Do you have any photo samples of your source of inspiration here? I much prefer the second V (the first looks like a U) and I suggest you work that tasty diagonal into more letters.
And quite suited for a didone treatment. I dare say you'll find better models for the Z and W in the sources, though. I don't think you need to stay as strict as you are to the geometric grid either.
This looks like it would make nice versals, although one image on your flickr makes it look like it's be good for titling perhaps. I'm having trouble imagining the spacing. Are you working on this in Fontlab? If so, the letters are spaced too wide on your first example. Have any idea if you will be designing an accompanying lowercase? :)
I'll see if I have time to comment on the letterforms later.
This is being done in Adobe Illustrator. I do not own Fontlab.
Lowercase? I guess an accompanying lowercase would be a nice addition to the project.
thanks for the suggestions Brian.
Etah, good to see you're going for a public crit of this!
I think it's pretty fascinating, especially it terms of taking
something gritty and translating it to a "classy" idiom.
I can't tell how clear the direction is in your head; it seems
a tough thing to settle on. But this has to be done before
we engage in much "this glyph is better than that glyph"
type of refinement. I will say however that personally I'm
very attracted to the especially strange structures, such
as the "E" in your original post. You don't want to go over-
board with that flavor though - some letters will have to be
quite tame in order to produce a nice contrast/balance.
The main thing I'm wondering is: How obscure do you
want this to be? Of course you want it to be decipherable,
but how much effort would you like a reader to put into
actually reading text in it?
@hrant
i don't want this to be obscure. the glyphs should be fairly recognizable as to what character is represents. the main objective was to take a foreign letter structure to typography, and turn it into modern type. When i set this into words, i want it to be obvious these aren't regular typographic letters. these are letters from some other subculture. but the treatment of these letters, is a didone one. i feel like i should get these critiqued by gang member or something.
> i feel like i should get these critiqued by gang member or something.
Sure. Preferably a former one... like the inimitable Chaz
Bojorquez (who spoke at TypeCon-LA) who happens to
be relatively accessible. On the other hand AFAIR he's
not big on fontifying graffiti...
@Hrant. Well, i think i will just get local graffiti writers to look at it.
And those are very interesting glyphs. Those are made up letter forms right?
I thought of this idea, that if i studied non-latin letters, like Armenian, it would somehow benefit me. Because i'd only read them as shapes, and i wouldn't know what they meant.
20 Mar 2012 — 12:11am
or how about the 'V' like this
http://www.flickr.com/photos/etahchen/6853129416/sizes/l/in/photostream/
20 Mar 2012 — 12:21am
Do you have any photo samples of your source of inspiration here? I much prefer the second V (the first looks like a U) and I suggest you work that tasty diagonal into more letters.
20 Mar 2012 — 12:32am
I just had to Google it - that's quite an interesting lettering style! e.g. http://www.flickr.com/photos/80643375@N00/with/271157756/
And quite suited for a didone treatment. I dare say you'll find better models for the Z and W in the sources, though. I don't think you need to stay as strict as you are to the geometric grid either.
20 Mar 2012 — 1:33pm
hi Birdseeding. Thank you for your suggestions.
Here are some 'N' variations. i was trying to work the diagonal into the middle one
http://www.flickr.com/photos/etahchen/6854857066/in/photostream
20 Mar 2012 — 2:00pm
Second N looks promising.
22 Mar 2012 — 1:29am
http://www.flickr.com/photos/etahchen/6859093624/sizes/l/in/photostream/
22 Mar 2012 — 12:28am
This looks like it would make nice versals, although one image on your flickr makes it look like it's be good for titling perhaps. I'm having trouble imagining the spacing. Are you working on this in Fontlab? If so, the letters are spaced too wide on your first example. Have any idea if you will be designing an accompanying lowercase? :)
I'll see if I have time to comment on the letterforms later.
22 Mar 2012 — 12:57am
This is being done in Adobe Illustrator. I do not own Fontlab.
Lowercase? I guess an accompanying lowercase would be a nice addition to the project.
thanks for the suggestions Brian.
22 Mar 2012 — 1:41am
here are some variations in W's.
http://www.flickr.com/photos/etahchen/6859144672/sizes/l/in/photostream/
22 Mar 2012 — 3:26am
variations of 'X'
http://www.flickr.com/photos/etahchen/7005409237/sizes/l/in/photostream/
23 Mar 2012 — 12:48pm
Etah, good to see you're going for a public crit of this!
I think it's pretty fascinating, especially it terms of taking
something gritty and translating it to a "classy" idiom.
I can't tell how clear the direction is in your head; it seems
a tough thing to settle on. But this has to be done before
we engage in much "this glyph is better than that glyph"
type of refinement. I will say however that personally I'm
very attracted to the especially strange structures, such
as the "E" in your original post. You don't want to go over-
board with that flavor though - some letters will have to be
quite tame in order to produce a nice contrast/balance.
The main thing I'm wondering is: How obscure do you
want this to be? Of course you want it to be decipherable,
but how much effort would you like a reader to put into
actually reading text in it?
BTW: http://luc.devroye.org/BasVaerewyck-RLF-2009.jpg
hhp
23 Mar 2012 — 1:31pm
@hrant
i don't want this to be obscure. the glyphs should be fairly recognizable as to what character is represents. the main objective was to take a foreign letter structure to typography, and turn it into modern type. When i set this into words, i want it to be obvious these aren't regular typographic letters. these are letters from some other subculture. but the treatment of these letters, is a didone one. i feel like i should get these critiqued by gang member or something.
23 Mar 2012 — 1:46pm
cholo graffiti examples:
http://www.graffitifonts.net/burn/burn_fonts/CaliCholo_GraffitiFont.php
http://4.bp.blogspot.com/_hdAWS2lZoPg/TSSJzSKE3hI/AAAAAAAABL4/YFsWq0Tqds...
24 Mar 2012 — 8:46am
> i feel like i should get these critiqued by gang member or something.
Sure. Preferably a former one... like the inimitable Chaz
Bojorquez (who spoke at TypeCon-LA) who happens to
be relatively accessible. On the other hand AFAIR he's
not big on fontifying graffiti...
BTW, for inspiration on inventive structures:
- http://themicrofoundry.com/ss_trajic.html
- Ambicase, from our own Craig Eliason:
http://typophile.com/node/75182
hhp
27 Mar 2012 — 12:30am
This is gorgeous! Really interesting project. Keep the alternates coming! I'll try to provide some more detailed feedback later :-)
28 Mar 2012 — 1:46am
@Hrant. Well, i think i will just get local graffiti writers to look at it.
And those are very interesting glyphs. Those are made up letter forms right?
I thought of this idea, that if i studied non-latin letters, like Armenian, it would somehow benefit me. Because i'd only read them as shapes, and i wouldn't know what they meant.
@1996type. thank you. any feedback is welcome.
29 Mar 2012 — 2:08am
well, this is pretty much the final. i haven't done the 'J' yet, but I'll get to it when I can.
I can always make adjustments, so if you want to suggest anything, that'd be great.
http://www.flickr.com/photos/etahchen/7026224669/sizes/l/in/photostream/