Display

Definitely a typeface with a long story for me. After several adoptions for sub pixel rendering I newly had to make some redesigns for a retina display version without sub pixel rendering (lately problematic in iOS8).
After the time and many corrections with what Frederic Goudy once called the fresh eye effect it became slightly more classic gothic more in the direction of a Chanel like typeface. This was caused by making design automatically bolder and lighter a few times doing the needed corrections by hand.
As since I had started over the time many letters have undergone improvements that I wouldn’t want to get lost during the re-process.

I am working on a book proposal that involves the use of a Completely modified version of Times New Roman to be more Appropriate for Display or at Larger Sizes. This is a commercial project with the potential for Wide Distribution so I want to as clear about the legality as possible. Otherwise, I (with a bit of shame) would not really worry about it, but agin this is not that...

I Heavily modified the font, not just computationally through interpolation, but also in more nuanced and pre-meditated ways that literally alter the letter forms at a fundemental level i.e. serifs, bowls, shoulders, etc.

I have attached sample of the original I used and then the altered version(at 3/4 complete).

Original

Display

Genplan Pro is finally released! This my debut on MyFonts.

So, I've been designing typefaces for about 4 years now but soon I'm finally going to put some of my designs up for sale. I don't have the time to set up a proper foundry right now and may not wish to do so, but if I am to sell through MyFonts I would like to brand myself. Considering my last name is Silvertant I've decided on the name Silvertype. I would just like to know what you think of the logotype I designed for it.

Hello Typophiles!
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Logomotion is back! (just for 45 days)
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'Logomotion' by Fernando Díaz, just for $19

If you'd like to support the type designers please purchase directly at TipoType.com (Logomotion) where the designer gets 80% of every sale.

Logomotion

Hi guys (and girls)

Just found the site at an apt time in my life, so hoping to learn something and share ideas. Also creating my first font after 15 years as a professional digital artist (shameful, yes) but that's another topic.

I searched the forum but didn't see anything about this in the results. Wasn't sure if it should go in Design section as it's more general to all font use in browsers, especially now with CSS3 and @font-face. Feel free to move it if you like.

Hi,

Just wondering if anyone got a hi res scan of this? I want to use it for a project, but can't find a digital version. Only a non-outline version called "Lucifer" have been digitalised. Not sure why it's called that. Was there never a Pluto Regular?

cheers,

Pookey

Hello everyone,

I've been working on this font for over a year now, I've been putting it on and off and I'm hoping to finish it by the end of the year. Right now all I have is lowercase and will eventually work my way to numbers and glyphs.

I'll gladly appreciate any feedback and criticism.
Thanks

Wallington Typeface

Hey guys! allow me to introduce my first release font.

Wallington is a decorative-serif font embodying vintage and elegant curves with functional structure. Inspired by Old English cultures and their descendants between the mid-5th century and the mid-12th Century. Made up of two styles, Wallington Regular that consists of 491 glyphs and Wallington Small Caps with 365 glyphs. All glyphs are divided into several OpenType features such as Ligature, Contextual Alternates, Old Style Numeric and some astonishing special characters that allows you to mix and match pairs of letters to fit your design.

Find out more : http://ink.creativezeune.com




Hi guys,

I am looking for a serif typeface along the lines of Marlene (http://www.typonine.com/fonts/font-library/marlene/), that has a large family which includes stencil cuts. I am working on an online magazine layout and would like to implement the stencil version as a hover effect for links.

The foundry selling it should therefore be able to host the type (have a web version).

Thank you!

Hi everybody, this is my first post.
I will develop a Serif Display to my post Graduation final project. It will be projected for a Craft magazine and I am looking for some good typefaces that I could use as a reference for my studying.
Do you have any suggestions?

Thanks in advance,

cheers,

fmc's picture

Condensed uppercase sans

This is my attempt at a squareish condensed sans. It is uppercase at the moment only and is intended to have an industrial feel to it.
There are a lot of issues to be ironed out, but any feedback /suggestions / insults are more than welcome.

Onrepeat's picture

Port Vintage

Hi guys

Just released my latest typeface - Port Vintage - expanded upon the original Port.

Port Vintage is a new typeface expanded upon the original Port typeface, released in 2013, and being an experimental Didone typeface with a modern twist, inspired by the well known forms of typography masters such as Bodoni and Didot and the exuberance and elegance of calligraphy typefaces.



I don't know if it's just me and I've never heard of this optical illusion but do the arms of this E appear to flare into the stem?
I like my corrected version better but I want to get some other thoughts on it. Thanks.

How's the letter spacing on this E? (I'm a newbie.)
Thanks.

Hello everyone,
I try to explain you the problem.

I created a typography that has both common (e.g. between "f" and "i") and custom (e.g. between "p" and "p") ligatures and used FontLab to export the font in ttf.
Now I want an HTML page to display the font and I write & #xFB01 for common ligature between "f" and "i".
But where should I operate to display custom ligature between "p" and "p"?

Thank you in advance for your attention!
Filippo

Hello everyone,
I try to explain you the problem.

I created a typography that has both common (e.g. between "f" and "i") and custom (e.g. between "p" and "p") ligatures and used FontLab to export the font in ttf.
Now I want an HTML page to display the font and I write & #xFB01 for common ligature between "f" and "i".
But where should I operate to display custom ligature between "p" and "p"?

Thank you in advance for your attention!
Filippo

Bengala is a trendy new type system. The family is made up of a script style, an extended all-caps style, and an ornament set that includes the animal illustrations shown here.






New to design!
I have very little experience and only just started to act on my interest in typography.
This was mostly a dabbler's interest, until recently.
I submitted my first font, called Whale, to MyFonts. They promptly rejected it and basically said it was totally unprofessional. It's meant mainly for display, so I don't know why I bothered submitting to them in the first place, but I now have a stronger desire to make this font as good as it can be. Maybe even simplify it for use beyond just displays.
My feelings will not be hurt. I would greatly appreciate a serious critique of my design so that I can make the next version of Whale far better.
Thanks for your time.
- Stigmaa

Dear all,

this is my first attempt at type creation as an amateur type designer.
I would love to hear from you,

Do not hesitate to criticise!

borishrncic's picture

Foundation Sans

Hi,

I've been working on my first typeface for the past 2 and a half weeks.

The idea was to create a type inspired by the Bauhaus letterforms but adapted to modern times.

With styles good for Display ("regular" and "bold") and others good for Text ("book" and "book bold").

I haven't set the kerning yet and there's still plenty of work to do, but I wanted your opinion about what I've got so far.

THANKS!

Hello, colleagues. We, at Intellecta, are proud to announce Invitation Script, a modern and clean revival of the classic work of the Portuguese master penman Manuel de Andrade de Figueiredo, whose work can be seen in “Nova Escola para aprender a ler, escrever, e contar (...)'' (1722)(see footnote). Invitation Script is the third script superfamily published by Intellecta Design, after Penabico and Van den Velde Script.

Invitation Script has original letters designed by Iza W. Creative direction and core programming were provided by Paulo W. Chyrllene K assisted with some work on unusual and archaic styles, resulting in a special font - Invitation Script Archaic (soon available).

Hi all,

I'm designing a UI for a kids video game and I had chosen House Industries CoopBlack display face to do some of the titling.

We've been doing some testing with an early years education centre, and they have raised the issue that kids in the game's age group (2-4) have not yet been taught to read capital letters. Unfortunately CoopBlack is caps only!

There is a lower case version of the face which was created by Christian Schwarz for Toys R Us, but it's not publicly available: http://www.orangeitalic.com/coop.shtml

Can anyone recommend a similar fun and chunky display face with a lower case?

All suggestions greatly appreciated!

Hello,

I'd love to put a name on that beautiful typeface.

Cheers,
L.

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