Probably because /k/ thin arm is quirky.
And /g/ because well... it isn't tasty yet. Lacks balance.
/t/ looks more like Polish stroked /l/ that actual /t/. Fix the crossbar (on /f/ too) and make whole letter shorter.
The dot on /i/ is too big.
"Unclog" bottom part of /c/. It doesn't need a spur there.
After I redesined the "f" and the "v", the typeface started looking like a cursive one. And that seemed like the right direction, so I decided to redesign some more characters to fit the new look and then slant it a little.
I also started working on some alternative characters in order to make my tipeface more interesting. I am really curious to hear your comments.
Connectors are part of automatic stylistic alternatives. You can see an example of my typeface without them, around the middle of this thread(an earlier version).
I'd work on the /one/ it's rather unreadable compared to rather clear other numerals (could even be an l with a left swash).
Why is the /t/ minimally cut off a the top-left? I'm not convinced by the transition on the top bar of the /7/
@DieBuche You managed to spot all my faults. "t" was a challenge from the beggining, in fact, if you scroll up, you will see that this is the third redesign The first version looked good, but didn't look like a "t" at all, and the second seemed perfect as an individual letter, but less so in comibination with other characters i.e in "th"). I am with you on 1 and 7 too, but I couldnt come up with better ideas.
11 Jul 2011 — 6:02am
Jos Buivinga did something slightly similar.
http://www.exljbris.com/geotica.html
11 Jul 2011 — 7:02am
I've seen it actually, and yes, the same idea with the engraving.
12 Jul 2011 — 5:00am
> Reinstaedt.
I recommend you first working on the basic letterforms in order to get them sound. Then apply modification (engraving).
15 Jul 2011 — 12:07am
@ Andreas,
Great work, and good advice.
16 Jul 2011 — 3:46am
lowercase is ready.

what do you think?
31 Jul 2011 — 5:45am
a major rework+ some caps added:

31 Jul 2011 — 6:12am
I like the new slanted counter. But then s should be revised accordingly.
And I liked the previous contrast better.
31 Jul 2011 — 6:51am
The main reason I changed the contrast was to make the serifs more visible, but I will experiment with it some more.
And what do you mean with "revised accordingly", about the "s"? can you give me an example?
31 Jul 2011 — 7:23am
I was thinking something with this kind of construction:
31 Jul 2011 — 7:24am
:D

31 Jul 2011 — 7:25am
@riccard0 I will definately try to make it work...
5 Aug 2011 — 8:54am
the new s - much better than the old one...

5 Aug 2011 — 9:15am
:-)
Dificult to say seeing it so large, but maybe it's a bit top-heavy.
Also, some curves could use some smoothing.
1 Oct 2011 — 7:41am
I finally had some time to work on my typeface again:
1 Oct 2011 — 7:42am
(quotes by Mark Twain)
4 Oct 2011 — 2:17am
Revise c, f, g, k, w, … –?
9 Oct 2011 — 12:54pm
Why k and g?
14 Oct 2011 — 7:27am
Probably because /k/ thin arm is quirky.
And /g/ because well... it isn't tasty yet. Lacks balance.
/t/ looks more like Polish stroked /l/ that actual /t/. Fix the crossbar (on /f/ too) and make whole letter shorter.
The dot on /i/ is too big.
"Unclog" bottom part of /c/. It doesn't need a spur there.
17 Oct 2011 — 12:54pm
Very helpful feedback.
Drop adain in a couple of days to see the result.
22 Oct 2011 — 3:33am
22 Oct 2011 — 3:43am
After I redesined the "f" and the "v", the typeface started looking like a cursive one. And that seemed like the right direction, so I decided to redesign some more characters to fit the new look and then slant it a little.
I also started working on some alternative characters in order to make my tipeface more interesting. I am really curious to hear your comments.
22 Oct 2011 — 7:14am
Nice. How about making the q_u ligature less straight, more akin the right side of y?
23 Oct 2011 — 2:20am
Might be a good idea.
Do you have something specific in mind?
I originally had similar ligatures with b, d, k, l. I dropped then, because I couldn't make them work, but I still think they were a good idea.
26 Oct 2011 — 6:57am
What's with /qu/? Looks like a glitch.
22 Nov 2011 — 12:44am
Thinking about redrawing the "t" (it is too different from h, b etc.). Any ideas?
22 Nov 2011 — 3:22am
It should be different from /b h/ - so for me it's good as it is.
1 Dec 2011 — 7:30am
To me it is the /o/ that feels odd because of the strong back slant.
5 Dec 2011 — 7:36am
Thanks for the feedback, luma. I'll consider it.
The backslant is made in order for it to form 90 degree angle with the lines that connect characters to one another (dunno the term).
29 Dec 2011 — 7:18am
Thanks to all, who participated. All your opinions were considered and all characters are finished. Take a look at the pdf specimen.
29 Dec 2011 — 7:18am
When I say "finished", that doesn't mean that I am no longer interested in your comments. I need feedback more than ever.
29 Dec 2011 — 9:31am
This is coming along nicely.
Caps height strikes me as quite short.
Top ball terminals of /3/ and /6/ look too big to me.
/E/ and /F/ crossbar is awfully short!
/G/ might need more of a crossbar - looks like a /C/ to me.
I wonder if the ampersand should be caps height instead of ascender height.
Did you try an /@/ with the ring staying thin all the way around?
Inline whites of asterisk are too small.
Thicks of /O/ and /Q/ look too heavy to me.
Are those connector pieces added with OpenType code? How does it look without them?
30 Dec 2011 — 4:43am
Nice advice, and right on the spot with most of the stuff. Click.
about "@": I tried, but it looks even worse than this version.
About connectors: Are you asking because you don't like them, or are you just curious?
30 Dec 2011 — 5:23am
One more specimen.
(this was done before I updated the "o")
30 Dec 2011 — 9:04am
Just curious.
I'd try a /G/ with a thin crossbar coming out on the right at a diagonal.
31 Dec 2011 — 1:59am
Connectors are part of automatic stylistic alternatives. You can see an example of my typeface without them, around the middle of this thread(an earlier version).
31 Dec 2011 — 1:59am
And I can also show you the code if you are interested...
5 Jan 2012 — 1:58am
Didone or not?
Share your opinion.
15 Jan 2012 — 4:32pm
I'd work on the /one/ it's rather unreadable compared to rather clear other numerals (could even be an l with a left swash).
Why is the /t/ minimally cut off a the top-left? I'm not convinced by the transition on the top bar of the /7/
17 Jan 2012 — 5:54am
@DieBuche You managed to spot all my faults. "t" was a challenge from the beggining, in fact, if you scroll up, you will see that this is the third redesign The first version looked good, but didn't look like a "t" at all, and the second seemed perfect as an individual letter, but less so in comibination with other characters i.e in "th"). I am with you on 1 and 7 too, but I couldnt come up with better ideas.
3 Feb 2012 — 9:31am
is this live?
http://new.myfonts.com/fonts/boris-marinov/alecko/
6 Feb 2012 — 7:00am
/Space/ is too wide. Ouch...
9 Feb 2012 — 12:16am
@Luma - Yes.
@Minerva - too late.
13 Feb 2012 — 12:32am
My typeface is featured in the Typedia blog. Thanks again for all who helped me with their feedback.
13 Feb 2012 — 12:54am
You can (and probably should) update it.
13 Feb 2012 — 1:24am
Come to think of it, I really can...