Any typographer knows (if one indeed can call oneself a “typographer” nowadays) that context, inflection and intent influence the choice of typefaces and treatment.
Since you’ve only given words to set, any face might do.
;^)
Oh. Sorry. I thought you were looking for one that fits all three. Hmm. I guess I need to think a bit more. Electra does fit all three though. Dwiggins was ahead of his time, he had tons of passion (enough to drive CH Griffith nuts), and is a legend.
1, Erik Spiekermann’s FF Mt Bk (published April 1 ’O7) (being innovative itself in it’s space saving lack of vowels)
2, My own horrid, derivative and error riddled as-yet un-named typeface, being my first attempt at a typeface. with some work and a bit of passion, I can only get better.
1. Innovation -> Universal: from H. Bayer
2. Passion -> Zapfino: from H. Zapf
3. Legendary -> Garamond: from it self (1530)
4. Desire -> Bodoni: from it self, its a sexy type
5. Inspire -> Comic Sans (just kidding) -> Loreto: A revival of the first book printed in Argentina, its my inspiration.
Innovation: that nice sans (Axis, it think. Only available in Japan?) done by the Japanese guy at Linotype (If he can’t be bothered to sell it in English, I won’t be bothered to remember his name).
Passion: What kind of passion? Hitler was probably passionate about certain things. But I bet I could find something by Ale Paul that does the job in any case.
Legendary: Again a reference would be nice. Legendary: Wild Bill Hickock, a Roman Emperor, General Patton, Dirty Harry, etc.
I did enjoy seeing Chris’ recommendation Requium. For certain legendary things it would be exceptional.
Disclaimer: I value my opinion, but there is little reason for this to carry over to anyone else.
: )
Although I agreed with what’s Norbert wrote :
“Any typographer knows (if one indeed can call oneself a “typographer” nowadays) that context, inflection and intent influence the choice of typefaces and treatment.”
I play the game and I my point of view here the result at 11:02 AM, Thursday, august 21, 2007. An other day, in an other context, the choice could be different:
How and where are the words going to be displayed? In isolation, or in text? Separately, or close to each other? At what sizes? In print or on screen? At what resolutions? In what colours? Will the words be reversed out of a darker background?
For individual words, the best solution may well be custom lettering. Typefaces exist to make it easy to compose large quantities of text. If you only have three words to worry about, you can make something much more interesting and tailored to both content and circumstance by creating custom lettering.
I somewhat interpreted it as what fonts I find innovative etc.
I guess I should have read the question more closely... ’to set these words’.
Oh well. ;)
Thank you all for playing the game so far. To put it into context: This was a small brainstorming session for a friend of mines work. He used to be a typographer/designer and has now crossed into the photography realm. However he can not quite let go of his former love so he decided to combine them and has started making a series of typographic handmade hi res images. I’ve included one for reference here. More to come as we go;-) This is where art meets type, where the meaning is not necesarily obvious at first glance.
> Hello Quincunx, off topic but anyway, I really like your typeface design on sixtypound. Nice work!
Well, one offtopic post is probably not too bad ;)
So, thanks! It’s not finished yet, I’ve put it aside for a while, to get back to it with a fresh eye. (Is that even correct English? Oh well..)
17.Aug.2007 9.27am
Dwiggins’s Electra
17.Aug.2007 10.16am
Hi Tiff
For all? Not a seperate typeface for each of the words?
17.Aug.2007 10.28am
It’s a trick questions, right?
Any typographer knows (if one indeed can call oneself a “typographer” nowadays) that context, inflection and intent influence the choice of typefaces and treatment.
Since you’ve only given words to set, any face might do.
;^)
17.Aug.2007 10.33am
1 Electra Regular
2 Electra Italic
3 Electra Bold
17.Aug.2007 10.35am
Oh. Sorry. I thought you were looking for one that fits all three. Hmm. I guess I need to think a bit more. Electra does fit all three though. Dwiggins was ahead of his time, he had tons of passion (enough to drive CH Griffith nuts), and is a legend.
17.Aug.2007 10.54am
I wonder what Massimo would say? :-)
ChrisL
17.Aug.2007 10.55am
Gridnik
Sassoon
Giddy Up
17.Aug.2007 10.59am
(sorry, no kerning MyFonts sample)
17.Aug.2007 11.01am
I wonder what Massimo would say? :-)
1. Bodoni
2. Bodoni
3. Bodoni
17.Aug.2007 11.23am
17.Aug.2007 11.34am
Patty,
He might have said 3 Helveticas as well :-)
ChrisL
18.Aug.2007 6.56pm
1, Erik Spiekermann’s FF Mt Bk (published April 1 ’O7) (being innovative itself in it’s space saving lack of vowels)
2, My own horrid, derivative and error riddled as-yet un-named typeface, being my first attempt at a typeface. with some work and a bit of passion, I can only get better.
3, The legendary Blackadder
—
19.Aug.2007 9.58am
HELVETICA
HELVETICA
HELVETICA
you cant go wrong!
hahaha
just kidding!
XD
1- Meta
2- Zapfino
3- Frutiger
This were the ones that came to my head at this time hehe...
19.Aug.2007 1.06pm
1. Futura
2. Bodoni
3. Caslon
ChrisL
19.Aug.2007 3.44pm
Scala (Sans)
p22 Cezanne
Garamond (specifically Premier Pro...)
20.Aug.2007 3.19am
An HFJ set:
1. Numbers Prospect
2. Mercury Display Italic
3. Gotham Medium
20.Aug.2007 3.28am
1 - Base Nine
2 - Cronos Italic
3 - Baskerville
cheerio Queneau
20.Aug.2007 9.10am
1. No idea. This word is so wilted by marketing abuse I can’t think straight...maybe some light grotesque set in all caps with generous letterspacing?
2. Bello
3. Requiem
20.Aug.2007 1.20pm
1 — Legato
2 — Thesis (You have to have passion to do a family like that)
3 — Garamond
20.Aug.2007 2.54pm
Interesting;-)
How about these then?
1. Desire
2. Inspire
20.Aug.2007 4.52pm
1. Innovation -> Universal: from H. Bayer
2. Passion -> Zapfino: from H. Zapf
3. Legendary -> Garamond: from it self (1530)
4. Desire -> Bodoni: from it self, its a sexy type
5. Inspire -> Comic Sans (just kidding) -> Loreto: A revival of the first book printed in Argentina, its my inspiration.
greetings
Ferch
20.Aug.2007 4.53pm
.
20.Aug.2007 4.53pm
.
20.Aug.2007 5.07pm
Innovation: that nice sans (Axis, it think. Only available in Japan?) done by the Japanese guy at Linotype (If he can’t be bothered to sell it in English, I won’t be bothered to remember his name).
Passion: What kind of passion? Hitler was probably passionate about certain things. But I bet I could find something by Ale Paul that does the job in any case.
Legendary: Again a reference would be nice. Legendary: Wild Bill Hickock, a Roman Emperor, General Patton, Dirty Harry, etc.
I did enjoy seeing Chris’ recommendation Requium. For certain legendary things it would be exceptional.
Disclaimer: I value my opinion, but there is little reason for this to carry over to anyone else.
: )
20.Aug.2007 6.09pm
21.Aug.2007 8.01am
Although I agreed with what’s Norbert wrote :
“Any typographer knows (if one indeed can call oneself a “typographer” nowadays) that context, inflection and intent influence the choice of typefaces and treatment.”
I play the game and I my point of view here the result at 11:02 AM, Thursday, august 21, 2007. An other day, in an other context, the choice could be different:
21.Aug.2007 10.24am
^
yours are good!
21.Aug.2007 3.01pm
My choices:
Sharon
21.Aug.2007 3.07pm
I’ll play along.
Etelka Light, Dolly Bold, Whitman Reg.
21.Aug.2007 6.29pm
Hopefully I won’t get a flogging for this... it’s all in jest!
The David Carson version:
21.Aug.2007 6.37pm
Puke! (that is the response you were soliciting??)
21.Aug.2007 6.39pm
Nah, just end-of-workday boredom :)
Seriously, though:
1. Univers
2. Optima
3. Jenson Classico
21.Aug.2007 6.45pm
Innovation: Auto (3 italics) or Klavika
Passion: Bello Pro (Underware again, because it’s just a marvellous face)
Legendary: Caslon or Dante
Sorry, couldn’t pick one.
22.Aug.2007 6.31pm
Auto italics, Bello pro nad dolly are relly original, i try not to use them much, they are addictive XD
Underware rocks!
22.Aug.2007 6.38pm
> Auto italics, Bello pro nad dolly are relly original, i try not to use them much, they are addictive XD
Underware rocks!
I want ’em all.
Luckily, I might have an opportunity to purchase Dolly in a couple of days. But I’m not sure yet. At least it’s not too expensive.
22.Aug.2007 7.14pm
How and where are the words going to be displayed? In isolation, or in text? Separately, or close to each other? At what sizes? In print or on screen? At what resolutions? In what colours? Will the words be reversed out of a darker background?
For individual words, the best solution may well be custom lettering. Typefaces exist to make it easy to compose large quantities of text. If you only have three words to worry about, you can make something much more interesting and tailored to both content and circumstance by creating custom lettering.
22.Aug.2007 7.27pm
Yeah, what he said.
22.Aug.2007 7.41pm
it would sort of make sense to supply your own context.
(be it ever so humble)
23.Aug.2007 4.50pm
let your imagination fly! :)
no rules!
its a game!
23.Aug.2007 4.54pm
its a game!
Sorry, I thought it was typography.
23.Aug.2007 5.10pm
> its a game!
Sorry, I thought it was typography.
“Not mutually exclusive.”
23.Aug.2007 8.16pm
I somewhat interpreted it as what fonts I find innovative etc.
I guess I should have read the question more closely... ’to set these words’.
Oh well. ;)
3.Sep.2007 4.58am
Thank you all for playing the game so far. To put it into context: This was a small brainstorming session for a friend of mines work. He used to be a typographer/designer and has now crossed into the photography realm. However he can not quite let go of his former love so he decided to combine them and has started making a series of typographic handmade hi res images. I’ve included one for reference here. More to come as we go;-) This is where art meets type, where the meaning is not necesarily obvious at first glance.
3.Sep.2007 5.22am
That looks interesting. Please post any other experiments here as well. Or link to them anyway. :)
3.Sep.2007 7.25am
Hello Quincunx, off topic but anyway, I really like your typeface design on sixtypound. Nice work!
3.Sep.2007 10.12am
> Hello Quincunx, off topic but anyway, I really like your typeface design on sixtypound. Nice work!
Well, one offtopic post is probably not too bad ;)
So, thanks! It’s not finished yet, I’ve put it aside for a while, to get back to it with a fresh eye. (Is that even correct English? Oh well..)
3.Sep.2007 10.29am
Correct English? What do I know, I’m Norwegian. Know what you mean though;-)