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After almost seven years of putting it off the time has finally come to assemble a portfolio and stationary etc. Over the last few months I've been looking at a number of typefaces to use for 'branding' myself so to speak and have almost certainly settled on Akzidenz Grotesk Condensed Light and Regular.
The things I love –
The things I do not love –
Hello all,
I've had a check through previous posts but not found this exact topic, please redirect me if there is.
So what is your chosen version of Helvetica? Or should I say Helvetica Neue (as most people will be using as opposed to the original digit 'cut').
From working at various design agencies, studios, other people's computers etc I have probably used every version of Helvetica going. There are many, plus now we also have Christian Schwarz's digitized Neue Haas Grotesk to content with. But is it possible to advise and settle the issue? Is one foundry's version objectively the best?
Please discuss!
Thanks,
Lewis

View eText Fonts: http://bit.ly/XovVvK
Read Press Release: http://bit.ly/10wWpry
Read Blog Post: http://bit.ly/Z8lPcS
Today, Monotype announced the release of a collection of typefaces designed for digital reading environments, including e-books, web content, mobile applications, digital publications and online newspapers. Device manufacturers, digital publishers and Web designers can now turn to a selection that includes some of the most popular text faces used in print – designed and tuned for exceptional readability on e-readers, tablets, smartphones and other web-enabled devices.
Monotype’s initial collection includes multiple weights of nine typeface families, designated for digital publishing:
Hi,
I’m looking for literature on neo-grotesque typefaces like Helvetica, Univers etc. … I’m very interested in profound knowledge on development and history. Any recommendations?
Thanks in advance!
I'm an Asian font newbie utterly flummoxed with trying to find appropriate web fonts for a website.
For western European languages the site will use Helvetica Neue Light, Helvetica Neue Bold and Baskerville Italic.
But the site will also appear in Mandarin, Cantonese, Japanese and Korean, and I'm trying to find web fonts for those languages that are appropriate equivalents of Helvetica Neue and Baskerville Italic.
Googling for recommendations has just confused me further. Some people even suggest there's no sense using web fonts for Asian character sets because the file sizes would be impractically large. Others suggest that italic fonts aren't appropriate.
Can anyone help suggest what approach I should take here?
Any advice very much appreciated.
Please check out my first font release, Grey Sans!
Grey Sans is a contemporary sans with an angular design. Routed in both modern geometry and historical handwriting, Grey Sans bridges the gaps of neutrality and warmth, precision and humanism, and serious and fun. Grey Sans covers the grey areas of typeface design.
Available at:
MyFonts | Fontspring | YouWorkForThem | HypeForType | Fonts.com
Thank you.
As I am a big fan of typography and board games, I decided to combine these two passions into one. Gametica is a simple board game for two to four players, in which the players race their four tokens from start to finish according to die rolls. Like other cross and circle games, it is similar to the Indian Pachisi. In my version on board I added icons on the board symbolize additional tasks.The 140 cards has been added to the game with questions about Helvetica, typography and design. The whole project is based on the world's most popular font Helvetica.
http://www.behance.net/gallery/Gametica-Typography-Game/6584875




Hello, everybody. I was wondering, if you could help me. Does somebody know any magazine, or newspaper, which uses helvetica as it's main font (for articles, etc.)? Would be kickass, if someone could help! Thank you in advance.

Hi gang! I only post infrequently, but I was puzzled about something lately and had to ask ... with all the riffs and homages to Helvetica over the years, hasn't anyone done a script version of the typeface? I assumed this would be simple to find, but after a bit of searching, I came up with nothing.
It seems to me that such a face could be not only beautiful (and in some ways, funny), but also fill what I perceive as a void of highly legible, non-expressive modern script faces.
I've attached a ridiculously rough sketch of what I'm talking about ... I'd love any leads to a face like this, and any opinions on whether such a face would be a terrible idea or not. Thanks!
I know it's Helvetica, I was just wondering if anyone knew the weight(s) of the bottom text. I'm also not sure how to properly embed an image, if someone could help me with that that'd be awesome!
Maax is a sans serif font with 3 sets of alternatives glyphes; standard, geometrical, grotesque
Created by Damien Gautier and Quentin Margat (bureau 205)
Maax contains 4 cuts (Regular, Medium, Bold and Black) and 3 italics (Italic, Medium Italic and Bold Italic).
Maax will be available on february 2012 on www.editions205.fr
Soon...



Monotype Imaging Holdings Inc., a leading global provider of text imaging solutions, has introduced the 22-font Neue Haas Grotesk™ typeface family — the original Helvetica® design — into the company's Linotype® collection.
I am posting to let everyone know that we are working with filmmaker Scott Hutcheson to produce a documentary film about the world's most controversial font, Comic Sans. The font's designer Vincent Connare has said, "If you love it, you don't know much about typography. If you hate it, you don't know much about typography, either, and you should get another hobby." We agree with the first part of that statement. For nearly ten years now, our hobby has been hating on Comic Sans with the ban comic sans campaign.
In the vein of the Helvetica film, Hutcheson will explore the world's love/hate relationship with Comic Sans by interviewing top designers including Shepard Fairey, designer of the iconic Obama HOPE image.
it's far from finished:
the weight between characters is still a little uneven, and some letters i'm not sure about. i was thinking of scrapping the g and starting on a two-story g (along the lines of johnston, akkurat etc.)
i started by wanting to create a grotesque striped down to its simplest form by removing unnecessary terminals.
A poster series for the action-packed novel "The Night Angel" trilogy by Brent Weeks. The typography was heavily influenced by the characteristics of an assassin.
Graphic Designer: Herman Chaneco
Copywriter: Brent Weeks (Book Author)
Size: 24"x36"

A poster series for the action-packed novel "The Night Angel" trilogy by Brent Weeks. The typography was heavily influenced by the characteristics of an assassin.
Graphic Designer: Herman Chaneco
Copywriter: Brent Weeks (Book Author)
Size: 24"x36"

...why Arial was even created. The story goes that When Bill Gates designed Microsoft he didn't want to pay for Helvetica so he got Arial from Monotype. There are a lot of "Helveticas" out there, licenced to different companies, like Swis721 BT licenced to Bitstream. So why did Microsoft choose Arial? AND WHY DO SO MANY PEOPLE USE THIS UGLY TYPEFACE?????
When I use the Adobe CS programs on a PC and I am trying to use Helvetica, what looks like the standard roman version of Helvetica is labeled as Helvetica Medium? But when looking to see if Helvetica Medium is a font that can be purchased online I cannot find it?
So what is Helvetica Medium? Where did it come from? and is it an actual font that can be purchased?
And no, I'm not getting this confused with Helvetica Neue 65 Medium, I understand that they are separate typefaces.
Any thoughts???
Firstly, let me preface the post by saying that I am a complete newbie at everything pertaining to fonts, type, css or design, so please, be gentle.
The story thus far is as follows:
I'm designing a web page for a few friends (and myself), so that we have something (anything) online until our organisation has the funding to get a better page up and running. Luckily, I'm not doing the coding, a friend of mine is.
I have been trying to locate the typeface used in Process Journal http://www.processjournal.com.au/
Here is a pretty good image for ID:

It looks like a blend of helvetica heavy and akzidensk grotesk.
happy New Year, typophiles!
I am glad to present a new Osnova family, sans serif workhorse.
Hi everyone,
Does anyone know what font is being used here? It looks like Helvetica Black but then there's no vertical lines on the lowercase "U" for example. Also, that apostrophe is pretty unique.
Any ideas?

Think you can distinguish between Helvetica and Arial? Try this interesting quiz by Ironic Sans, called "So you think you can tell Arial from Helvetica?". Here they take regular logos originally designed with Helvetica and replaced all of the words in the Arial typeface.
We just released the second in our series "The Ten Commandments of George Lois." The quotation reads The creative act, the defeat of habit by originality, overcomes everything. When I first approached George about collaborating, this was his immediate suggestion and remains one of his more celebrated statements.
My favorite quote of his, "Great ideas can't be tested. Only mediocre ideas can be tested" was the first release in the series.
A portion of the proceeds from sales of this shirt will benefit the Herschel Levit scholarship fund at Pratt Institute, Mr. Lois' alma mater.

Hi all,
I am new here - great board - please go easy on me.
I saw this font at the MoMA NY and would like to use it. Does anyone know what it is, and where I may be able to purchase it, please?
Regards,
Tony