Jordan-

It looks good, but I have a few suggestions:

The x in the lower case appears too dark - try eliminating half of the serif on the inner counter of the thicker stroke.

The Z in the upper case could be bevelled at the corners.

In a font like this, the tail of the Q can afford to be a bit more exhuberant.

The figures irk me a bit. I understand that you're going for an old style look here, which is fine, but it can stand to better match the rest of the typeface. Strokes on the 1, 4 and 7 appear too dark. Plus, that aforementioned stroke on the 7 should come down as a descender.

In my opinion, the punctuation seems too small for the rest of the letters.

You've got a great start - I look forward to the end result!

-Jake

Jake, et al




Here are some changes, most importantly to the figures. The uc & lc Z do look better with the bevel at the corners. Not sure about the Q tail but does look better than that weak thing it had before. Needless to say, I am working on this. I would have to say before someone asks that I can guess that the approximate time it took to make the font so far has been about 2 months, not every minute of the day, but when working on it as I did today just on the changes, about 4 hrs per day. I enlarged the punctuation and put some different letters in one of the samples. The lc x is improved I think.?

Jordan

The foundation for this face is strongly geometric - and that has its validity. But I would caution that there has to be at least a small non-geometric "compensation" somewhere for it to click as a usable face. Futura's subtle modulation where the rounds meet the stems is a good example.

hhp

Seeing the uppercase and lowercase interacting, the uppercase looks much thicker and taller. Maybe get those to match in scale.

Also, Jordan, just to let us in on the info, what are you trying to achieve with this font?

I wish. I can't justify a plane ticket to toronto with my salary though

I like it, it does need some work though. It looks slightly "highschool". uhm, like the typefaces they use on cheerleaders tops. yeah.

Here are some fairly substantial changes, most notably in the lc, but in all of the characters, the serifs have been widened, the tops of the joining strokes lc b,d,h,m,n,c,r,p,g have been rounded, rather than going straight in a very geometrical way. I printed out some samples at small point sizes, 10, 12, and the differences between uc and lc didn't appear to be a problem. See sample in 12 pt. I was not familiar with FF Shefiff but did look at it, and yes, there was a simiilarity in style with h, m, and n letters. This was not intentional, but it is changed anyway. Jake's suggestion re lc x was implemented. I am still thinking about where this is going, in response to Max H's question. Modern wood?
Jordan

Yes, the subtelties you're introducing are
starting to give this face some promise...

Ok, after much work, little rest (just kidding) I have done some more work, most importantly bringing the uc into shape so that it conforms to the lc, rounded S, s, rounded top strokes to the P, R & B, rounded C, c, G & D, O, Q a narrower A & V so that they are related to each other more correctly, plus other changes like a bit wider E & F. While there is unquestionably more work to be done here, I did print it out at 7 over 9 and it looks ok. The differences in weight between the uc and lc in this size really don't seem to make a difference I can see that would be annoying. I suppose there is just enough here which is quirky to distinguish it from others of its kind, but ...
Jordan