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What do you guys think ?
Just want to share my latest releases.
This is my first post so excuse any problems as I'm new :)
I am about to start a new brief for my BA Graphic Design course and I have chosen to do a competition brief set by the ISTD (link below).
There are a few briefs to chose from but I have chosen one which involves creating two contemporary and explorative type specimens for two of Monotypes fonts.
In relation to this I wanted to ask here and see if anyone knows of any really good contemporary type specimens, that I can look at for inspiration. I have searched and found some, but wanted a second, third or fourth opinion :)
Pétala Pro gave his first steps almost ten years ago. During this time, the quest for perfection had forced several interruptions. It was necessary recalculate the route, tread other ways, discover new maps, and make easy curves. After all, a new milestone on typeface design was reached.
Pétala Pro combines readability with a gentle but strong personality. The smooth and balanced forms shares space with expressive ink traps. The 18 styles of the family – from Thin to Black – allow the flexibility needed to complex design briefs. When designing the different weights, rather than automated solutions, subtle adjustments were made to value the optical qualities of each style. Such care, makes all the difference under extreme conditions.
Chefscript Typeface - Buy licenses at MyFont
Chef Script is an experimental font designed by Carlos Fabian Camargo G. Its fantasy design contains 1463 glyphs to compose words, phrases and short messages on small and large sizes. The idea was born in a sketchbook that was perfected again by hand and achieving "non-neutral drawings" on tracing paper. With bezier digitization the empty and full parts of letters appeared with soft and eloquent curves as calligraphic result produces optimal readability.
There is a logo I'm working on and now I've been struggling to find a typeface that would nicely complement it. I thought that I could perform some crowdsourcing here on Typophile. I can't show the logo now but the attached image sums it up pretty well. It's geometric, modern, rounded, drawn on a grid but at the same time looks like made with a flat calligraphic brush.
I must say that so far only Museo looks like a good match but I'm slightly put off by the fact its free and ubiquitous. If nothing better is found I might fall back to it, however.
Thanks in advance!
Key words to consider: contemporary, community, traditional values.
I am on the lookout for a well typeset Bible. I am most interested in finding one that's set in a nice serif face, ideally with some contemporary styling (e.g. something like Fedra, or Tiempos), but I'm open to any good suggestions. I've had a look at http://www.bibledesignblog.com/ but he's a bit more focused on binding & materials than the typesetting.
Thanks for any good direction you can point me in.
Does anyone have any suggestions for an elegant contemporary serif font with an 18th-century basis? Maybe a tiny tiny hint of Rococo prettiness. It's for a book on early Georgian art and furniture. Would be so grateful!
Please check out my first font release, Grey Sans!
Grey Sans is a contemporary sans with an angular design. Routed in both modern geometry and historical handwriting, Grey Sans bridges the gaps of neutrality and warmth, precision and humanism, and serious and fun. Grey Sans covers the grey areas of typeface design.
For Immediate Release:
Alameda, CA- February 12th, 2013
Delve Fonts presents Rieven™ Roman, by Steven Skaggs.
Available now at: http://www.delvefonts.com/rieven_roman.html
In order to address those instances where the more contemporary letterforms are preferred, designer Steven Skaggs has expanded the Rieven family by creating a Roman version that can be used hand-in-hand with its predecessor, Rieven Uncial.
After more than a year of hard work my new sans serif typeface Marat Sans is completed. It is a clean and lively sans serif typeface. The entire family contains of 27 styles & weights and includes many OpenType features: various numerals, alternate glyphs, fractions, superiors and inferiors, language features, arrows, case sensitive forms and many more. Marat Sans is the perfect companion for Marat, a soft and elegant serif typeface.
I'm offering a temporary discount on the font family to celebrate this release! Purchase the entire Marat Sans family on MyFonts for incredible $149 (instead of $799).
I think I have this font, I can't seem to identify it.
Anyone have any clue what this font is?
Its used by Jan Banning on his website - http://www.janbanning.com/
When merely "extended" just would not do, here is Paragraph Stretch™: a super extended or elongated geometric display typeface. It is a modular unicase typeface: the capitals and lower case fit the same height and width, so they are interchangeable: fancy a round "W" in all caps? Use the lower case. Want a straight "x" in lower case? Use the cap. And so on. Designed for use at larger sizes for logotypes, short titles or headings. It supports Western plus Nordic, Eastern European and Turkish languages.
Available from MyFonts.
I'd like to announce the release of the work-in-progress version of my new typeface, Otama. All thoughts and opinions are very much welcome and appreciated.
Free to download from www.timdonaldson.com/otama-ep.zip
You are looking for a contemporary upright script family?
Lignette Script is an elegant monoline font consisting of 535 glyps, with a wide range of languages covered (including greek) and 71 beautiful ligatures – please make sure to use applications that support OpenType features. Moreover Marcus Sterz created Lignette Deco to complete the graceful look with frames and ornaments.
Right now it is on special sale on MyFonts
Or visit our own website
Hello, I've been working on some custom lettering that could potentially be used for our agency's corporate identity (if it turns out good enough). I'm at the point where I've been tweaking it and staring at it way too long, and can't tell what's working and what's not. Any feedback on overall balance, consistency, weight, color, etc. would be much appreciated. I'm not a type designer, so please don't omit any obvious issues!
(Don't pay any mind to the words themselves. They are just randomly chosen so I'm not showing everyone who I work for.)
I am new here - great board - please go easy on me.
I saw this font at the MoMA NY and would like to use it. Does anyone know what it is, and where I may be able to purchase it, please?
I'm Giuseppe Salerno, Art Director of Resistenza.es -Valencia Spain.
I'm developing some fonts, and i would like you to see my latest
creation called Vito Sans.
this typeface born during the summer of 2010, in a little town
called San Vito lo Capo in Sicily.
this uppercase font is perfect for when you want to use eye-catching
big texts for anything from posters and flyers for concerts, events,
parties, to cd covers, advertisements.
I hope you like like it!
thanks for your time.
Hello, I am happy to finally announce the release of my new typeface!
Rukou -- a geometric-script typeface influenced by schoolhand
More info and buy
A few people saw the original Silverback, but now it's back from the drawing board. I was so excited about the results, I thought it could deserve a new thread. Thanks to Justin_Ch and riccard0 for their thoughts on the original.
An all-caps face, Silverback was inspired by old stock certificates, bill heads, and other monetary documents.
I'm in to process of importing the characters into a font program, so please excuse any spacing issues for now. I'm really just looking for thoughts on letterforms and how they work together (if they do at all).
Here are the characters I have done so far, and the attached PDF includes some set text.