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A recurring topic that Eben Sorkin has been bringing up is the variation of letters within body text faces, something that today doesn't seem to happen as much.
While I was working to put in the ligatureless ligatures, I also started playing around with some other variants. In my Coruña, the f and j have extremely long descenders that can occasionally collide or can make a space look like it's not really a space. Kerning almost always looks wrong, so in these cases, the letters automatically close up into a more compact form.

What are some other subtle substitutions y'all've seen either in older fonts or modern digital ones?
19 May 2009 — 11:18am
I've followed Eben's research into these kind of variations in (renaissance) typefaces with great interest. So therefore I also think it's a good thing if people try to capture this concept in modern digital typefaces. :)
19 May 2009 — 1:23pm
Related: f + umlauts. See especially this comment by Jos.
F
19 May 2009 — 2:20pm
I've actually already taken into account the umlaut among many others. I just finished a more or less final (less kerning) version of Coruña Regular, and its OpenType tables look more like a complex handwriting font.