Exporting heavy typefaces.
Hello Typophiles,
Last night while experimenting with type, I came up with this idea of having a 3d wire frame typeface. Although its very graphic but can be used for some specific purpose, like in posters and the magazine headings. But the problem is that each glyph is becoming too heavy and dunno whether it will be possible to export them as a typeface or not. I have all the drawings in the vector format. What do you guys think_? Is it possible anyhow_? Anyone_??
Thanks!
Satya_
















14.Feb.2007 7.48am
They are very nice forms. To be fonts it would depends on the number of points - they would have to be truetype and in the past some complex fonts have used more than one glyph window for one character. I digitized some ornate Victorian typefaces a few years ago and had problems with them not printing or having bizarre lines develope. Your forms look to me like they will have to remain vector art - just too complex.
14.Feb.2007 8.10am
Love the blend tool - can you say Spirograph? :)
peace
14.Feb.2007 8.19am
neither spirograph nor blend tool, simply Illustrator. guess ??
14.Feb.2007 11.48am
That’s really terrific, Satya. I have absolutely no clue as to the feasibility of what you’re suggesting, having had little experience actually creating fonts, but I’ve never seen anything that looks remotely like this. I especially love how you’re able to create a real sense of depth with the crossbar of the t and the overlaps of the “fabric.” One thing I’m not crazy about, though, is breaking off the “serifs” of the s, as you’ve done here; I’d rather if the letterforms were all unbroken. Again, good luck, and sorry I couldn’t answer your question.
14.Feb.2007 11.58am
If it turns out not to be feasible to put this in a standard font file, you could consider releasing it as individual EPS files.
14.Feb.2007 2.48pm
That is a beautiful sculpture, really, in a garden maybe, 3 meters tall——it is terrific.
19.Feb.2007 4.01am
scribble effect! yay
19.Feb.2007 4.28am
>> scribble effect! yay
:) exactly.
25.Feb.2007 10.28am
Neat! reminds of
http://www.veer.com/products/typedetail.aspx?image=UMT0000144
btw using another commercial typeface to produce a new one in this way - does it work?
25.Feb.2007 10.58am
Ohh wow...That typeface was created with the same tool i did mine.
and I didnt knew...It means its possible to export this face as well.
Now please someone tell me who created this face.
http://www.veer.com/products/typedetail.aspx?image=UMT0000144
Hello Grant!!!!
25.Feb.2007 1.18pm
Veer’s about page that you linked to said that Corey Holms created Pea, if that’s what your question was, Satya. But if you read what it says, he made his using “elaborate calligraphic swashes,” which is somewhat different from what you’re doing. So I would continue to pursue yours, definitely.
26.Feb.2007 4.46am
Pea was done with a plugin, I dont remember which
26.Feb.2007 2.59pm
Lovely work Satya. Have you read the book Metalheart
http://www.amazon.co.uk/Metalheart-CDROM-MIV-Andreas-Lindholm/dp/1584230...
The design kind of reminds of the shapes they achieve in here.
26.Feb.2007 3.10pm
Thanks Andi,
Yes, I’ve seen this book. Its there in my school’s library.
will check it today for those shapes you’re talking abt/.
11.Mar.2007 7.14am
When looking up Roger Excoffon (after reading about Quimera’s inspiration), I came across Calypso D, which reminded me of your project in its folding. Obviously, they’re quite different, but the three-dimensionality of Calypso was striking — especially since Wikipedia says he designed it in 1958.