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I posted a 6-part summary (haha, summary, in 6 parts.) on my blog if anyone is at all curious about my experience in the Condensed program at CooperType. It was awesome and intense.
Part I: http://simplicityembellished.com/lessons-in-type-part-i-of-vi/
Part II: http://simplicityembellished.com/lessons-in-type-part-ii-of-vi/
Part III: http://simplicityembellished.com/lessons-in-type-part-iii-of-vi/
Part IV: http://simplicityembellished.com/lessons-in-type-part-iv-of-vi/
Part V: http://simplicityembellished.com/lessons-in-type-part-v-of-vi/
Part VI: http://simplicityembellished.com/lessons-in-type-part-vi-of-vi/
I just published a blog post about my awesome summer in the Type@Cooper Condensed certificate program at the Cooper Union in New York City http://www.kombinat-typefounders.com/store/news/article/cooperType_condensed_2012
There are a few places available for the workshops being offered at Cooper Union this spring. These courses are electives within the Type@Cooper program but some places are available to non-participants. For more information visit http://coopertype.org/extended/
Planting Seeds for Script Type Designs
Saturday, March 12 & Sunday, March 13
Saturday, March 19 & Sunday, March 20
Basic Python Programming for Typeface Design
Saturday, April 9 & Sunday, April 10
Type@Cooper and the Herb Lubalin Study Center have joined together in conjunction with the TDC to offer a public lecture series.
The lecture series is still closely tied to the curriculum of the typeface design program. These lectures are free and open to the public. Here are the next two lectures being offered. For more information about the program visit http://coopertype.org/
What You Should Never Do With Type And Why
Monday, February 7, 2011, 6:30 pm
The Rose Auditorium in the New Academic Building
41 Cooper Square at East 7th St, New York, NY
Type@Cooper presents the first in our guest lecture series at Cooper Union "Turning Lead into Gold: 19th-Century American Type Foundries & Their Specimen Books". Stephen O. Saxe will speak on Monday, October 18th at 6:30 pm in the Rose Auditorium at Cooper Union. This talk was adapted from the annual Hofer Lecture in Graphic Arts at Harvard in April, 2010. It covers the design and production of type in the nineteenth century from the earliest days of typefounding in America, technological advances, the aesthetics of “Victorian” type, the “Artistic Printing” movement, and the demise of the great type foundries and formation of the American Type Founders Company at the end of the century.
For more information go to the Cooper Union Continuing Education website or CooperType.org
Cooper Union's new typeface design program, organized in conjunction with the Type Directors Club was just recently announced. It is currently a certificate program offered through Cooper's continuing education department. The new website has all the info on curriculum, faculty bios, and application details:
While there have been many type design workshops and classes offered in North America before, this is the first program of its kind to take place on the continent. Having moved to New York not too long ago myself, I must say I can't think of a better city to hold such a program in – if for nothing else than to have access to such a vast pool of talented type folks living in the area.
Furthermore, Cooper Union and the Type Directors Club couldn't be much better organizations to have involved. Among other things, Cooper has made typography a priority with their Herb Lubalin Study Center of Design and Typography, and the TDC's annual typeface awards are among the most notable in the industry. Plus it goes without saying that both have long typographic histories that include some of the greats of American type, lettering, and design.
The course list and roster of people involved for the first term alone is quite impressive (not to mention surprisingly diverse), and I'm sure the second and third terms will be just as good. More information will be posted on the site as it becomes available.
I apologize for shamelessly tooting the horn of a project I'm obviously involved with, but I'm really excited about it and thought some of you might be as well. As always, I'm appreciative of any feedback – critical or otherwise – and am happy to answer any questions.