Are you **** kidding me? Get lost.

Doesn't exist. It's all Rapidshsare/Usenet except for mainstream large collections/trash heaps. Fonts have never been much of a torrent thing.

Let me start by noting that I do not condone shoplifting. I am a food connaisseur and amateur chef and always pay for the goods I use when cooking. That said, I don’t have a problem opening up cans and packages in the supermarket for preview and trial purposes.

---
Bert Vanderveen BNO

You can preview fonts at MyFonts.com.

It's not wise to ask people who spend months and years creating fonts where you can download unlicensed fonts, whatever the purpose.

People who run torrent sites should be put against a wall and machine-gunned.

Is that too strong? maybe not.

lol @ bert

Nick Cooke:

> People who run torrent sites should be put against a wall and machine-gunned.

Do you also machine-gun people who do this

http://typophile.com/node/65398

or this

http://typophile.com/node/65698

or this

http://typophile.com/node/65198

or this

http://www.sanskritweb.net/forgers

Uh oh.

Stealing fonts is like raping babies at gun point.

aluminum:

Could you explain a bit further, because it seems to me that since you're talking about being held at gunpoint: It's something you're forced to do, even though you despise it a lot.

English isn't my primary language, so maybe I don't complete understand your post / metaphor.

@Bert: mooie vergelijking ;) It made me smile, although you would be copying the food before you tasted it.

In general: I agree with Bert, and maybe not as strong as the words Nick chose, but still, I agree with his point.

Uli - I couldn't be bothered to read all that - what's your point?

> Uli - I couldn't be bothered to read all that - what's your point?

Don't bother to ask before you machine-gun.

Shoot first, ask later.

nkautz: As a moderator I have to say that you've picked entirely the wrong site if you wish for information on being able to download fonts illegally. Typophile has always maintained zero tolerance for sharing and/or otherwise illegally distributing fonts. As far as I'm concerned it is a non-topic and should not be discussed here at all.

To the rest of you reading this thread. If any information is shared I will remove your comment without hesitation.

@blaze: Sorry, I was just goofing on the subject.

Copyright infringement is nothing like raping babies with or without guns.

For that matter, it's nothing like shoplifting, either.

(Not that I condone downloading licensed fonts via bit torrent either)

Illegally downloading a font IS NOT like stealing food (or anything else, for that matter), people… let's get some perspective, here: it's actually like threatening a prostitute with rape.
Which means that if you do not condone of prostitution, you shouldn't use commercial typefaces at all. That's like going to a prostitute on a daily basis. And as George Costanza once said, why park in a garage when, if you apply yourself, you can get the same thing for free?

What a horrible analogy :(

I thought it would distract everyone away from the innocent-bashing. I guess it might work.
We really need to learn how to resolve these issues in a more civilized manner. This throat-jumping knee-jerk reaction is always terrible.
People will come here asking for this and for cheap logos and the works. Get with the times. Get over it. They're not killing whales. They thought it was innocent enough that they could put themselves out here, or maybe they didn't think at all. They never saw these things as we do, from our perspective.
The fact that some of us might think that this or that is really very wrong is no excuse for treating people, especially recent/new members, like this. We need to embrace them. We need them.
We need some default, civilized, educational response. These reactions are constant and, I believe, below us.

Nonetheless, I stand by my analogy. I loved it. xD

jesus christ listen to yourselves, i almost forgot how bitchy web forums are. i will take above advice and post where "moderators" do not censor the exchange of information and resources.

I answered your question in a non bitchy manner.

There's no mass of interested font collectors with a taste for current font releases fonts who use torrents. At least not the public trackers. I think that's why the majority of font torrents are ancient collections of converted junk, graffiti font collections or mainstream big company collections. I'm not saying that to discourage people. Anyone can Google the words font & torrent and see for themselves. The foundry collections, while they sounds exciting and useful, tend to be really outdated. I'm not going to name specific ones but I think they're really only useful to font historians.

I'm not sure why, but the font scene is mostly a Rapidshare (or similar) scene. Usually when I see my own fonts being posted, it's usually a Rapidshare link. Whenever I see my own fonts in torrents, they're usually old versions of my early fonts mixed in with the usual 40,000 or so font grab bag mixed with free fonts . . . I think you know what I'm talking about.

I'm not sure about the Usenet font scene . . . those cats are hard core. But so many Usenet search sites are fake so who knows? From the Usenet search tools it looks as if there are some current font collections being traded but it sounds unlikely. I've seen supposed Usenet collections, supposedly containing fonts of which I had only sold 3 copies. Unlikely.

I don't think it's that way by accident. There's a real lack of availability and a fairly high price point (compared to music, movies, tv) which prevents torrents of new fonts to be released as torrents in the first place. If a font is $50 and sells 25 copies, how likely is it that one of those is going to end up on a tracker? Since, I think, most font buyers are designers, are those designers really going to take the time to post a torrent with single font family? Prolly not.

Its nothing, but we are killing our own business this way.

I agree. I don't think it helps just to avoid talking about it. Font designers need to consider verious file sharing networks and the ways it harms/helps. Whether you want to fight file sharing head on, embrace it or focus your work in a different way, making jokes, threatening and trying to scare people off is just dumb.

Nkautz: I apologize if you thought this was a forum on fonts or typography. It's mostly a forum on complaining and licensing and on how to make people pay more for fonts.

No, it's not. But if you're asking a forum of professional type designers where you can find their work for free, it's obvious you're going to get a frosty response. Don't they deserve to earn a living as much as anyone else?

FWIW - I share Ray's sentiments in that "not talking about it" is harmful. nkautz is going to the darknet because he can get something there that he can't get elsewhwere and it's not "free" fonts. (I'm taking him at his word, I have no reason not to.)
It's the ability to experiment with fonts before buying, work with them, pick and choose from a huge selection, whatever.
If not talking about it is rooted in "hey, let's not give anybody any ideas" and "let's not let anybody know there isn't much we can do about it", well, if those are the realities, then who are you really lying to?
Is there some choice other than dealing with it?

Nkautz-

Since you are in a forum filled with type designers, would it not be more appropriate to ask if you could get a sample pdf of specific font with a phrase "what ever you're working on", instead of a working torrent?

I think many, if not all, would be happy to compliment you. Not always immediately, but for my part, I'd be happy to send you a sample with your text for you to try it out. In this way you could get closer to the designer, instead of alienating them.

I agree that these knee-jerk "you're a criminal get out of this forum" reactions to any mention of file sharing helps nobody and only serves to alienate new members of our community. Isn't this thread really about a bigger issue, which is that foundries should work to create a better preview mechanism? Several foundries offer an effective way to preview display fonts (MyFonts, H&FJ, and vllg come to mind), but there is still no really good way to visualize what a typeface will look like for extended text in the context of your document.

Tomi has suggested contacting the designers, and I think that this is a great idea. However, couldn't foundries offer some sort of automated service in which you feed in your point size, leading, column width, etc., and it spits out say 12 column-inches of lorem ipsum as a pdf for you to place in your document? I think that this would be a very useful tool.

But on the original topic, the type community cannot become like the RIAA and unilaterally condemn any mention of file-sharing. I recognize that the analogy to the recording industry is problematic, since the musicians lose much less from having their music downloaded, and type designers don't sell merchandise and play concerts. There's a reason that I have very little problem with downloading music but won't illegally download fonts or aid anyone in doing so. But the type community needs to avoid being seen as a curmudgeonly bunch of old coots who can't get with the times. Type designers need to figure out how to work the current climate to their advantage; just look at Jos Buivenga.

That's an awful lot of words just to say "don't shout down anyone who mentions file sharing, regardless of intentions," but ultimately I feel that we can benefit fro the conversations that these kinds of threads start.

> couldn't foundries offer some sort of automated service in which you feed in your point size, leading, column width, etc., and it spits out say 12 column-inches of lorem ipsum as a pdf for you to place in your document?

Like this?: http://www.typotheque.com/PDF_font_tester

Yes, quite a bit like that. I didn't know a foundry was offering a tool that was actually useful for previewing text fonts. It would be nice to be able to adjust the leading, though, and the justification, and to have the ability to measure the column width in picas and points. I'm glad that a foundry is offering a tool that lets you look at more than one line of text, though, and with that level of variability.

>> I am a graphic designer and typographer by trade and I have always licensed all fonts in my work. That said, I don't have a problem downloading collections for preview and trial purposes.

> Get lost.

That's not a way to treat paying customers. That's a way to loose them.

true.

A thing that seems to to be quite elusive is that when someone steals– (downloads without paying for) a font, or some other software, nothing is actually taken. The font is still there. Someone steals a couple of cans or packages from a super market, and they are gone & the merchant is out of pocket. You can say stealing is stealing, but when someone steals something that can be infinitely replicated, it needs to be treated it a little differently than a can of corn.

Um. Russell, can you post your credit card number? That's a copy, non? And I'm sure your insurance covers it, so you loose nothing, and you'll make me a happy man in the progress.

>DrDoc - There's a reason that I have very little problem with downloading music but won't illegally download fonts or aid anyone in doing so.

And that reason is musicians have been forced (are able) to make all their money off of concerts and merchandise? Brilliant. Probably in addition to that you mythologize sticking to "the man", like Warner Brothers or one of the other evil companies. Why not stick it to Linotype then?

The most money I ever made off of music was when The Red Hot Chili Peppers covered one of my songs. It's called royalties. Which you only get when records are SOLD.

The power of justification is amazing. You can't have it both ways Dr. Robin Hood.

pbc

actual things are not virtual things, and vice versa. If I were to give you access to my money, then, well… you'd have access to my money and unfortunately, THAT is not infinitely replicate-able, but if it were, believe me, I'd be happy to do so.

If you want to convince people they need to pay for the virtual things we make, don't start by pissing them off.

wouldn't it be great if some of those free font websites that are actually ad driven would share their revenue with the typographers who post their work there. sure there's a wide range of quality, but it's also very democratic - and at least the designer would be compensated to some degree. wouldn't it be great if someone would create something like this? thereby showing that it can be done and that perhaps we as a community would support it by posting our work there and making it unavailable elsewhere, until those other sites did the same - share the revenue generated by the ads that appear on their site? sounds easy enough. this is the new reality of digital freedom. the old business models used when transfer sheets were the norm in typography need to change just like typography has. the way already exists to provide "free" fonts and make money doing it.

and a greater threat is the whole copyright law as it relates to type design. we should be just as concerned (if not more so) about the ability of corporations and others to steal ideas from the average joe typographer because U.S. copyright doesn't protect type designs per se.

A couple more thoughts on the subject.

There are effectively three types of people interested in fonts:

(a) those who do not realize that fonts require licensing
(b) those who know that they should be licensed and use them without licensing
(c) those who know that they should be licensed and do in fact license them

(a) are potential customers
(b) are not paying out of principle
(c) are paying customers

Now, let's see what does going after the torrent sites do. First of all, who ends up searching for a pirated copy of the font ? Those who have just been to the font retailer and could not download a copy without paying. I.e. people who know about the licensing requirements, the group (b) or (c). Or those from (a) who were shocked by a sticker price and did not find a way to justify it.

(b) is not paying, but (c) does. Why is (c) looking at pirated copies ? I think the answer is damn obvious - they want to evaluate the font in detail before committing. They are in a sense compensating for the shortcomings or the inadequacy of previewing systems at the font retailer's site.

This in turn means that taking down the torrent'ed copy eliminates the font from the consideration by such customers. It effectively translates into lost sales.

--

If the goal is to entice people not to use torrents, then the only effective way to address this problem is to provide some form of return policy or to offer selected weights free of charge. Based on how well Jos's Museo is doing, latter is working.

Former is not something that I've ever seen in the wild, but, again, twist your brains a bit and consider who would be using this option - this would hardly be pirates, wouldn't it ? Every single "return" will come from honest, paying customers that will in the end be grateful for the flexibility; and that in itself will establish a great deal of goodwill and make them more likely to return for another purchase.

In other words - do not worry about the piracy.

Focus on simplifying the experience of those who are willing to pay instead of going after those who won't pay regardless.

I throw music/font analogies around like something in a something. Here's something that I think differentiates font/music piracy. It's not a morality thing, it's a money thing.

When a song is pirated, it's not likely to be broadcast. It goes into an MP3 player. The lost income is a lost sale.

When a font is pirated, it may be used for something the public will see, in a sense, broadcast. A blog heading, decal, logo, game etc. This exposure causes a kind of erosion of style. The more people see it, the less novel it becomes. You can certainly see that with free fonts: they quickly become uncool from overexposure.

For recording artists, it's been argued that exposing people to music who normally wouldn't but it creates fan bases . . . agree or not, you've heard that side of the music piracy argument before. I think there's some truth in it. I don't think it means music piracy is a great boon for recording artists (2000 vs 2010) but more of a big downside with a tiny little upside.

For font makers, there's not much of a positive side to piracy. The increased exposure lowers the value of a font. There's little prestige in being included in a torrent, especially since the collections are generally trashy. According to apakrat, being included in a font torrent junk pile can potentially increase sales but I think it's pretty far fetched. But I agree about not worrying about it. You can't stop it anyway.

Free font styles fueling pay font sales: I think that's a myth. The effect on sales is very subtle. If it worked, I'd keep doing it but generally a free version seems to have no effect on sales of the rest of the family whatsoever. I've been including free commercial use font styles since 2001. If it had a noticeable positive effect on sales, I'd be including free styles with every family.

Maybe Museo does so well because it's awesome.

There's also not much of an upside for songwriters, which in the above stated case I was. If records don't sell you don't get royalties, pretty simple. Producers often have points on an album, same story. Touring for most bands is a losing money scenario, unless you are REALLY big.

So what's the big difference? The music industry has been hurt and so has the font industry. I have no solution to propose, other than maintaining my own morality.

pbc

since we are comparing to the music industry, Sony BMG opened a site in Australia - http://www.bandit.fm/ - which offers 100% DRM free music at the highest MP3 compression (320kbits) with artwork all downloaded in a neat .zip file that can be shared on as many music players / computers you want. i believe they have taken this approach because they realise that music will be shared/pirated regardless, and this way they at least get the revenue of people like me who want the ease of downloading anytime, but also want to do the right thing, ie feel guilty when illegally downloading.

another thing to consider, how many of you would copy a friends cd to your computer without even thinking about it? i know just about all my friends do it and they are mostly honest people. for some reason, the fact that the cd was purchased at some point is enough for them to not think that sharing the cd amongst friends could be bad.

i see the same with fonts. most of the designers i know who use illegal fonts have acquired them from other designer friends or from studios where they worked. 6 years ago at my first design job my design manager said i could copy the linotype gold disc to take home, that it was a perk of working there, so being young, i did, only years later did i realise it was stealing as deleted the fonts.

now i'm happy to say that both my music and font collections are legal and honest, but that has been a deliberate choice on my part.

i agree with others that education is still needed so that people know fonts need licensing, also that some people never will pay for fonts and also that making it easier for designers to test fonts will help. I know for me, the online testing is vital before i purchase.

may i add, that i have on a few occasions just straight up asked a type designer/foundry for a weight of a font to test, and some of them have given the weight or two to use, i then usually purchase them. either way, the type designer knows i have their fonts and can contact me anytime if there is a problem.

i have even had one type designer send me copies of fonts and only ask for payment when i actually use the font. rare i know, but it has happened to me.

moral of the story, just be up front and honest with the supplier, they then have the right to say yes or no to your request, but at least it's all in the open.

A general question: what kind of users tend to use fonts without paying for them?

Is it professionals of one kind or another who are trying to save money? Is it amateurs who are doing posters or signs? Or T-shirts. Are they lone eagles - free lancers - or people who work for design houses of one sort or another?

I know very little about this. So I'm just asking.
Obviously someone who takes and uses and then does not pay is not a customer.
But sometimes knowing who your customers *are not* can be a fruitful analysis.
Why are they not paying? Just crooked? Poor? What?

Seriously.... what are their profiles. What's the motivation.

For me, as a book designer, I get a lot of fonts with multilingual prints with just black plate for each language. I use the fonts, and then package them with other files for possible re-prints or corrections. After the job they are just in storage.

As a type designer, this is sort of built-in thing to do.

But I've worked in advertising, and there thigs are so very different: an old co-worker started his own agency, and called me to work on a type they had already cleared with the client to be used as a logo and house type.

That type was something I had done for a publishing company some years ago. I went there and explained to them that this font family was made for exclusive use of that publisher, and I could not see how that could have ended as a logo of a lunch diner.

My friend said that he just copied ALL fonts from the company he left, and liked my font for the job. He never even considered that the name of the font was the name of the publishing company.

In the end I made some design changes to the font, and everybody were happy.

But here you see how fonts are appreciated.

IMO, people don’t even notice they are doing something bad. Or they know, but they don’t care because it’s very unlikely to get caught. And some other people think that designing typefaces is not a big deal, so they feel the prices are too high: they pirate fonts because for them the prices are abusive in the first place.

———

That said, I can think of a possible motivation: to get the job.

Let’s say that a publisher wants to do a book in Quadraat, a not so expensive typeface (because that’s the way the collection is or whatever other reason). He asks two freelances: the first one can do the job for $1000 + $204 for the four basic styles of FF Quadraat OT. The second one is pirating the fonts, so he can do the job for just $1000 (BTW, he has not only the four basic styles, but the whole family). Who will get the job? In my experience, the publisher will not care about licenses, he only wants his book the way he likes it. The “good” freelance can license Quadraat this time with his own money and keep it for him (investment), but tomorrow he is going to need another one and the next week a new one that most likely he will never use again… You get the picture.

In an ideal world, in these cases you should charge your client for the font licenses. In the real world, since not everyone is playing fairly, trying to do that may mean not to get any job at all.

(Did I say that nobody has asked me to do a book in two years or so? But it’s ok, since I’ve been forced to do type design.)

I can see the reasons people use pirated fonts (either not wanting to pay or not knowing about licensing), so my question is why people would share fonts in the first place. If you spend money licensing fonts, you know they are not free. Why would you then share them with others? It's not like it benefits you to share stuff you've spent money on.

I see these options:

a) You license the typeface, but a very close friend of you wants it too. Why don’t give it to him? Tomorrow he can do the same for you. Buy one, get two (or three, or four).
b) The company licenses the typeface, the employee not. He copies it from the company computer to his personal computer. He shares it with a very close friend (see a). The cycle starts again.
c) You license the typeface. You need that some other people (prepress service, an employee) gets the font in order to complete the job. You give it to them. They don’t erase the files after the job is done. They share it with a very close friend (see a), or someone in the prepress service copies the file into his personal computer (see b). The cycle starts again.
d) If I got the typeface from a, b or c, I didn’t pay for it. Why not upload it? Not my lost! This way everyone can use this lovely typeface, and tomorrow I will get some other typefaces that somebody else will upload, and at the end everybody will have an awesome collection available at every moment. And free! It is great, isn’t it? Well, yes, that’s like stealing, but nobody gets hurt, the big foundries are rich anyway and the type designers… well, they need to get another job or change the way they distribute their typefaces because in this globalised world everything is changing and the information should be free and I don’t have the money to pay for it but I really need that typeface and blah, blah, blah.

But we still doing typefaces…

Oh, I forgot: if you get the typeface from d), you’ll probably feel free to give it to your best friend when he needs it (see a) or use it when your client refuses to pay the license to make your job (see c).

I'd like to think that even those who download and use pirated fonts would actually rather be paying for them. Most designers know - even amateurs - that a well designed typeface can take months, even years to create.

Unfortunately, many up and coming designers are too poor to buy the typefaces they would really like to be experimenting with. As a result, they will resort to torrents and other file sharing methods to get the fonts they want to use.

I'd argue that most of these same people, once they've become more established in the design world, will purchase all the fonts they use.

You guys don't have a clue as to who the font pirates really are. Let me break it down for you. Roughly 6% are actually in the design industry. Mostly coming from 3rd world piss holes like Bolivia or Zimbabwe, and make less than a peso a project. The major bulk are those who download a font, stress on 'A' as in 1, to decorate their Myspace pages with. The last group comprises of about 22%, of the true Font Pirates who collect typefaces like Chuck Davis collects Beanie Babies. These people admire type but only use them in avatars or signatures for their favorite warez forum, or any forum for that matter. And then there's me, less than 1% of the above 22% that also releases just to piss Fontographers off.

Though there may be some examples as above, there is no grand conspiracy of corporate greed to use your work without compensation. That's just your wishful thinking. A large portion of the faces are bought by pirates for the sole purpose of sharing among other pirates. Only about a quarter are actually extracted from files. And then those end up at a torrent tracker for the Myspace kiddies. The pay is usually distributed among many people. You get 100 people paying $5 for a $500 font its all win/win for everyone.

You can buy that starving artits bullshit if you want to. Fact is, you're all just tools. Make us these fonts, make them good, and if you no longer make them then you no longer matter. Someone else will gladly pick up where you left off. Many of you don't spend months making fonts. Like Richard Kegler, you just scan public domain books and artwork and copyright the digitizations- claiming the glyph designs as your own original works. A day to run scans through scanfont, a day or 2 to adjust the kerning. Maybe another day to poorly re-create the nonexistent characters like the elipses or tilde. Or you could be like Nick Curtis and crap out 3 to 5 sub-par-yet-original typefaces every month.

As for the original poster, all you need to do is Google top 10 torrent trackers. Then search for the font names, then foundry, then designer. You will find a lot of crap. Mostly Lino/mono/itc anti-p2p groups releasing dafont font packages to show you what you can get for free. Ugly fonts, like from Ray Larabie et al( BTW Ray, overexposure? You wish you could create a font half as famous as Helvetica). Don't listen to Nick Cooke either, I torrented his recent additions the other day. Just don't search for 'Fonts'.

Where did you get your figures from?

>And then there's me, less than 1% of the above 22% that also releases just to piss Fontographers off

Why?

>Where did you get your figures from?

By associating with a vast majority of colleagues over the past several years. Forums, tracker comments, newsgroups. People talk in community environments. The font piracy community is very small. It ALL comes from the same ~2000 people. And its not about the Weiden Kennedy guy sharing Stainless to his inept designer friend in Norway so he can make extra money.

Don't take my post too hard. Consider it an informative PSA to the Fontographer community. Not all of you are going to make millions sueing a company like NBC for a $100 font.

What a jerk.

>The font piracy community is very small

Perhaps so, but if they're uploading stuff to the internet then that's a vast number of potential unlicensed users.

>Many of you don't spend months making fonts.

I disagree. Most of the type designers here are very painstaking and professional. Whilst I agree there are plenty of crappy fonts out there and digitisations that aren't very creative, if you take a look around this site you'll see there's some very funky, original stuff going on. It's a real shame the industry is so taken for granted.

@ nkautz

In my opinion it is okay, to use unlicensed fonts for testing purposes. If you use p2p-networks you have to suppress the upload of the files you download, as far as the stuff is copyright protected (and as far as you don’t want to spread out the stuff). Otherwise you spread the files out likewise and you cannot know, for which other people use the stuff. Naturally these networks cannot work, if nobody uploads anything. What I want to say is, that there is a difference between having unlicensed fonts and getting them, because getting them is very often connected with spreading them out. Some file hosters delete files, if they were not downloaded for a certain time. If you download them, they will not be deleted.

@ VBM

Be fair to Ray Larabie! You are partly right in my opinion, but totally arrogant. Maybe because typedesigners have also a tendency to be arrogant, probably because most people are unable to consciously recognize their work. Only the best ones survive? That is an illusion! Art is a **** market today! My father is a great sculptor, but he is not a modern artist. He ever was unable to manage himself. He never was interested in the **** market. And he is absolute incorruptible. If quality always would count, he would be a very rich man. And with regard to typefaces: What do you think, why there are so many (too many!) good new sans serifs, but so few good serifs? That’s market! And pirates are not a selector in evolution of art. That is a lie.

@ Nick Cooke

People who run torrent sites should be put against a wall and machine-gunned.

Shame on you!

Shame on me? Why?

Sure, it was a flippant remark, but these people actively support criminal activity. I have no respect for these scum. And VBM actually states his occupation as font pirate on his profile - does he expect a warm welcome from this site full of type designers? He's a contemptible asshole. What does 'I torrented his recent additions the other day' mean? he's giving my stuff away to all and sundry?
Yeah thanks, I'd like to undermine your livelihood too.

Why?

1. I am strictly against death penalty.

2. You are naive, because you never will be able to prevent copyright violations in the internet. Instead of whining, you should explain to the people, how much time and energy you invest in developing fonts, how many fonts you sell and that the price of a font is not usury. Many of the people, that you call pirates, simply don’t know about your efforts. And many of them think, art is just fun, but not blood, sweat and tears. Many of them are kids, that are watching **** big brother, **** casting shows and other **** trash.

3. The copyright violations are simply the price for the freedom of the web. Learn to live with that! The alternative would be total control and fascism and even there pirates are finding the gaps.

Ahhh, those poor misunderstood pirates.

1. Nick Cooke:

"People who run torrent sites should be put against a wall and machine-gunned."

2. Arno Enslin:

"Shame on you!"

3. Nick Cooke:

"Shame on me? Why?"

4. Arno Enslin:

"I am strictly against death penalty."

Years ago, I characterized this funny font industry as

The Scum of Typography

www.sanskritweb.net/forgers/index.html#ESCORIAL

Nothing has changed ever since.

@ Nick Cooke

There are a few typedesigners only, that document the development of their work on their websites. A normal person cannot comprehend, how much time and energy you invest in the developement of a font. Why for example don’t you store a kind of diary of development on your websites?

Being aggressive is counterproductive. Wasted time. And the very most pirates would not buy a font, just because they can’t get it illegally. The problem are the people, that make money with the work, for which they have used unlicensed fonts. The main fault of the pirates, that collect fonts just for fun, is, that the real bad guys get access to the unlicensed fonts. Do you understand the difference? The collectors just say: »What can be so bad in collecting fonts, I am not using them for commercial purposes?« But without them the real bad guys would not get these fonts.

@ Uli

Hier geht’s gerade nicht um die Herstellung und den Verkauf von Plagiaten, sondern um die illegale Verteilung unveränderter, auch nach deiner Rechtsauslegung geschützter Fonts (Schrift-Dateien) und deren Nutzung. Und da gibt es praktisch keinen Markt, jedenfalls praktisch keinen, auf dem die Fonts verkauft werden. Vielleicht kannst du ausnahmsweise mal darauf verzichten, eine Diskussion über Urheberrechtsverletzungen durch Typedesigner anzuzetteln. Unrecht rechtfertigt jedenfalls kein Unrecht.

23.4% of the people in this thread are wrong.

Arno,

A normal person cannot comprehend, how much time and energy you invest in the developement of a font. Why for example don’t you store a kind of diary of development on your websites?

1) I can't be bothered.

2) I'm too busy working for a living. It would take too long and I can't spare the time.

3) Who would be interested?

4) Lighten up everybody. I wasn't seriously suggesting shooting people.

And they say Germans have no sense of humour ;^) Maybe it's something to do with the language being so very literal.

How many people have I managed to offend now?

@ Nick Cooke

Who would be interested?

Maybe those people, that ask other people, if they can share THIS font, followed by a link to your website!

@ Nick Cooke
Don't cry about it. Life sucks, move on. I gave you valid information. Disregard it and live in your own fantasies for all I care. I was getting tired of reading all of the imaginary conjectures about a sub culture you people knew nothing about and only speculated over.

I'm not an asshole Nick, I'm THE Asshole. I have a title. I included profile information here solely for your own personal amusement. Glad you enjoyed it. And you can't possibly ruin my livelihood. I was smart enough to choose a career that didn't revolve around distributing easily copy-able digital content. I bet you're the type to leave a wad of cash taped to the roof of your car in a clear plastic bag and parked curb side. You might as well. And then you bitch and whine about it getting 'stolen'.

And yes, that's exactly what I meant by 'torrented'. As in, currently seeding Organon Sans and Serif. Its gotten 31 Downloads which is the most any of your other fonts have received. Congratulations!

@Arno Enslin
When you disagree with me about the time it takes designers to create fonts, don't you think that that may be due to their lack of skill? That they're incompetent as designers and or Opentype Format 'programmers'? If they had real talent, then time wouldn't be an issue. Ok, in Nick Curtis & Ray Larabie's case they obviously have a lot of creativity. They have mad ideas pouring out, but lack the skill to refine their ideas into quality type. That can be changed by them through effort. Now compare them to the idiots that take a year just to come up with an original idea, and whose skills are so poor it takes them another 6 months just to get 310 glyphs aligned right. Would you disagree that Ale Paul or Neil Summerour are great type designers? They put out quality fonts and even superfamilies every year. Different typefaces about every 2 months. Maybe those long-term types should look for a new job.

I already stated that we do buy fonts, and that they're not used outside of personal images. Its not whether you agree with it or not. That's just how it is. Like I said, there's no conspiracy of designers trading typefaces to save money or to smite your EULA.

@ VBM

OpenType programming does not cost much time in relation to the other work, even if you are not talented and even if you program such complex features like the ones in some P22 fonts (Operina) for example.

And in my opinion a designer, that creates one small, but perfect typeface family in his live, is better than a designer, that creates dozens of half baked typefaces. Except from that I am not really interested in script or deco fonts. I am even not very interested in sans serif fonts. I am fascinated by poesy/knowledge transporters – typefaces made for continues reading of hundreds of pages. And this part of typedesign seems to be less lucrative than designing display fonts. If book (or newspaper) fonts are used without a license in commercial projects, the consequence is not only fatal, because the typedesigner looses money, but also because he maybe decides not to invest time and energy in developing a book font anymore.

Except from that you simply don’t have the right to decide, which price is fair and which is not. And it is an impudence, that you want to define, what an acceptable tempo for the developing of a typeface is. On the one side you admire the individuality of typefaces. On the other side you are a slave driver. I assume, you are not able to see the invested time, the quality of the kerning of a well made font for example. You just see the single letters. (In my opinion the prices of DTL and TEFF fonts are too high in relation. I doubt, that these prices mirror the work only, but I think, that they are part of business politics. But this does not give anyone the right, to use the fonts illegally.) As I said, for me it is okay, if “font loving” people, that are not rich, use commercial fonts for uncommercial use. But in the moment, in which they earn money with the work, for which they have used a commercial font, they should license it. And I think, that a person, that has a private website, on which he extensively uses a commercial font, also should license it. However, most unlicensed fonts, that are stored on the harddisks of font collectors, never will be used. And many people are collecting fonts, just because they are expensive. “Loving fonts” is very relative.

I already stated that we do buy fonts, and that they're not used outside of personal images. Its not whether you agree with it or not. That's just how it is.

Nevertheless I partly agree, because the very most people, that use fonts for private use in small projects, would not license the font, if they could not find it on warez forums.

Like I said, there's no conspiracy of designers trading typefaces to save money or to smite your EULA.

VBM, there are designers, that make money with their work, with logos for example, that are not willing to license a font, if they can get it from a warez forum. And people like you, that use the fonts for their personal use, support those people indirectly.

One word to EULA: They are often a bad joke, especially with regard to embedding and changing anything in the fonts (except from the copyright info). I am fixing bugs by myself, if I can.

I already stated that we do buy fonts, and that they're not used outside of personal images.

You, but the very most pirates do not. It simply is not enough, if five of five thousands people by a font. It is not enough money for living (inclusively buying a Hermann Miller Aero chair against back pain [I came over the chair-thread yesterday.]).

VBM, there is a psychological phenomenon. People have a tendency to find justifications for their doing always. I know that from myself. But I am intelligent enough, to detected justifications, that are overconstructed and absolute synthetical. If I recognize, that I am doing something, that is immoral, something for which I am trying to find a justification, which is the opposite of simple, I decide between the following alternatives: Doing it, although I know, that it is immoral, or stopping it. Everything else would mean lying to myself.

@ VBM
You're too funny. You shouldn't believe everything I say. I can stand a few losses due to pirate downloads; as they say 'Any publicity is good publicity' so I look upon it as unpaid advertising (apart from the lost sales), which is more than recouped by people seeing my stuff in use and legitimate honest users then buying it.

I believe that most people are honest and feel a bit grubby about handling stolen property, but I am quite aware that many of them are unaware they are doing anything wrong when downloading from torrent sites, as you say it's easily copyable digital content. Thankfully the majority respect the amount of work and creativity that goes into producing typefaces and are willing to pay for it.

BTW, on the occasions that I leave my gated hilltop mansion for a meeting with a huge multinational for an extortionate fee, my chauffeur usually sits in the Bentley waiting upon my return, so your fanciful scenario would be extremely unlikely.

So, well done for the work on Organon on my behalf and keep up the good work!
Oh yes, what is the 'career' that you so smartly chose? and what job satisfaction do you derive from being a pirate? Seems a bit pointless to me, on a par with spam emailing.

Thanks for the Saturday morning read "firstname lastname."

@ VBM

And yes, that's exactly what I meant by 'torrented'. As in, currently seeding Organon Sans and Serif. Its gotten 31 Downloads which is the most any of your other fonts have received. Congratulations!

What do you want to say? That the number of downloads or sells is an indication of quality?

@ Nick Cooke (and partly VBM)

If you find the time, download that Organon, from which VBM is talking, and tell us, if it is still your Organon with regard to the quality, because many fonts are just extracted from PDF or CSS (provided via Typekit). And what do you think about the following?: Do you prefer, if people extract your fonts and spread them out, or do you prefer, if they spread out your fonts in original condition? I mean, what do you think is the consequence of extracts for your reputation? Is the scenario, that some people are not licensing your fonts, because they came over an extract, from which they think, that it is the original font, realistic?

And I would be interested, how often Organon was sold up till now and how much time you had invested.

Back to the topic: I think, you cannot really test fonts on Myfonts. The decision to license a font or not, is much easier, if you can test it in your project – directly in the application.

@ Nick Cooke
See, free fonts meets free advertising. Its all win/win. How about you shoot me an e-mail with your FTP login details so I can keep on benefiting you on your behalf with all of your future and past typefaces? I mean lets just cut straight to it. You obviously agree that its the best scenario for your business.

Ha. If only you had a butler watching over your Opentypes...

Being a pirate has great job satisfaction, I get more 'booty' than Tiger Woods. Women just really love getting a Wide Sans. Arrggghh.

@ Christopher Dean
Of course it is. And it has gone up to 32 now. Record Breaker! Aesthetics are everything. You think you are selling the software, but people are 'buying' the image. The quality isn't measured by the kerning, x-height, or how well you arrange the OpenType tables. Its in the visual aesthetics. The wow factor of how it catches the 'buyer'. If it doesn't wow them, they won't buy it or download it. So how can you say its a quality product?

About 1 in 10 weights are extracts in the first year. After the second an original is usually bought or found and that drops it to 1 in 877 (I counted) The quality is the same glyph-wise. You can lose metrics and kerning, but so what. You will most certainly have to customize the kerning anyway in Photoshop to suit your needs. Unless you buy fonts to use in Word or Outlook. Then you're screwed. If you're a font pirate however, you can get Fontlab for free too and fix all that.

You also forgot about Flash extracts & image extracts. Lots of great raster to vector apps out there that can turn a jpeg into an identical font outline. Then there's SQL injections on Myfonts, FSI, HypeForType etc.

Editing appears to double post?

@ VBM:

Christopher Dean: "Thanks for the Saturday morning read "firstname lastname."

VBM: "@ Christopher Dean. Of course it is. And it has gone up to 32 now. Record Breaker! Aesthetics are everything. You think you are selling the software…

Are we having the same conversation? I haven't mentioned aesthetics or software anywhere in this thread. Are you referencing another thread?

Actually, never mind. I just read your profile. I'm sorry I even dignified this with a response and bumped the thread. I'll leave the post as it is though.

@ VBM

Of course it is. And it has gone up to 32 now. Record Breaker! Aesthetics are everything. You think you are selling the software, but people are 'buying' the image. The quality isn't measured by the kerning, x-height, or how well you arrange the OpenType tables. Its in the visual aesthetics. The wow factor of how it catches the 'buyer'. If it doesn't wow them, they won't buy it or download it. So how can you say its a quality product?

About 1 in 10 weights are extracts in the first year. After the second an original is usually bought or found and that drops it to 1 in 877 (I counted) The quality is the same glyph-wise. You can lose metrics and kerning, but so what. You will most certainly have to customize the kerning anyway in Photoshop to suit your needs. Unless you buy fonts to use in Word or Outlook. Then you're screwed. If you're a font pirate however, you can get Fontlab for free too and fix all that.

As you probably have recognized, I was not your enemy. But now you started to post really bloody **** bullshit! The asterisks come from the board software! As I already have written above, I have grown up with art. My father is an ignorant against everything else than art inclusively me (as long as he cannot process the information, that he gets from the outer space [and the space is he himself] for his art). An asshole as father, but a great artist. In the moment an artist (and designing body text typefaces is not pure art!) begins to create anything just for the simple minded eyes and ears of the public, he is less than a whore. (I love whores, as long as they don’t claim to make art.) You are such a rough – person. The whole is important, but the details are likewise important, namely for the whole. And in typedesign the details are often good, if they are not recognized by pure readers. Making art dependent from the market is pure decadence. In a decadent world the good does not survive anymore.