This is the font used on music producer Clams Casino's website (clammyclams.com). Would anybody be able to tell me what it is?
Thanks!
-B.

Hello everyone, this is my first post here. I couldn't figure out this font with whatthefont or identifont or the help of a few co-workers, or going through my whole font library one at a time, so I ask if you recognize this font.

I have a photo of the font, and a version where I blackened a selection of the letters, and a version where I blackened and sheared the letters back to an angle that seemed non-italicized. Thanks guys.

For Immediate Release:
Alameda, CA- February 12th, 2013

Delve Fonts presents Rieven™ Roman, by Steven Skaggs.
Available now at: http://www.delvefonts.com/rieven_roman.html

In order to address those instances where the more contemporary letterforms are preferred, designer Steven Skaggs has expanded the Rieven family by creating a Roman version that can be used hand-in-hand with its predecessor, Rieven Uncial.

Lawson's book has piqued my interest in this typeface, originally known as Binny & Ronaldson's Roman No 1. Does anyone know of a digital implementation? I can't find any on MyFonts or through Google.

I'm aware of Monticello but I understand that's more of a derivative (like Sabon is to Garamond) than a direct adaptation.

For more information or to place an order, please visit alterlittera.com or myfonts.com.

Thanks in advance for your interest.

I would like to know where certain Roman and Cyrillic glyph variants come from.

In American cursive handwriting (Roman letters, naturally):
• the "f" looks more like a print "b" than a print "f";
• the "s" does not resemble any print letter at all;
• and the "r" looks like some kind of weird mutant print "n".

In Russian cursive (Cyrillic letters):
• the "г" looks like a backward print Roman "s";
• the "д" looks for all the world like a cursive Roman "g";
• and the "т" looks like nothing so much as a cursive roman "m"!

(The cursive forms for "г" and "т" are also used in italic.)

As for "r" and "г", I wonder if the same principle is at work for both.

I have seen some of the Russian "cursive" letterforms in print, in the credits for some episodes of "Nu, pogodi!"

I remember see this font before, N from PONS. plz i need some help to ID.
Thx in advance!

Alcalá is based on the document “Biblia poliglota complutense”, aka Bible polyglotte d'Alcalá.
It was the first edition of a complete polyglot Bible, as well as the first printed version of New Testament in Greek, the Seventy and Targoum Onkelos. Conceived between 1502 and 1517, it was thought, financed and largely by cardinal Francisco Gimenez de Cisneros.
The first drawings go back to 1995. A second version was started in 2011 in order to answer the ordering of a publisher to compose a Bible based on the translation revised of J. N. Darby in French and Madagascan. Drawings are optimized for uses in small sizes.

Greater Albion have jusst released two new families through Fontspring and Myfonts:

Corsham:
Corsham was inspired by traditional stonemason's engraved lettering designs. Designed to be used alone, or in combination with our Corton family, ithas wonderfully lively air, with distinctive lively serifs and beautifully swashed downstrokes. Four faces are offered-regular bold and black weights as well as a condensed form. All faces include a range of Opentype features, including ligatures and old-style numerals. The Corsham faces merge 'olde-worlde' charm with fun character, yet remaining clear and legible for text use.

Metropole:

The Spargo family of six typefaces has just released on Myfonts.com and on Fontspring.

Spargo is inspired by 20s and 30s American typefaces, often seen on share certificates and other securities. We thought it was time to bring a touch of transatlantic boom and ebullience to our portfolio of typefaces, not to mention a healthy dose of Roaring 20s spirit. Spargo is the result, offered in six all capitals display typefaces.

Here are speciments of the six faces...

Greater Albion Typefounders have just released tow new Typefaces on Fontspring and Myfonts:

Bertolessi, is a Roman face made fun, with a healthy dose of filigree curves thrown into the mix. It's an ideal compliment to our extensive Bertoni family, but can be used anywhere a bit of humour and flair is required.

Greater Albion's next two releases are now available on Myfonts.com and Fontspring.

Is anyone able to ID the English font used in this poster?

Thanks!

Hello all; this is my first time posting, though I've come here reading off and on. I have been learning all I can so I can speak intelligently about this topic, but please forgive me (and correct me) if I use some of the technical terms incorrectly or too broadly.

The attached logo was found on some rolls of metallic stickers that our insurance agency has been using for various purposes for at least twenty years, if not longer. We are currently looking into branching out with our marketing methods, which has of course left us in need of a distinctive "look" -- and we would like to use this logo, as it is (in our opinion) rather handsomely suited to the "tone" of the business we are pursuing, as well as able to give us some brand continuity. Unfortunately, the gentleman who designed the logo for us is long deceased, and we have no original files anywhere either.

Now, even after hours of searching and browsing through font identification tools, none of us have been able to determine which typeface is used here. The interesting flourishes don't help, I'm sure...

Please help id this font for me

I believe that it is hand drawn, I have a feeling that it is out there or something that is very close to this.

I have the following letters

AL: http://www.scholarlytype.com/its/al.jpg

GH: http://www.scholarlytype.com/its/gh.jpg

z: http://www.scholarlytype.com/its/z.jpg

i: http://www.scholarlytype.com/its/i.jpg

Thanks so much for looking.

Hi Everyone,
I tried What the Font with the attached contemporary sample.
The keyword suggestions were close.
(I don't think there is a lower case.)
When opening the PDF in Illustrator, it said that "Architect-VBold" was missing.

thanks
Jeremy

Here are samples of Greater Albion Typefounders' latest two releases, which have just launched on myfonts.com and fontspring.com.

Paragon is a display Roman family of nine faces, combining elements of formality and fun. It embodies a high degree of contrast between near hairline horizontal strokes and bold vertical strokes. The family is offered in three widths and in regular, small capitals and title faces. Use Paragon to lend impact to your next design project.

Greater Albion have just released two new families through Fontspring and Myfonts.com.

The first of these, Cirflex was inspired by a 1930s shop sign, and makes an ideal typeface for Streamline Era and Art Deco design. Cirflex is offered in regular and bold weights.

Mynaruse Royale is an expansion of Mynaruse Titling. It features script capitals and widely tracked and smaller titling capitals. Mynaruse Royale has plenty of character and, with its powerful and sharp serifs that draw the eye. Mynaruse Royale is useful in settings that call for titling with an extra touch of elegance, such as a storefront, wedding program or formal invitation.
Mynaruse Royale contains a number of OpenType alternates, including alternate forms for the capitals that are large, drop cap like capitals instead of the calligraphic script capitals found in the default forms. Additionally there are non widely tracked lowercase forms that work well with the included alternate characters and ligatures.

Tradition meets tomorrow in Mexborough-Mexborough has just been released by Greater Albion and is being offered at 30% introductory discount on Myfonts.com. Here's a specimen sheet showing the six members of the Mexborough family.

Greater Albion Typefounders has just launched 'Corton' a pair of display Roman small capitals faces.

Corton was inspired by the traditional lettering on a gravestone in an English village. While that might sound a rather solemn beginning, Corton has wonderfully lively air, with distinctive lively serifs and beautifully swashed downstrokes. Two faces are offered-regular and titular. Between them they are ideal signage and display faces, merging 'olde-worlde' charm and fun character.

Corton is currently available through Myfonts, and is offered at a 35% introductory discount.

Greater Albion has just released three new families on Myfonts.com.

Jonquin was inspired by some hand lettering seen on a World -War One recruiting poster. It’s a family of three faces for display work and headings designed to be used readily as an 'All-Capitals' face as well as in upper and lower case format. Regular and bold weights are offered, as well as an even more decorative incised form. The whole family is ideally suited for poster and advertising work, as well as book and record covers and period themed signage.

Hi, as part of my current Uni. project I am researching the use of Times New Roman, and really need to build up a gallery of pictures of it in use.

I've been doing some searching but can't find an awful lot, I was wondering if anybody could suggest some campaigns/identities to look at, particularly major ones, but the more the better.

Thanks
-Ben

Howlett, which is now released on Myfonts.com, combines great character with extreme legibility.

It’s a simple display face that offers a sense of coziness and order, that speaks of all being well with the world. It is a modern design which pays due Acknowledgment to the past.

An extensive range of Opentype features, including old-style numerals, terminal forms, ligatures and stylistic alternatives are included.

Use it for headings and titles as well as eye catching poster work.

You can try out Howlett on Myfonts.com or see some examples of it in action in our blog.

Most of the type-designs we use nowadays have their origins in the thirties of the 20th century. But their real roots are much older. Since good examples of the earliest type are hard to get by, the Amsterdam chair for the History of the Book in cooperation with the Special Collections of the Amsterdam University has started a project that will make it possible for anyone anywhere to examine early typedesign in detail. Acces to this material is difficult: the books are kept in the Special Collections of university libraries and national libraries and most times it is forbidden to take pictures.

We have started to publish high resolution pictures of early type-specimen on: http://www.flickr.com/photos/bookhistorian/