If you are in a hurry, Yves, take Neon lights …

OK thanks Rainer.

I’m not a big fan of this, but as it simply is to demonstrate something — not actually use it for a design — I guess I’ll be able to look myself in the mirror tomorow. ;^)

Yah, I know. But is there an original Quicksilver digital out there? Unfortunately the link in the above thread leads to nowhere. And is the Neon Lights-font a knock-off? Or a revival? Who knows? Not me.

PS:
– »It also appears that Letraset’s Quicksilver is only available in the form of crummy unauthorized free fonts.« Mark Simonson.
– »Yup, an unfortunate fate for quite a few typefaces it seems...« Bald Condensed (ibid)

Case closed. Case closed?

Yeah I guess so. You are right on all counts. BTW The digitisation of Neon2 is kinda crummy, so I don’t think it’s an authorised digitisation. ;^)

BTW The spoof album cover with the font worked out great. I’ll show it to you after Typo Berlin. Will you be there?

Great, you are very welcome, of course.
Sorry; I will not be there. Alas. But would like to see your presentation.

And, you know, Jürgen Siebert is rolling the advertising drums every day. ;^)

Oy, he’s advertising our presentation! The pressure, the pressure...

Hahaha, good luck.
I KNOW you two will make it wonderful.

The digitisation of Neon2 is kinda crummy, so I don’t think it’s an authorised digitisation

There are many fonts which have been digitized that are crappy versions. Sadly. I don’t think having authorization to do so guarantees a good version.

FYI—
Dean Morris, the designer of the one and only true original Quicksilver, just posted the full story (at another forum where I ocassionally ID faces) behind his designing the typeface, Letraset and the laments of poor rip-offs.
Maybe we can entice him here!

With his permission, I am able to “pass along this modest piece of graphic microhistory.”

***THE STORY OF LETRASET’S QUICKSILVER TYPEFACE***

I’m Dean Morris, the designer of the typeface “Quicksilver” that came out in 1976 as part of Letraset’s Letragraphica range of rub-down fonts, the stylishly aggeressive ones in the yellow pages of the catalog.

I named the typeface “Quicksliver” because it looked like bent thermometers — quicksilver being a nickname for mercury (I never meant it to suggest neon), and because “Quicksilver” had some of the cooler letters such as Q, K, E, and R. The name was my second choice, however. Letraset Englishly felt that my first choice,
“Polished Sausage”, would be “rather unpopular in foreign markets”.

I designed it as a 16 year-old kid in John Glenn High School in Bay City, Michigan, and sent Letraset a xerox of a tight sketch of 3” letters kerned with the heavy outlines slightly overlapping as I originally intended. I drew only the skinny S without an alternate and submitted no punctuation (what did I know?).

Letraset must have wanted it real fast (disco was WHITE HOT then, remember), because they did the finished art themselves at 5” high (they can’t have known my age, maybe they had no confidence in my technical talent), starting with the E as did I in the design stage. And what a gorgeous rendering job they did in the pre-Mac days of ruling pens, straightedges, and handdrawn curves (those aren’t compass curves)!

Letraset stayed very close to my tight sketch, designed the punctuation, and suggested an alternate but weird wide S, which I approved, figuring there was probably no other decent way to design it. I imagined the punctuation would match the stroke width of the letters but they drew them narrower and slightly oddly, but I figured what the hell.

If you wondered, “What was I thinking?” when you looked at the A, B, E, F, K, N, Q, R, and Y, I’ll tell you. I was simply trying to describe part of the letter being drawn in the wrong direction. I thought I was so clever. For instance the E cross-stroke goes from right to left rather than from left to right like, oh, any other Roman cap E in history. R and Q diagonals came from waaaaaaaay on the other side, N goes waaaaaaay around the wrong way before starting the diagonal. “Chrome” letters can branch but these “glass tube” letters don’t!

Alas, digitization came along eventually and Fontographer technology followed. Crash went sales of rub-down type, and control of artwork was pirated without my knowledge and beyond my control, which I don’t condone but I totally understand.

The first album cover I saw with Quicksilver was Men At Work’s first smash LP, then punk pioneer Stiff Records’ logo appeared on 45 rpm labels with a clearly Quicksliver-inspired F. For about ten years I, family, and friends collected food packages, posters, took photos of signs, etc. with Quicksliver from around the world. I think it’s about the easiest typeface to mishandle ever. Eventually I stopped trying to keep track of it.

Maybe I’m overestimating its popularity now after 30 years (I totally forgot about it for about a decade), but to me seeing it around at all is itself a rave. I can’t remember why I Googled “Quicksilver Letraset” a few days ago and what I found was a whole community of sites for font identification and original name lists (where they bothered to accurately credit me as designer which gets me RIGHT HERE). It makes me feel less forgotten even though I don’t see royalties.

BTW, I never did, nor did Letraset ask me to, design a lower case version. Feel free to pass along this modest piece of graphic microhistory to any Letraheads.

Dean Morris, May 2007, New York City.

Dean visited us as well, Norbert. ;^)

Here and here, plus a mention of the MyFonts thread here.

Sorry... that’s what happens when one becomes an infrequenter.

Yeah, where were you!? :^D

i’m putting my quicksilver paraphenalia onto flicker. this is a start and i have are more examples to scan and post...

http://www.flickr.com/photos/27088565@N07/sets/72157605297772027/

Hey Letraheads! Thanks for your interest in this historic cultural oddity. Quicksilver, the Citroen Deux-cheval of typographic aesthetics, looks lame from any angle. I’ve put together examples that I and others have collected over the years.

http://www.flickr.com/photos/27088565@N07/sets/