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I'm currently working on a thesis that discusses the impact of late twentieth-century technology on the proliferation of typefaces. It would be a great help if you would comment your opinion whether type design programmes, such as Opentype have had a positive or negative impact on the quality of typefaces designed over the past few years.
Hello everyone. I am a novice in type design aiming on making a serif (and if possible, a sans-serif companion) type system aimed at newspaper use. I am still in development, and I am looking at some other fonts that look great on print.
Hello all, I am networking to find a Font Technology Developer to be located in Boulder, Colorado. Any help suggesting potential candidates (or sources for same) would be much appreciated!
Font Technology Developer needed in beautiful Boulder, Colorado!
This is my first attempt at an identity project, and not having proper graphic design (much less typographic) training under my belt, I would really appreciate some feedback from more discerning eyes!
The "client" is a technology startup, looking to make sense of financial networks. The goal of the identity therefore is to convey the idea of innovation, and data connections on a global scale.
I'm unsure about the proportions here, but my main conundrum is that I would like for the text and the graphic to have a visual relationship, e.g. echo each other in some small detail of form (I'm thinking United Airline's original logo by Pentagram here...) Any suggestions? I'm also afraid that it looks really boring.
I'm looking for some suggestions on a (somewhat) techy typeface suitable for an identity.
I've been considering Klavika and Relato Sans, but I find the former a bit to rigdid and the latter might be unsuitable because I recently used it for a related firm. I'm not set on a sans serif.
I've been toying around with the uppercase R in Relato (it has a straight "crossbar"-ish part of the bowl, similar to Auto) for the word mark, lining it's bowl up with other crossbars. I'm not sure if I'll follow through on that idea, but nevertheless I'd love some suggestions on typefaces with similarily constructed R's.