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Critiques welcome. Three variants in this release: Regular, Condensed Bold, and Condensed Bold Italic.
Kinda wondering if it's even condensed enough to call "Condensed."
Beginner here, playing with font development tools. I made (so far as my skill is able) and released a font yon:
[URL removed my moderator]
As it says there, it is a "blend" of "Ubuntu Bold" and "Mr. Giacco Bold."
I welcome comments and feedback, as I'm curious what may need help with this. Although I probably wouldn't be able to implement feedback; my hope is that if anyone has a fancy for this, they'll use it as inspiration or a basis for something production-grade (whether it's usable for production, I have no idea).
All of the source files are in the .zip distribution archive yon; attached here is a (very many-page) .pdf sample, as well as a .png sample showing all the glyphs.
[Attachments removed my moderator]
Here's a sample of some lettering I've been working on. I would love some feedback!
I'm a beginner when it comes to designing letterforms, this is one of my first renders in illustrator.
If you have any tips or comments or woes, please share.
I'm not a graphic designer by trade but I have decided to create my own font. I have been doing some research and initial drawing (see http://www.doppel-n.com) but I was wondering what letters I should start with in terms of "setting up" the alphabet. I imagine if certain shapes are settled they can be reused for similar letters. Help is very much appreciated.
This is my first attempt at designing a (very rudimentary) typeface.
I've used a simple system where each letter is based on the letter "o" – although I'm aware that such a rigid approach is problematic to say the least. (I've tweaked only a few letters so far.)
All feedback on further alterations I need to consider, etc, would be much appreciated, thanks.
I am a student, currently in the process of purchasing my first font pack. After doing some research on this forum I came across two particular options that seems to fit what I need
Adobe FontFolio Education Essentials,
the 1000 fonts from bitstream that are stored with CorelDraw Graphic Suite X5
now my question is which would be better for someone in my position?
Should I stick with the Adobe collection because of the versatility of it's collection, or get the CorelDraw fonts because of the vast immensity in the scale of what it offers? Which of the two would offer me a better ground as far as building up my skills, and collection from?
I'm importing Illustrator vectors into FontLab but im a little bit unclear about the
proportions that my characters should be.
I've read a little about doubling the UPM size; I have no clue.
Im 'trying' to become more skilled in type design and here is an example of one of my early work. It is not based on a particular pre -designed font. Constructive feedback is more than welcome:-)
this question is probably asked a dozen times before, but I did a (very) quick search and didn’t find anything relevant.
I’ve long been a big fan of fonts and typography. But lately I’m interested in learning more about it. And more specifically type design. So I’ve been reading and looking all over the internet for more info. But I’m getting a bit lost in here. So. To have a better understanding of what I’m looking for, I’m now interested in buying a good book on the basics of type design. Oh and it would also be good if it doesn’t only contains the basics, and goes even further on the more advanced stuff.
Thanks in advance,
PS: Any must-read internet links on the subject (for beginners) are always appreciated.
Just to say hello to this forum. I am a new member and this site seems appealing for us, junior graphic designers, who understand typography is one of the most important feature of the works we make. I am here to perfect my understanding and application of typography.
see you around
Hey, so I've had a love for typography for years, but have just started getting into designing fonts. I bought a copy of TypeTool for Christmas and I've been itching to get started. My first font idea came from a CD cover I designed for a Christmas present this year. I wanted to have the word "SMASH" in a cartoony, ultra-condensed font that would take up the whole cover, both horizontally and vertically. I couldn't find anything out there that was compressed enough for this job, so I ended up drawing my own type for it in Illustrator. When I started thinking about designing my first font, I figured if I couldn't find anything like this, maybe there will be someone else looking for a font like this to fill a design need so I thought I'd flesh it out and see how it took.