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We are publishing a heavily illustrated version of "Alice's Adventures in Wonderland" and are hoping to hear recommendations for a font for the body and also for a complimentary initial cap for the beginning of each chapter.
The book has at least one color illustration on every page spread and many of the illustrations will be free-standing with text flowing around them.
We're hoping to find a handsome font that feels distinctly old-fashioned, but is also very legible. (I should mention that the tale involves quite a lot of italics and dashes.)
So far we've favored Garamond and Caslon for the body, but I'd love to find something a little more distinctive. For the initial caps we've so far considered Algerian and Birmingham New Street.
orning Glory inspired from Victorian age, take a culture of fashions, politic and art
its really great font for your band, company, label,
clothing company, vintage or classic stuff, etc
i give attractive offering for this promotional
Available : UPPERCASE
Punctuation characters (otf, ttf)
FREE : POSTER AND BORDER VECTOR (ai, eps,cdr file )
DOWNLOAD and TRYING
Over the last year or so I've grown quite interested in (roughly) nineteenth-century face styles around the Bell, Oxford/Monticello and Scotch Roman evolutionary tree. For a while now I've been working on designing a typeface based on some of the ideas I've had along these lines.
W.A. Dwiggins famously set out to tame Scotch Roman by blending it with modern features from William Martin's work, resulting in Caledonia. I wanted to try moving in arguably the opposite direction: exploring the possibilities found in Scotch's immediate precedents among the transitional types.
This is what I've come up with. I took some basic ideas from Scotch and Bell and tried to create something with a crisp and rational structure but a touch of nineteenth-century ornamentation.
I've looked everywhere for this, online, old type specimen books and I simply can't recognize it.
A letterpress printer friend of mine suggested it could be a customisation on Windsor or Hallamshire Old Style, but I think it maybe quite a big customisation for a book binder.
The book was published in London, around 1924.
Any help on this is much appreciated,
I have around 20-30 Letterpress posters and want to start identifying the typefaces used. If anyone has any ideas about how I can find out about identifying typefaces from the period 1860-1910 that would be very useful. Here is one example
Can anyone tell me what font this is? Its very similar to a few I've found but haven't been able to pinpoint the exact one...
I'm looking for a good serif for a project with a late 19th century look to it (Alternate Gothic and Clarendon bold are also involved).
I think I'd like to use something like Brunel (http://www.christianschwartz.com/brunel.shtml) or Benton Modern Display (http://www.fontbureau.com/fonts/BentonModernDisplay/).
The former seems to be in limited release and the latter could work but I'd like to know what other similar fonts are out there. I tried to search for information on "English Modern" (Which is what the designer says Brunel is) but I can't find anything.
I know the moderns like Bodoni, Century and Modern No. 20 but I don't think they're right for this.
What do you think?
Does anyone know what this typeface is from the Enshede Catalog?
Similar suggestions welcome.
Greater Albion Typefounders have just released two new typefaces on Myfonts.
Eccles is another of our 'Early Victorian' typefaces, a series we started with the Wolverhampton family a little while ago. It might be described as 'extreme-Tuscan' in style but has a delicacy that many other Tuscan faces seem to lack. It's ideal for giving design projects a clear period feel, particularly in design and advertising work. We also see it haveing considerable application in preparing invitations to a certain type of happy event. At the other extreme, some of our younger associates have described it as 'your latest Steampunk font'. So perhaps we'll just have to settle on it having a split personality...
I'm doing some design that is meant to feel contemporary for somewhere around 1850-1870 in the UK, particularly London. I'm a bit of a type noob, and I was looking for some general advice.
Greater Albion Typefounders has just released it's latest family on Myfonts and Fontspring. Wolverhampton is a new Neo-Victorian face from Greater Albion Typefounders. It's something of an example of starting with a small idea and running with it. This family of three typefaces (Regular, Small Capitals and Capitals) was inspired by a line of lettering seen on a late 19th Century enamel advertisement made by Chromo of Wolverhampton (hence the family name). The family grew, topsy-like, from a recreation of these initial fifteen capital letterforms to the three complete typefaces offered here.
Greater Albion have jusst released two new families through Fontspring and Myfonts:
Corsham was inspired by traditional stonemason's engraved lettering designs. Designed to be used alone, or in combination with our Corton family, ithas wonderfully lively air, with distinctive lively serifs and beautifully swashed downstrokes. Four faces are offered-regular bold and black weights as well as a condensed form. All faces include a range of Opentype features, including ligatures and old-style numerals. The Corsham faces merge 'olde-worlde' charm with fun character, yet remaining clear and legible for text use.
Can anyone ID this font? It has humanistic tendencies with Geometric serifs. There is a lot of modulation in the stems. It's similar to Bodoni or Didot, but not quite. The "R" is a good distinguishing letter.
Thanks in advance,
Greater Albion Typefounders have just released tow new Typefaces on Fontspring and Myfonts:
Bertolessi, is a Roman face made fun, with a healthy dose of filigree curves thrown into the mix. It's an ideal compliment to our extensive Bertoni family, but can be used anywhere a bit of humour and flair is required.
Initially I thought it was done by a calligrapher, but the identical /B/s led me to think it was a font?
Greater Albion's next two releases are now available on Myfonts.com and Fontspring.
Greater Albion have just released two new families on Myfonts and Fontspring.
Portello is a display family in the tradition of Tuscan advertising and display faces. It's a family of three 'all capital' faces. A perpendicular regular form is offered, along with an italic form (a true italic - with purpose designed glyphs-NOT merely an oblique) and a basic form for small text - which dispenses with the family’s characteristic outlined look. It offers the spirit of the Victorian era with ready and distinctive legibility. It's ideal for poster work, especially at large sizes, and for signage with a period flair.
Greater Albion Typefounders have just released the Worthing family on Myfonts.com and Fontspring (fonts.com release to follow).
Worthing aims to combine Victorian charm with modern-day requirements for legibility and clarity, and we hope, demonstrates that traditional elegance still has its place in the modern world. Meanwhile, for those who our curious about the naming of our fonts, Mr Lloyd our designer was reading Mr Wells (H. G.) “War of the Worlds” recently. No doubt some of you will remember the part that Worthing in Sussex played in that story. Worthing is offered in three styles, regular, alternate and shaded. It's ideal for Victorian and Edwardian era inspired design work, posters and signage, as well as for book covers, chapter headings and so forth.
Greater Albion Typefounders has just launched 'Corton' a pair of display Roman small capitals faces.
Corton was inspired by the traditional lettering on a gravestone in an English village. While that might sound a rather solemn beginning, Corton has wonderfully lively air, with distinctive lively serifs and beautifully swashed downstrokes. Two faces are offered-regular and titular. Between them they are ideal signage and display faces, merging 'olde-worlde' charm and fun character.
Corton is currently available through Myfonts, and is offered at a 35% introductory discount.
Greater Albion has just released three new families on Myfonts.com.
Jonquin was inspired by some hand lettering seen on a World -War One recruiting poster. It’s a family of three faces for display work and headings designed to be used readily as an 'All-Capitals' face as well as in upper and lower case format. Regular and bold weights are offered, as well as an even more decorative incised form. The whole family is ideally suited for poster and advertising work, as well as book and record covers and period themed signage.
Here's a font I've seen before and probably even have on my hd, but i can't figure out what it is. Any ideas? It's all about the "g".
Howlett, which is now released on Myfonts.com, combines great character with extreme legibility.
It’s a simple display face that offers a sense of coziness and order, that speaks of all being well with the world. It is a modern design which pays due Acknowledgment to the past.
An extensive range of Opentype features, including old-style numerals, terminal forms, ligatures and stylistic alternatives are included.
Use it for headings and titles as well as eye catching poster work.
Greater Albion's next two releases are imminent-Granville inspired by Victorian era shop signage, and Federal Streamliner, based on lettering seen shooting past on the side of an old railway carriage!
These should appear in the next day or so on Myfonts. In the meantime there are previews on our blog.