Goudy Old Style
http://www.myfonts.com/fonts/adobe/goudy-1/

...and Goudy Catalogue, too
http://www.myfonts.com/fonts/efscangraphic/goudy-catalogue-sb/

Kabel

Jenson Oldstyle also (but, incredibly, not Kelmscott Roman).

Diamond Fantasy (Neale Davidson)
Diamond Gothic (Jim Fordyce)

Ocean Sans.

http://www.myfonts.com/fonts/nicksfonts/duly-noted-nf/
http://www.myfonts.com/fonts/nicksfonts/spread-out-nf/

Diamond plus…
http://www.myfonts.com/fonts/nicksfonts/posh-soiree-nf/

Wow, what a great collection so far - thanks guys. Keep it up!

BTW if the Italic of a face but not the Roman has a diamond tittle that's fine too.

hhp

Fedra Sans, Fedra Serif A, Fedra Serif B, Fedra Mono

A system font - Sakkal Majalla

Italia, also, is like Jenson Oldstyle in this regard.

No, I'm not talking about bling pasties...

hhp

Damn!!!

n.

Sumner Stone's Sator:

http://stonetypefoundry.com/satoroverview.html

[Marc Oxborrow] What's the occasion, Hrant?

Probably it’s basis in writing with the broad-nibbed pen.

Those diamond tittles really clash with Carter Sans's flat-topped ascenders IMO.

BTW one bonus here is the important role of the tittle in Turkish in diverging from the dotless "i".

It matters:
http://gizmodo.com/382026/a-cellphones-missing-dot-kills-two-people-puts...

hhp

Thanks for being candid. You could've done it there too. :-) Seriously, there's nothing better for cultural progress than public challenge.

I admit that comparing the shape of the dot to no dot at all isn't entirely fair. But the shape does matter:

too subtle to be significant

This is frankly surprising to hear from a text face designer. Maybe I've misunderstood this aspect of your approach to type design all these years.

And how could it be "naff" if it's too subtle?

for which there is no nostalgia.

I hate nostalgia. It's not my intent to leverage such a base emotion.* My angle is cultural preservation, especially in the context of possible admission into the European Union. And anybody who thinks Arabic has no relevance to Turkish culture is simply fooling himself. Walking around Istanbul completely confirmed this for me. I sent Alessandro some photos showing how engrained Arabic remains to Turks (for publication in his "mini interview" thing) but I won't show them here lest I steal his thunder. Calling the influence "decorative" is a convenient superficial escape.

* Although I do think that Turks who lean more towards Islam are more likely to yearn for the "good old days". And remember that -at least among some Muslims- the Qur'aan is only "official" in Arabic.

hhp

@John Hudson:
I didn't see any indication that the script is important for modern Turks who cannot read it.

Well, the Tagala abugida is of interest to some Filipinos who can't read it.

Also, the overwhelming majority of Turks are Sunni Muslims, and I think this means that the Quran is only 'official' in Arabic for them - thus, while Turkey has mass literacy in the Latin script for the Turkish language, I would expect Arabic literacy to still be widespread in that country.

Even Muslim clergy of liberal political inclinations would need to engage in Quranic scholarship - in order to defend their positions.

@hrant:
I know this should go in an E-mail or something...

I see you've designed an Armenian-language keyboard layout, based on traditional typewriter layouts. I happen to have some familiarity with what has been done with typewriter layouts in the past, and thus I have the temerity to make some suggestions for improvement:

1) As you must resort to a third shift for the digits, due to the number of letters in Armenian, there is no good reason to keep them on the top row. As some Katakana layouts have done (image link), you should place them on the home row (ASDFGHJKL;).

2) Also, as this gives the AltGr third shift a very high degree of prominence in the Armenian keyboard, as opposed to keyboards like Canadian French or Brazilian Portuguese, where it is simply used for less-common accented letters or additional special characters and punctuation, you should offer the option of a reassignment of certain additional keys on the keyboard:

Left and right Ctrl keys -> AltGr
Caps Lock key -> Ctrl
Right Alt key -> Caps Lock

For those who prefer to keep Caps Lock where it is, just moving the Ctrl key to the right Alt key could be another option.

EDIT: I have sent an E-mail now about this to the appropriate party, Michael Everson.

I love Orpheus Pro from Canada Type

Note my comment on this post:
http://typophile.com/node/98965

Oooh! Scary! Biscuits made from triticale, an artificial life form made by combining the chromosomes from wheat and rye!

As opposed to the old fashioned square kind. I found the joke less amusing than I could have.

Interesting: http://typophile.com/node/102437

hhp