Type Classifications
Hi,
I have been trying to figure out exactly what the ’official’ classifications of type are, and I have found some, but I was wondering if I was missing any or if there are any errors/repeats in my list.
Thanks a lot!
I found these, so far:
(Thanks so ’Thinking With Type’ by Ellen Lupton and ’The Elements of Typographic Style’ by Robert Bringhurst)
Humanistic
Antique Roman
Transitional
Egyptian
Modern Roman
New Transitional
Linear Grotesque
Linear Neogrotesque
Linear Geometric
Linear Humanistic
Stone Carved
Calligraphic
Stylized/Decorative
Glyphic
Black Letter






























13.Sep.2008 12.22pm
The only “offical” system of classification is whatever the current ATypI version of the Vox system is. There really isn’t any other organization trying to maintain a standard. Poke around some more and you’ll quickly discover that just about everybody who writes a type textbook has something to add.
13.Sep.2008 12.43pm
Good answer, James. Classifying type is not a science like classifying animals or plants. It’s far too subjective to be useful to everyone. I would examine a few methods and then organize in a way that make sense to you.
13.Sep.2008 1.47pm
Hi Bailey,
check this out:
Typeface Classification Schemes
F
13.Sep.2008 2.37pm
Rather than static classifications I prefer categorizing by aspects like Noordzij’s translation (broad nib pen contrast) vs expansion (pointed pen contrast), serif vs sanserif, upright vs italic construction, maybe round vs broken curves, which together allow covering a wide range of typefaces: The Renaissance/Humanistic, Transitional, Classicistic distinction can be applied to serif and sanserif type alike, even to slab serif type (which offers a finer grid than the single “Egyptian” in your list). Turning to the broken category, maybe consider, with Noordzij, Textur as a broken upright and Fraktur as a broken italic, rather than just “Blackletter”. This approach helps to look at typefaces more carefully and focus on their construction rather than secondary or even accidental aspects.
Limitations of static classifications become obvious with “Calligraphic” or “Stylized/Decorative” which can contain very different typefaces for which there is no place in any other case.
If you can get hold of it, have a look into the first volume of the Scangraphic Digital Type Collection, edition 4/1990, pp. 65-81.
13.Sep.2008 4.33pm
I classify by place and date.
14.Sep.2008 3.38pm
Bailey, another book you might want to look up is Printing Types: An Introduction, by Alexander Lawson. Chapter 3 is devoted to type classification and includes a discussion of the Vox system, the ATypI system, the British Standards system, and the DIN system, plus Lawson’s own attempt to formulate a rational system.
There is also a very good article by Jonathan Hoefler, “On Classifying Type”, in Emigre 42. Maybe you can find it at a library.
14.Sep.2008 4.27pm
Thanks to everyone for all the great links and suggestions, I have a much better understanding of the different classification systems now
Bailey