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Today italic fonts are assuming a marginal role in typography and are mainly used for emphasising purposes. Filippo Salmina from FSdesign believes they deserve more and pursuits a personal philosophy in the development of italic fonts.
“Stile”, the new font family, has been developed particularly for being used as copy font. While common italics with an angle of approximately 8 degrees while reading make your eyes quickly exhausted, “Stile” preserves them from fatigue. Due to its moderate inclination it is easily readable, really flexible and universally applicable. The cursive character of “Stile” has more to do with writing-speed than to its (moderate) inclination and is responsible also for its particularly homogenous text colour.
Hi. Please name this font if you can.
Can anyone help identify the above font and equivalents.
This is Suba, a sans family that I'm developing. I want to do a interpolation. But I'm not sure if I should draw the regular weight to do it.
And the italics, I'm not sure about it. Thanks for you feedback.
It is part of the book jacket from a Spanish novel. Is the typeface that states the author's name condensed or that's just the way the typeface was designed? And what's with the non-closing P letterform?
Thank you all in advance!
Hello. This is from a photographers book. I actually cannot quite tell if this is a script, or if it's an italic version of a font. If anyone could help me out, that would be fantastic! Thanks.
Just wondering if anybody knows what this Italics Serif font is?
Hi, wondering if anyone can assist:
I'm currently hinting a sans-serif family, and in the italics I tend to remove almost all the vertical stems. What's the general rule here? Is there any reason why I should NOT do this?
What is the correct way of emphasizing (with italics) a word followed by a punctuation mark like ,!?)" ? Do you emphasize it including the mark or only the word itself?
TypeTogether is proud to introduce Rue Display, an organic, casually ornamental, narrow-faced sans serif designed by Winnie Tan.
Rue's spirited and exploratory design is the materialization of a feeling about fonts as a family of organisms taking on a life of its own, in work and play. It was conceived as a typeface, used as an image and discovered as an ornament.
It comes in 10 weights of light, regular, medium, semibold and bold, each with italics.
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