A bit of fun from days of old

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Andrew Shurtz's picture
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Joined: 18 May 2002 - 2:43pm
A bit of fun from days of old
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lettering1.jpg
lettering2.jpg

- from Cosmopolitan, July 1914

Joe Pemberton's picture
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Joined: 8 Apr 2002 - 3:36pm
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Beautiful.

Christian's picture
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Joined: 16 Apr 2005 - 10:57am
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I’m going to propose that the art and artistry of lettering is not less valued today. I’m guessing that the businessmen of the sign painter era were just as annoying to work with. There is something inherent in hand lettering that allows for more innovation. Every time the letters are drawn they have to be reinterpreted. Often within the same word you’ll see different treatments of the same letter. If designers were to custom render letterforms more frequently in our era, we would see an amazing typographic renaisance.

Hrant H Papazian's picture
Joined: 3 May 2000 - 11:00am
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> There is something inherent in hand lettering that allows for more innovation.

I think I know what you mean, but I don’t really agree. Not that innovation is difficult in lettering, but it’s certainly not any harder on the computer, especially now with the amazing potential of OpenType (a small example being the House Industries efforts).

hhp

David Thometz's picture
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Joined: 15 Mar 2002 - 11:00am
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Then there was Beowolf, Letteror’s brilliant “random” font which generates each character differently each time it is used….

http://www.letterror.com/foundry/beowolf/index.html

It’s not exactly the same as designing each letter with different treatments specific to each time it occurs, but it suggests that the technology might be close to allowing that very thing.

David

Hrant H Papazian's picture
Joined: 3 May 2000 - 11:00am
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Good example.
And actually, the fact that the computer allows the process to be codified and minutely controlled takes it far above paint-on-walls.

hhp

Christian's picture
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Joined: 16 Apr 2005 - 10:57am
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I agree that we have seen somewhat of a renaisance in the last few years with typographic experimentation via the computer. However, a sign or logo that uses an umodified font (whether there are a million or ten million fonts available) is still constrained in ways that a sign created from scratch isn’t. In other words, I think there is a false separation between typographers and type designers. If more typographers were to create the letters they use for logos, titles, signs etc., we would see much more diversity and innovation.

Hrant H Papazian's picture
Joined: 3 May 2000 - 11:00am
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> a sign or logo that uses an umodified font …. is still constrained

Totally. Even a modified one is constrained.
We just have to live with it — it’s inherent.

> I think there is a false separation between typographers

Good point. And it kinda relates to this very strange thought I had 4 years ago (and it won’t leave me): once a typeface is used, it is violated. Not used by a third-party, mind you; I’m talking even the designer setting his own first specimen.

hhp

John Baichtal's picture
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Joined: 21 Mar 2002 - 11:00am
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I agree 1000%, Christian.

It drives me nuts to see people using an unmodified font (particularly common ones like system fonts and Image Club stuff) for a logotype.

brian jaramillo's picture
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Joined: 3 Nov 2001 - 11:00am
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Yes, and how about all those designers of menus for Mexican Food restaurants who feel obligated to use Image Club’s Fajita typeface. Straight to the Hall of Shame.


bj

Stephen Coles's picture
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Joined: 14 May 2001 - 11:00am
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New age hand lettering at http://www.carteleonline.com/.

Thanks to typographica.

Stephen

Jonathan Hoefler's picture
Joined: 5 Apr 2002 - 11:00am
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You know, there’s plenty of digital lettering being done these days, too. It’s not all typeface design.

brian jaramillo's picture
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Joined: 3 Nov 2001 - 11:00am
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These guys earned more than today’s type designers. :)

brian jaramillo's picture
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Joined: 3 Nov 2001 - 11:00am
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John Studden is an amazing sign painter based in LA who is following in the footsteps of guys like John Downer.

See Studden’s work at www.letterheadfonts.com.

I just purchased New Trajan and I’m eagerly waiting for it to be sent via email.

Finally, some lowercase to go with the majestic Trajan uppercase. And the price….they are giving this away at $27.50.


bj

brian jaramillo's picture
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Joined: 3 Nov 2001 - 11:00am
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I guess I’m just slow to get to all the type sites and blogs, but Trajan lowercase is getting poo-poohed elsewhere. I will give it a test drive when i get it.

bj

brian jaramillo's picture
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Joined: 3 Nov 2001 - 11:00am
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If you look around, Adobe’s Trajan is everywhere, especially on book and movie titles.

New Trajan looks pretty good and i’d recommend it for display but not necessarily for text.

a few caveats:

Letter spacing is a little bit tight and will have to be monkeyed with…a few letterpairs could have been kerned better.

The font itself is essentially a hybrid of Trajan and Americana, also by Adobe.

For the price and the usefulness, I’d recommend it.

just OPO.

bj

Hrant H Papazian's picture
Joined: 3 May 2000 - 11:00am
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> Finally, some lowercase to go with the majestic Trajan uppercase.

Sure, but it’s not a highly original thing to do:
There’s Edward Catich (although I think he died before finishing up), Gerard Unger (although he -fortunately- doesn’t take Trajan too literally), and then there’s Latina by Inigo Jerez Quintana (with a sans too). This last one won a couple of large competitions, but I can’t find a good sample now.

hhp

Anonymous's picture
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Joined: 6 Mar 2002 - 1:06pm
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Hello Andrew. Go LSU!

Martin Archer's picture
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Joined: 5 Sep 2001 - 12:31pm
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A nice find. Thanks!
Of course, these guys were hand-letterers and sign painters, and these professions are still alive today. It’s a bit of a shame that we don’t get a bit more discussion of this sort of work at Typophile.

David Earls's picture
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Joined: 11 Apr 2002 - 11:00am
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If you’re into this sort of thing, dont forget that John Downer is doing a sign painting workshop at TypeCon2002 this year.

Anonymous's picture
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Joined: 6 Mar 2002 - 1:06pm
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Jonathan Hoefler's picture
Joined: 5 Apr 2002 - 11:00am
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Slightly off topic, but amazing nonetheless:

http://www.forgotten-ny.com/

Martin Archer's picture
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Joined: 5 Sep 2001 - 12:31pm
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Perhaps…one might conclude that in times past, the art and artistry of lettering was much more important/more valued/more powerful than it is today. I think, for example, we have yet to have a discussion here at Typoophile about the title and credits letterers of movies from the days when it was all done by hand. It never ceases to amaze me how brilliant these “old-time” movie-titling artists were.

John Baichtal's picture
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Joined: 21 Mar 2002 - 11:00am
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Even the brilliant signpainters of the last century (my grandpa was one of them) were rookies compared to the European signpainters of the century before. Check out this book for some cool examples and mucho typographical inspiration.

Hrant H Papazian's picture
Joined: 3 May 2000 - 11:00am
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