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Show and tell - your letterpress collection (or other curiosities)
Posted by elliot100 in
9 Oct 2005 — 4:54pm
9 Oct 2005 — 4:54pm
As the title says, would be most interested in seeing what priceless collections of old wood or metal type, or maybe original ink designs, or antique letterpress posters, presses or whatever everyone has...
(I guess this as well my interest in type generally, is sparked partly by a recent trip to Puglia in Italy - I was surprised to find an old fashioned print workshop seemed to be a standard fixture in every town. I nipped into one (I think in Lecce) and was shown around by the elderly owner who showed me all his letterpress stuff, at first I thought he kept it fo posterity -- but he explained it was all very much still in use for wedding stationery and church festival posters. To be honest he seemed a little bemused by my interest...anyway I digress)
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9 Oct 2005 — 6:00pm
if i had a set of original metal type, i would string the letters of my name together as a necklace and wear it as a typographer bling bling.
9 Oct 2005 — 6:48pm
eliot100
There are a good many letterpress folks still in operation, more and more actually, though most of the newer entrys are using the photopolymer plate process.
I still have about four cabinets of medium- to larger-sized metal typefaces for use in broadsides and poster work as well as a very prestine collection of Klingspor's Claudius Fraktur and an extraordinarily large run of Ludwig & Mayer's Dominante (which, as far as I know, has never been digitized).
Gerald
http://BielerPress.blogspot.com
http://groups.yahoo.com/group/PPLetterpress
10 Oct 2005 — 5:49pm
Hmmm... I've never put together a catalogue of the various type and print samples and paraphenalia stashed in my cave.
Plus a whole bunch of other books, specimens, odds & ends basically collecting dust.
10 Oct 2005 — 6:29pm
After some fifty-odd years of collecting effects for my printshop/foundry I've got more stuff than I can list, but one part of the collection that interest most visitors is the shelf unit holding about sixty suites of Monotype Giant Caster matrices.
These are what most people in the "private press" area of interest would find to be ugly typefaces: Bodoni Bold and Italic, Jefferson Gothic, Onyx, Goudy Handtooled, Brush Script, Valiant, Franklin Gothic etc. Okay, even I think Goudy Handtooled is a little on the homely side.
A few days ago I had another art college class visit. The instructor zeroed in on the Brush Script and fell in love with the mats, showing them to his class. This box of Brush Script contains the rare Th and tt logotypes along with two or three others. The mats are all in the large size range of 42 to 72 point, and are punched aluminum.
I've been wanting to do a sample casting of as many of them as I can to include in a little autobigraphy (ego, ego) I am writing and printing. This seems to me to be a good reason to drag them out and put them on the Super Caster, since they haven't been cast into for many many years.
One other oddity is a suite of about a dozen engraved brass mats which are large condensed figures: 10, 20, 30, etc. These are engraved in reverse into a checkered background. They look like they were custom engraved for use in horse racing betting slips or something like that. anyone ever seen this kind of thing???
I did have one nifty font of woodtype a few years back; a very odd size of 51 picas. I've never seen such an unusual size before or since. They went on to be donated to an art school some years back. The school dumped the type along with all of the little printshop about four years ago. Dumb buggers.
I've got a box of miscellaneous Giant Caster mats containing a set of figures of Bodoni Black Condensed in 120 point. These were intended to be cast "sideways" on the mold of the Giant Caster. They won't fit on the Super Caster so I keep them as a curiosity.
Jim
10 Oct 2005 — 7:55pm
I have just one face, but it's loverly, and not available digitally: Pascal,
in 60 (some sorts damaged), 48 (needs cleaning) and 30 (slightly worn).
I also have a very large (12 x 16 inch) photo-
polymer printing base, which has yet to used...
hhp
10 Oct 2005 — 11:00pm
although my personal collection is sparse nowadays, i was head letterpress printer at boxcar press for two years. we had a fair amount of wood and metal type (and had access to all of syracuse university's metal - original goudy stuff).. we printed almost exclusively from polymer, though. all way up to 22 x 30 inch bases on heidelberg cylinder letterpress presses. good times.
5 Aug 2012 — 8:52am
[Edit]
11 Oct 2005 — 1:22am
Very interesting!
Really must go to St Brides. Wish I'd seen the conference details in advance, I could be there right now...
All this physical craft a *very* long way from the process our printers employ : upload as PDF at 6pm, automated prepress, straight to plate, often out the door at 2am to get to the airport -- I'm in-house at a big financial firm.
11 Oct 2005 — 2:24am
Elliot,
Try the Type Museum in Stockwell, they are based around Monotype but have collections from many, now defunct, foundries, and do demonstrations of punch and matrix making and casting. I was given a souvenir of the Lord's Prayer cast on a pica em block, which they used as a demonstration of their abilities (unfortunately I've never had the opportunity to print from it or take a satisfactory picture).
Tim
11 Oct 2005 — 1:41pm
hello everybody!
I'm proud and honoured to say that I own the word 'Bodoni'tided up in a typographer's cord given to me be himself, and also a lowercase 'g' of I believe to be a genuine 36pt Bauer Bodoni metal type specimen, and some others I´ve found, 12pt garamond monotype original (the fake garamond, jannon, we should call it...) and some others of Times 9pt I believe and still a gill sans italic monotype specimen (12pt?). I'd love to have some more.... who knows...
Unfortunately I don´t have a camera good enough to take decent pictures to show.... sorry.
In Portugal there's Printing museum near Oporto, which I advise to take a look. Unfortunately, it's portuguese..... :(
http://www.imultimedia.pt/museuvirtpress/port/frame1.html
12 Oct 2005 — 4:05pm
From the type shop at UIC:
12 Oct 2005 — 4:08pm
Oops, not used to the "new" Typophile. I guess just go to my flickr page to see the type pics. The stuff in the set titled Mu Meson was done with some rickety old wood type and some background patterns that were revealed to me after there was a flood under the sink.
http://www.flickr.com/photos/1saac/
18 Sep 2006 — 8:02am
I want to send a warm welcome to everyone loving letterpress and who is interested to visit my "Preußisches Bleisatz-Magazin" virtually found at http://www.bleisetzer.de
Best wishes to all the letterpress friends worldwide.
Georg
23 Oct 2006 — 7:31am
Just for fun.
23 Oct 2006 — 8:40am
Excuse the lousy pic - I just bought this yesterday. It's not metal type exactly - for one thing the letters are etched rather than raised and for another, they read right, not reverse, but I thought they were great. There are 2 each of the lowercase, no caps.
If anybody has any thoughts about what these might have been used for I'd be interested...
23 Oct 2006 — 8:46am
Maybe doing rubbings with paper over them?
hhp
23 Oct 2006 — 9:12am
You mean frottage? (a word which has a delightful 'other' meaning as well)
23 Oct 2006 — 9:20am
I was only aware of the delightful meaning;)
Maybe they are to help schoolchildren with forming their letters, using a stylus to follow the channels, I notice that many characters have high and low joining strokes.
Tim
23 Oct 2006 — 9:22am
Wild guess but given the constant, indented line and right-reading, was wondering if they were guides to be traced with a pantograph, maybe to drive some sort of engraving tool?
23 Oct 2006 — 9:32am
Je frotte avec l'alphabet - mais pourquoi pas!
I think Elliot has it.
hhp
23 Oct 2006 — 9:45am
Good thinking Elliot, what size are the characters Patty?
Tim
23 Oct 2006 — 10:19am
The x-height is 3/4"; the f (the tallest character) is about 3".
I noticed the double joining strokes too - which lends more credence to Elliot's idea.
I think they are lead - to be safe I'm washing my hands after I touch them.