Display

Hi guys,

I am looking for a serif typeface along the lines of Marlene (http://www.typonine.com/fonts/font-library/marlene/), that has a large family which includes stencil cuts. I am working on an online magazine layout and would like to implement the stencil version as a hover effect for links.

The foundry selling it should therefore be able to host the type (have a web version).

Thank you!

Hi everybody, this is my first post.
I will develop a Serif Display to my post Graduation final project. It will be projected for a Craft magazine and I am looking for some good typefaces that I could use as a reference for my studying.
Do you have any suggestions?

Thanks in advance,

cheers,

fmc's picture

Condensed uppercase sans

This is my attempt at a squareish condensed sans. It is uppercase at the moment only and is intended to have an industrial feel to it.
There are a lot of issues to be ironed out, but any feedback /suggestions / insults are more than welcome.

Onrepeat's picture

Port Vintage

Hi guys

Just released my latest typeface - Port Vintage - expanded upon the original Port.

Port Vintage is a new typeface expanded upon the original Port typeface, released in 2013, and being an experimental Didone typeface with a modern twist, inspired by the well known forms of typography masters such as Bodoni and Didot and the exuberance and elegance of calligraphy typefaces.



I don't know if it's just me and I've never heard of this optical illusion but do the arms of this E appear to flare into the stem?
I like my corrected version better but I want to get some other thoughts on it. Thanks.

How's the letter spacing on this E? (I'm a newbie.)
Thanks.

Hello everyone,
I try to explain you the problem.

I created a typography that has both common (e.g. between "f" and "i") and custom (e.g. between "p" and "p") ligatures and used FontLab to export the font in ttf.
Now I want an HTML page to display the font and I write & #xFB01 for common ligature between "f" and "i".
But where should I operate to display custom ligature between "p" and "p"?

Thank you in advance for your attention!
Filippo

Hello everyone,
I try to explain you the problem.

I created a typography that has both common (e.g. between "f" and "i") and custom (e.g. between "p" and "p") ligatures and used FontLab to export the font in ttf.
Now I want an HTML page to display the font and I write & #xFB01 for common ligature between "f" and "i".
But where should I operate to display custom ligature between "p" and "p"?

Thank you in advance for your attention!
Filippo

Bengala is a trendy new type system. The family is made up of a script style, an extended all-caps style, and an ornament set that includes the animal illustrations shown here.






New to design!
I have very little experience and only just started to act on my interest in typography.
This was mostly a dabbler's interest, until recently.
I submitted my first font, called Whale, to MyFonts. They promptly rejected it and basically said it was totally unprofessional. It's meant mainly for display, so I don't know why I bothered submitting to them in the first place, but I now have a stronger desire to make this font as good as it can be. Maybe even simplify it for use beyond just displays.
My feelings will not be hurt. I would greatly appreciate a serious critique of my design so that I can make the next version of Whale far better.
Thanks for your time.
- Stigmaa

Dear all,

this is my first attempt at type creation as an amateur type designer.
I would love to hear from you,

Do not hesitate to criticise!

borishrncic's picture

Foundation Sans

Hi,

I've been working on my first typeface for the past 2 and a half weeks.

The idea was to create a type inspired by the Bauhaus letterforms but adapted to modern times.

With styles good for Display ("regular" and "bold") and others good for Text ("book" and "book bold").

I haven't set the kerning yet and there's still plenty of work to do, but I wanted your opinion about what I've got so far.

THANKS!

Hello, colleagues. We, at Intellecta, are proud to announce Invitation Script, a modern and clean revival of the classic work of the Portuguese master penman Manuel de Andrade de Figueiredo, whose work can be seen in “Nova Escola para aprender a ler, escrever, e contar (...)'' (1722)(see footnote). Invitation Script is the third script superfamily published by Intellecta Design, after Penabico and Van den Velde Script.

Invitation Script has original letters designed by Iza W. Creative direction and core programming were provided by Paulo W. Chyrllene K assisted with some work on unusual and archaic styles, resulting in a special font - Invitation Script Archaic (soon available).

Hi all,

I'm designing a UI for a kids video game and I had chosen House Industries CoopBlack display face to do some of the titling.

We've been doing some testing with an early years education centre, and they have raised the issue that kids in the game's age group (2-4) have not yet been taught to read capital letters. Unfortunately CoopBlack is caps only!

There is a lower case version of the face which was created by Christian Schwarz for Toys R Us, but it's not publicly available: http://www.orangeitalic.com/coop.shtml

Can anyone recommend a similar fun and chunky display face with a lower case?

All suggestions greatly appreciated!

Hello,

I'd love to put a name on that beautiful typeface.

Cheers,
L.

Any ideas on the name of this stencil font?

Hi Typophile users

After the initial critique last month on 'Typophile' I went away and studied every aspect of this font to see why it didn't seem to work.

I realised that the weight of vertical and horizontal strokes weren't visually in harmony. This was due to the height of the vertical strokes. I rectified this by reducing the thickness of the horizontal strokes by a third.

strokes.pdf - As you can see the top and bottom stroke of the body of the 'Q' are slightly thinner.

Hello everyone. I am designing a high school newspaper for my campus, called "The Pioneer". What it pioneered, I do not know.

GURU
NT Guru is a multiple layered typeface especially designed for display use. To create beautiful typographic designs the possibilities are endless by using layers and colors. A beautiful set of arrows and multiple language support makes Guru complete for any unique and ornamental design.
Available on July 15th 2013 via the website.
www.novotypo.nl
Nt Guru is a set of 5 fonts designed by Novo Typo (typo)graphic designers from Amsterdam - The Netherlands.

I've been wracking my brain and searching my type books trying to identify the typeface regularly used on the cover of vintage Harlequin romance novels, but so far I've had no luck.

The good news is I have an extensive sample character set:
https://dl.dropbox.com/u/17582217/FileChute/harlequin_sample.png

It's not Tiffany, though some of the letters are clearly close.

Does anyone have any guesses? This is driving me crazy!

Thank you in advance for any help!

Hello,

I am looking for a suitable font that will fit in to this type of illustration.
Thank you in advance.

Best,
D.


Alphabet Soup Type Founders and Michael Doret are proud to announce the Release of Dark Angel, a “blackletter/hybrid” font. This font had its genesis in a logo sketch for the Anaheim Angels baseball team—thus its name.
Type purists may be appalled by the lack of adherence to traditional forms, but the font should be seen as only “in the spirit of” blackletter, and attempting something that hasn’t been seen or done before—something that feels traditional, yet at the same time fresh and perhaps unexpected.


Alphabet Soup Type Founders and Michael Doret are proud to announce the Release of Dark Angel, a “blackletter/hybrid” font. This font had its genesis in a logo sketch for the Anaheim Angels baseball team—thus its name.

Type purists may be appalled by the lack of adherence to traditional forms, but the font should be seen as only “in the spirit of” blackletter, and attempting something that hasn’t been seen or done before—something that feels traditional, yet at the same time fresh and perhaps unexpected.

Inspired by neutral slab serifs with an added twist, Slab Happy is a typographic system consisting of eight layerable fonts with infinite combinations. Slab Happy looks best when set in display sizes, but functions just as well at smaller point sizes.

The complete Slab Happy family consists of: Regular, Bold, Outline, 3D, Stitches, Fill, Shadow, and Crosshatch.

Slab Happy

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