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Still figuring out what to do with the uppercase M.
Do you know what to do with the N?
Not really, though I'm fairly sure I don't want to do the fake-overlap thing. V and W are going to be tricky too.
Have you seen David Jonathan Ross's TDC awardwinning Manicotti?
Yes! Ross is probably the reigning master of the French Clarendon. Ideally this thing I'm sketching would work out a little denser, and with more super-elliptical curves. I really admire some of his solutions. That uppercase Q is impressive.
Can't seem to solve the M. I might try thicker middle strokes for it just to get the width out of it.
Why not something like this: