, it’s FF Extra.” I too consdier this prhase is tricky, considering that familiarity is only one of the factors which aid type legibility, but how does this font particularily tears down the saying.
Sorry guys, I started this thread, but I couldn’t react myself sooner. I was just wondering this question myself. Because as you commented right, when a face is made bold, it starts becoming a caricature. Several people have tried diﬀerent theories to make type more bold. But most of them didn’t loose the caricature factor. Why is this? Couldn’t there be a way to make type bold, whitout this eﬀect? And I have a second question. Now we take bold type for granted, but it is a ‘modern’ feature of faces.
In many ways I think black weights are more human than light weights, but I’m not so sure they are always more funny. I’d like to see what you are thinking. Can you post some examples?
RE: Political messages. Sorry. I did not realize that it was invited by the moderators. I am happy to abide by the rules …etc. I made the comment because for me type and books are a way to relax and ﬁnd some small enjoyment in a diﬃcult world. It is a minor irritation to be reading along with a smile and then encounter a slogan that slams ‘my president’. I just do not want to deal with that while I am here. Please do not make the assumption that I am not active, engaged or that I am somehow creating a lifestyle of avoidance, as that would not be correct. I have invested a great deal of time researching this who Iraq situation, talking about it and staying abreast of it. I read a number of publications that deal with word issues, events, politics, policy and so on. Typophile and type related pursuits are a break for me. That is all. Thank you for the polite and helpful responses and I am glad my question did not derail the topic of this tread! ;)
Invitation is not quite true- modifying user icons really came from user request (during a Typophile Lunchbox, I believe), and we said “OK, go for it”
As much as I disagree with the Bush Administration and it’s policies, I tend to agree with Mike. Let’s talk type and leave political discussion to the folks at the FreeRepublic or Democratic Underground. (Whichever suits your taste!)
Dont worry mike i
> but how does this font particularily tears down the saying. H
>Is a bold wheigth just a ‘normal’ wheight made >fatter, or can is it a totally diﬀerent design >which can be use a bold version of a lighter >wheight? A good example of a bold diﬀerent from the regular is Frantisek Storm’s Lexon Gothic. There’s a short explanation on this design, written by Storm himself, scrolling down the page. I think it’s more interesting when bold and regular actually have diﬀerent designs, but like Hrant said, it depends on the overall design.
Interesting topic. Maybe they usually end up “funny” because the femimine Carolingian foundation of most contemporary work makes dark weights chubby and cute. But if you picture a really dark fraktur for example (or anything angular), I’d say it’s the opposite of funny. hhp
Maybe because black weights suﬀer major deformations in the shape to ﬁll the inner space
When a typeface gets very bold, its features become more exaggerated until it becomes almost a caricature of the “normal” weight. I think exaggeration is the key. It is, after all, one of the basic elements of humor.
Does everything have to be funny? hhp
What do you mean?
I don’t think a Black weight has to be a funny caricature, and sometimes it plain shouldn’t be — it depends on the character of the face. Galliard for example is a very “joyous” design, so its Black is perfect. But Patria’s Black should be (and will be) austere. hhp