José Scaglione

Talented Austrian designer Wolfgang Homola brings us Soleil, an innovative and fresh geometric sans serif that stands out among its peers. While Soleil's letter shapes take advantage of concepts behind mathematics and geometrical construction to inspire their appearance, it is its careful design process and attention to legibility that provides fluidity and cohesiveness to the typeface. Soleil promises great performance in a wide range of applications, from wayfinding to editorial design.

Starting in November and for a very limited time, all customers who buy the Sirba Bundle in our store will receive, completely free of charge, a copy of this special Sirba type specimen. This collectors piece was designed and produced by Nicolien Van der Keur, original designer of Sirba. The 24-page specimen has been partially printed in letterpress on a wide range of selected papers and has an embossed cover. There are only 525 copies of this collector's item.

newsletter: http://www.type-together.com/newsletters/2010-10.html

NEW RELEASE
Crete Rounded... exclusively for web use

Crete Rounded is a tailored version of Crete created specially to serve as corporate typeface for the upcoming type design competition Letter.2. Veronika Burian, the original designer of this award winning typeface, modified terminals and serifs to create two new fonts that deliver a more contemporary and functional appearance than the original Crete. Furthermore, the new styles proved to be surprisingly efficient for web use. For the time being, TypeTogether is making it available exclusively through our webfonts partners.

GET CRETE ROUNDED AT FONTDECK: http://fontdeck.com/typeface/crete
GET CRETE ROUNDED AT TYPEKIT: http://typekit.com/fonts/crete-rounded-web

The annual conference "Tage der Typografie" are being held for the 12th time this year from the 5th to 7th November in Düsseldorf, Germany. The organiser Peter Reichard invited Veronika this year to give a weekend workshop as part of the events.

The annual conference "Tage der Typografie" are being held for the 12th time this year from the 5th to 7th November in Düsseldorf, Germany. The organiser Peter Reichard invited Veronika this year to give a weekend workshop as part of the events.

LAC Sans was developed, in collaboration with design studio FM milano, for a pitch for the new identity program of the Center of Contemporary Art in Lugano, Italy. It is a vast project embracing many different sectors of the center, from music to theater to art. Therefore FM milano's idea was to connect all these entities with a unique typeface that would give the center recognisibility and character. The first weight to be developed was a display version to be used on posters, in the logotype and other promotional material. The typeface would then, if accepted, be expanded into a broader range of weights.

LAC Sans was developed, in collaboration with design studio FM milano, for a pitch for the new identity program of the Center of Contemporary Art in Lugano, Italy. It is a vast project embracing many different sectors of the center, from music to theater to art. Therefore FM milano's idea was to connect all these entities with a unique typeface that would give the center recognisibility and character. The first weight to be developed was a display version to be used on posters, in the logotype and other promotional material. The typeface would then, if accepted, be expanded into a broader range of weights.

Tan.

More high quality fonts from TypeTogether
ABSOLUTELY FREE!!!

The OpenType version, full commercial licence, of Rue Display Semibold can be downloaded free of charge. As a part of TypeTogether's permanent efforts to promote and encourage high quality typography we are distributing this FREE COMMERCIAL LICENCE of Rue Display Semibold, the beautiful organic sans serif designed by Winnie

DOWNLOAD: http://www.type-together.com/index.php?action=carro/getFreeFont_3
USE CODE TO DOWNLOAD: 5bd6cdcc

More high quality fonts from TypeTogether
ABSOLUTELY FREE!!!

The OpenType version, full commercial licence, of Rue Display Semibold can be downloaded free of charge. As a part of TypeTogether's permanent efforts to promote and encourage high quality typography we are distributing this FREE COMMERCIAL LICENCE of Rue Display Semibold, the beautiful organic sans serif designed by Winnie Tan.

USE CODE TO DOWNLOAD: 5bd6cdcc
download: http://www.type-together.com/index.php?action=carro/getFreeFont_3

Elk Grove Village, IL – June 9, 2010 - Ascender Corp is pleased to announce that the award-winning fonts from TypeTogether are now available for licensing from Ascender. The TypeTogether font collection features a range of text and headline typefaces designed for the professional design and publishing market. Ascender is making the fonts available for end users to download from its www.AscenderFonts.com website, and also for licensing to its software developer and hardware manufacture customers for including in products.

The bâtarde flamande is a style of writing used predominantly in France and present-day Belgium in the 15th century. The style shares an ancestry with other writing styles traditionally grouped as blackletter—fraktur, textura, rotunda, and schwabacher. It had evolved, however, into an æsthetic far removed from its relatives.
While high-contrast in nature, the bâtarde flamande is more delicate and dynamic than the austere and condensed fraktur and textura. Quick curves lack the rigidity of the schwabacher and rotunda. Flair through swashes is thematic, as are the variations in letterforms.

The bâtarde flamande is a style of writing used predominantly in France and present-day Belgium in the 15th century. The style shares an ancestry with other writing styles traditionally grouped as blackletter—fraktur, textura, rotunda, and schwabacher. It had evolved, however, into an æsthetic far removed from its relatives.

While high-contrast in nature, the bâtarde flamande is more delicate and dynamic than the austere and condensed fraktur and textura. Quick curves lack the rigidity of the schwabacher and rotunda. Flair through swashes is thematic, as are the variations in letterforms.

Talented brazilian designer Marina Chaccur designed this beautiful poster featuring Bree, the successful award-winning typeface published in 2008 by TypeTogether. This is the second poster in a series of collectibles we will make available through our website. Posters will be rolled and shipped by snail mail in a tube. (44×70cm, two-colour offset print over Munken Lynx 130gr paper. Price including shipping: €10.00)

Learn more: http://www.type-together.com/index.php?action=carro/getMerchandising_3

Skolar Cyrillic

David Brezina's successful type family Skolar has been expanded with a full Cyrillic character set. It supports 32 languages using Cyrillic script, besides most of the Slavic languages, many Asian and non-Slavic languages are covered too. It also supports Serbian italic alternates and “new” Bulgarian stylistics. Skolar Cyrillic has been designed as a close complement to Latin with the help of the experienced designer and consultant Alexandra Korolkova, and it has already earned its first awards at Modern Cyrillic 2009 and Granshan 2009.

read more: http://www.type-together.com/Skolar

Skolar Cyrillic

David Brezina's successful type family Skolar has been expanded with a full Cyrillic character set. It supports 32 languages using Cyrillic script, besides most of the Slavic languages, many Asian and non-Slavic languages are covered too. It also supports Serbian italic alternates and “new” Bulgarian stylistics. Skolar Cyrillic has been designed as a close complement to Latin with the help of the experienced designer and consultant Alexandra Korolkova, and it has already earned its first awards at Modern Cyrillic 2009 and Granshan 2009.

read more http://www.type-together.com/Skolar

Sirba, a seriffed typeface family with a friendly personality, was conceived especially for the demands in complex text environments like dictionaries, academic texts annual reports, novels and magazines. It has many design features that were particularly designed with Sirba's purpose in mind. Because of its open counters, the large x-height, short ascenders and descenders, this typeface conveys a pleasant reading experience and high legibility even in small sizes. Sirba is a low-contrast typeface, contemporary but with a classical touch, revealing its beauty in design details, such as the asymmetrical bottom serifs, curved bracketing and calligraphically reminiscent terminals.

The newly redesigned, by Marek Pistora, Czech magazine FONT invited José and Veronika to speak amongst other things about their beginnings, influences, approach to design and way of collaboration. The well designed four-page interview also shows some samples of our typefaces in use, such as in various newspapers and books.

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The newly redesigned, by Marek Pistora, Czech magazine FONT invited José and Veronika to speak amongst other things about their beginnings, influences, approach to design and way of collaboration. The well designed four-page interview also shows some samples of our typefaces in use, such as in various newspapers and books.

The first exhibition of Tipos Latinos 2010 opened in Santiago, Chile, on April 14th 2010. The program of activities included two days of lectures at the Centro Cultural de España. Scaglione was the keynote speaker on the first day, with a lecture entitled "Shaping Types" that focuses on typography for editorial design. On the second day, Isaías Loaiza presented a lecture about corporate fonts and the role of typography in a corporate id program. The TiposLatinos 2010 exhibition includes two typefaces by TypeTogether: Karmina Sans and Adelle. The photo in this story is courtesy of Consuelo Saavedra. More images available here.>http://www.flickr.com/photos/consuelosaavedra/sets/72157623755523257/

The first exhibition of Tipos Latinos 2010 opened in Santiago, Chile, on April 14th 2010. The program of activities included two days of lectures at the Centro Cultural de España. Scaglione was the keynote speaker on the first day, with a lecture entitled "Shaping Types" that focuses on typography for editorial design. On the second day, Isaías Loaiza presented a lecture about corporate fonts and the role of typography in a corporate id program. The TiposLatinos 2010 exhibition includes two typefaces by TypeTogether: Karmina Sans and Adelle. The photo in this story is courtesy of Consuelo Saavedra.

More images available
http://www.flickr.com/photos/consuelosaavedra/sets/72157623755523257/

Pilar Cano's beautiful typeface Edita, is taking part in the type exhibition "Lletres de Barcelona", open from the 19th to the 30th April in Amiens, France. The exhibition is organised by Sébastien Morlighem and the ÉSAD (école supérieure d'art et de design d'Amiens), showing the work of various established Spanish type designers, including Andreu Balius and Laura Meseguer.

http://www.type-together.com/index.php?action=portal/viewContent&cntId_c...

Pilar Cano's beautiful typeface Edita, is taking part in the type exhibition "Lletres de Barcelona", open from the 19th to the 30th April in Amiens, France. The exhibition is organised by Sébastien Morlighem and the ÉSAD (école supérieure d'art et de design d'Amiens), showing the work of various established Spanish type designers, including Andreu Balius and Laura Meseguer.

http://www.type-together.com/index.php?action=portal/viewContent&cntId_c...

This display version of Karmina Regular was developed for a particular client with a specific set of requirements in mind. The client is using the full Karmina family for all their communication materials and needed a version for large size applications, as big as billboards. They liked the sturdiness and low contrast of Karmina and didn't want to loose those features too much in the display version. After several presentations and more extreme variants, we nailed the design. The contrast is rather low for a display version, but the overall feel of the typeface is elegant, slim and yet sturdy enough. Both parties are very happy with the result and we look forward to see some applications.

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