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Hi all, designing a logo from a drawing I made,
I need to make the type more legible for the client,
any advice is welcome! The company name is liquid violet.
They are a young
The below was sent to the client as explanation:
'The logo here is typographic. A bespoke
typeface has been created for Liquid Violet
which draws on liquid forms taken from the
name. This logo represents a more modern
approach. Please note the typeface can be
made more legible if desired and the word
‘liquid violet’ can be placed within the
Liquid seems to be more legible than violet right now?
I'd like to share and get feedback on a set of capitals I have designed for a client work, maybe it will see the light of day as a font. I'm calling it Exotique, and it's a Modern Display Serif. It is made to be seen at big display sizes.
Cheers and thanks!
Need help to ID the font at the bottom of the logo (sort of a tag line). If the main name is a font, I'd love to know that, too (I don't think it is but I could be wrong).
Currently in use as a logo for a local Burger Bar.
Thanks in advance!
BTW, received a server error on the first attempt. If this double posts - my bad, sorry!
Hi can anyone help me identify this title font from the Horniman Museums (South East London) display cases?
Leibix, inspired by a jolly trademark of the past, is a fun family of five typefaces which transcends different eras of the past. It has elements of the 1920s in its design, but is equally at home with projects having a 1970s theme of an up to the minute modern one. Leibix is intended for eye catching cartoon captions, in posters of anywhere else a casual impact is required.
Greater Albion is offering Leibix at an introductory 40% discount on Myfonts.
Albia Nova is a bit of a new departure for Greater Albion-an unashamedly futuristic typeface. It was originally developed for a friend of ours-a set designed who needed some lettering on props for a science fiction play-the brief was to evolve conventional letter forms and speculate as to what they may look like in the future. As released Albia Nova is a more refined version of this idea, placing a bit more emphasis on readability (today) over evolution of the letterforms. The result is good for giving design projects a futuristic feel, but also has something of the 1970s and 1980s about it.
AlbiaNova has released on Myfonts at a 40% introductory discount.
Anyone know the name of the font in blue? I can't find it to save my life...
You may recognize this as being the First Edition of Moby Dick printed in New York 1851. I am hoping to source typefaces that are from the period that have a very close DNA.
Monotype Modern seems like a logical relative but I cannot find anything condensed/compressed enough.
Your help on this is greatly appreciated.
P.S. Please omit the conjunction "OR," from your type identification.
P.P.S. My apologies if I am not using the word "Transitional" properly.
I could use some help identifying this handwriting font for a logo I need to rebuild...
Thanks in advance!
You are looking for a contemporary upright script family?
Lignette Script is an elegant monoline font consisting of 535 glyps, with a wide range of languages covered (including greek) and 71 beautiful ligatures – please make sure to use applications that support OpenType features. Moreover Marcus Sterz created Lignette Deco to complete the graceful look with frames and ornaments.
Right now it is on special sale on MyFonts
Or visit our own website
Hi, I'm looking for this display font that appears on the "Black Sabbath, Vol. 4" album. Do you know the name of it?
I am in the early stages of developing a chromatic face that, by design, employs a lot of slight diagonals (1 to 5 degrees off the horizontal or vertical). The glyphs are made to look as if they were formed by folding strips of paper (I know, I know it's been done before). In addition to the pair of companion chromatic fonts within the family (each representing a different side of the strip of paper), I want to make a monotone version that somehow achieves the 2-sided effect without the use of multiple colors.
The solution I've arrived at to simulate that 2-sided effect is to, in the areas representing the back of the strip of paper, block or mask out strokes that run parallel with the strip. The problem I've encountered in testing the viability of this solution is that the edges of the strokes (set at the aforementioned slight diagonal angles), as well as the edges of some of the solid sections, appear quite "jaggy" when I test the PS OpenType font in Illustrator or InDesign.
Anyone have an ID for this? It looks like an über display version of Didot but I haven't been able to find a match.
On a side note, can anyone direct me to a list of other good hairline display type like this?
Clip is a display typeface inspired by the shape of a paperclip, but it’s not designed with the usual minimalistic modular approach. Instead, Clip mimics the construction, proportions and contrast of classic bold text typefaces and has one unique characteristic: each of its characters is drawn with only one single line.
Clip family consists of 3 fonts, Hair, Light and Regular, each with 745 glyphs (supporting more than 70 latin based languages), 4 stylistic sets and advanced OpenType features. When Stylistic set 1 is activated, the overlapping loops contract, giving the text a whole new character. Moreover, every uppercase character is also available in an ornamental swash variant, which means most of the capitals have four different versions.
AscenderFonts.com is proud to release a wonderful set of new fonts from the Hallmark™ Design Collection. And as a special introductory offer, all the new Hallmark fonts are on sale with a 25% discount now through February 9, 2011.
Greater Albion Typefounders have just released tow new Typefaces on Fontspring and Myfonts:
Bertolessi, is a Roman face made fun, with a healthy dose of filigree curves thrown into the mix. It's an ideal compliment to our extensive Bertoni family, but can be used anywhere a bit of humour and flair is required.
This rather interesting 'g' appears in headings in Hvem/Hvad/Hvor anno 1952.
Greater Albion's next two releases are now available on Myfonts.com and Fontspring.
No name for this bugger yet. It's my first attempt at creating a full alphabet plus punctuation for an actual font release! Inspiration came from a custom logotype I created that was not commissioned, it's a great excuse to dive into FontLab and see what it's all about. This will be an all caps display font, released at some point this year. Here is a screenshot of the regular and outline versions. I've attached a PDF for closer inspection.
This brand new font family was just released this month from Portuguese designer Dino dos Santos, and it's a real beauty.
I'm thinking about buying the display, text, and sans. What are your thoughts? A new classic or nothing special?
This is a font ive been working, is inspired by the amazing "Mostra" from Mark Simonson. I wanted a font with a old feel to use on my vintage artworks and graphics, it started as a vector file that i use, but them i keep adding more characters and turned it into a real font. I would like to know the opinion of the people here about this font. Thanks.
Any idea what this font is? Thanks!
Greater Albion have just released two new families on Myfonts and Fontspring.
Portello is a display family in the tradition of Tuscan advertising and display faces. It's a family of three 'all capital' faces. A perpendicular regular form is offered, along with an italic form (a true italic - with purpose designed glyphs-NOT merely an oblique) and a basic form for small text - which dispenses with the family’s characteristic outlined look. It offers the spirit of the Victorian era with ready and distinctive legibility. It's ideal for poster work, especially at large sizes, and for signage with a period flair.
New time poster on typophile from Brighton UK here attempting a typeface based on a logo designed for our company - a design studio in the UK. Attatched is the typeface which is to be printed in a black foil and embossed, but for the moment i have added some lighting effects to give you the idea of the final outcome. Here i am attempting to create a typeface that is of a heavy weight and resembles latex when used as a logo.
I have developed the typeface for a mailout and am now extending the face into a full working typeface. I believe it could be fairly interesting when completed. The face uses influences from rhythmic calligraphic stokes and from heavy weighted Caslon faces. I have added a humanist element to the face as well.