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In the last month or so, i have been working alongside Israeli type designers in order to create the bilingual "Hebrew Typography Status Report 2012" , which includes many type samples and catalogs of typefaces designed in Israel between 2012 to 2013. The document is freely available for download.
Hi... what started out as a novice attempt to organize a publishing firm computer network and design assets (from art scraps to fonts), I have personally been intrigued by how difficult it is to accurately categorize the Sans-serifs. Various forums have pointed to the 'g' as a defining marker... but this seems to be not always the case...
As an example, the line between 'grotesk/grotesque' and 'neo-grotesk' seems blurry, specifically in modern designs of even historical typefaces (with optical kerning, etc.). So, here is how my first take on drawing the line between grotesk and neo grot (and between neo-grot and humanist, not included in this list). The Humanist and Geometric are also another kettle of fish. But is this correct, so far ?
Can you please help to identify the typefaces
used for the 3 attached logotypes?
I suspect these are quite old logos.
Thank you very much
I've been doing a year long typography project, and my limited selection of typefaces is making the project feel stale and laborious. I need some fresh typefaces!
I am particularly drawn to hand-written typefaces. Not script, so much... but anything that looks like it was written by hand. Fun, playful, fresh, etc... these are words I am drawn to.
Do you have any recommendations that aren't going to break the bank?
Look forward to hearing your responses.. thanks!
I have a problem with the MS Power Point 2003 program. So many typefaces does not work with it. Only several typefaces work with this program such as Arial, Times New Roman, Verdana and other typefaces do not work on it.
What could be the problem and how could I use free typefaces on this program???
I have a small graphic with an assortment of vintage typefaces right here:
Since they are so old I don't know if they are still in commercial print, but if anyone can tell me what they are (or were?) AND if there are any modern counterparts or look-alikes, that would be very helpful to me!
I'm here to show you my new website. Armasen Typefaces.
Hope you like it.
What programs do you use to organize your typefaces? Font Book is not cutting it. Thank you.
Simplepolator allows you to interpolate compatible glyphs in the same font, without leaving FontLab nor interrupting your workflow.
Simply select two compatible glyphs and run the macro:
Five new glyphs will be automatically created, allowing you to choose the best variation.
Making it super-easy to apply the Gunnlaugur SE Briem's method on "How to make mistakes.
A quick video showing how to use it:
Australian type foundry LETTERBOX is proud to announce the release of two new faces (Brunswick Black + Gordon) along with a re-release of our library. Hope you enjoy them.
See Brunswick Black at
See Gordon at
Revised Entire Revised Library
Does anyone out there on the world wide web know when you can download for free/buy
nice Chinese typefaces, that will work on Mac OS X. I'm scouring the internet and have yet to find anything that isn't either a broken link or turns into default English type when I download it!
Australian Type Foundry [ATF] began in 2001 as a commercial outlet for the fonts of designer Wayne Thompson.
Today, Australian Type Foundry retails almost 100 original typefaces through online outlets around the world, and continues to design and market new type designs. ATF is best known for two sans-serif Opentype families, Halvorsen and ArumSans. ATF also produces custom designs and typeface modifications for a large range of advertising clients.
ATF has twice entered the New York Type Directors Club Type Design competition, winning neither time.
Hello dear Typophiles,
I'm currently working on my architectural portfolio prior to the big jobhunt, and am having some difficulty picking a typeface to suitably match the energy and vibe of the architecture.
The images below show the architecture - it's very contemporary, fairly complex, bold and still somewhat delicately crafted. Would you encyclopaedic typophiles have any typefaces you could recommend to match or contrast with these buildings?
I need one Headline face and one Body Text face - I'm currently using Eureka and Myriad, but I think I could use some help. The layouts will be fairly minimal, with enough white space to let the work stand out.
Thanks in advance for your input!
(the title isn't what you immediately think, honest!!)
I've been a stalker of these forums a long time, and I'm hoping you can all help me with this request.
A little while ago, I remember reading a journal or a blog someone had written that basically had a long list of "free" downloadable typefaces you could get, but then pointed out that they were exact copies of original typefaces (some of which are default on most computer systems) and this relates closely to my 8,000 word dissertation and FMP that I am researching for my Third Year of University.
The problem is, I've lost the article between now and then, and only have a handful of examples to work with.
Kohinoor is an elegant low contrast typeface suitable for both body and display text. It comes in 5 upright styles, and where available also with corresponding Italics. As all ITF fonts, Kohinoor is a Unicode-compliant font and has full support for the conjuncts and ligatures.
Kohinoor's Bengali, Gujarati and Gurmukhi versions will be available in 2011.
I'm designing an identity for a small internet-based writing/blogging business run by four strong, yet fashionable women with great taste and I'm looking for some possible typeface suggestions for a logo.
Just found this site that claims to be the Wikipedia of typography. You can look up fonts, learn about typography, get involved in forums, Add your own fonts and knowledge. Looks like it’s pretty early days and there are plenty of holes in the content but you can get an idea of what it is going to be about.
All seems to be stuff that Typophile does in some way other. To me it seems a little ill-conceived what does everyone else think? The search tools are not as good as something like myfonts.com, the forum will need to work hard to beat Typophile and the type info doesn’t seem that great to me.
What does everyone else think?
I want to know if any of you pros think free fonts are worth using.
I downloaded about 100 fonts from DaFont - the majority were poor; some were good; some were excellent. But according to some designers, free fonts never cut it.
What's your opinion on this? Is it nearly impossible to find good typefaces which are on par with commercial fonts, or not?
If anyone could put up links to good free font resources, I'd be grateful.
Anyway, I'm waiting for your responses.
Maybe I'm just using the wrong keywords, but I'm finding this surprisingly hard to find on Google. I'm hoping the Typophile think-tank can help point me in the right direction. :-)
We're rebranding a company that was founded in the early 19th century (yes, they're *that* old) in the United States, and we're trying to find authentic typefaces from the era, or modern reinterpretations that offer a comparable effect.
I don't know what the early 19th-century designers used, whether they were American typefaces or imported, but whatever was relatively common at the time for promotional materials, we're hoping to emulate as closely as reasonably possible.
I'm from Bulgaria.
Long time I've wanted to discuss the issue of neglected Cyrillic alphabet.
It's a kind of orphan at the moment. It was developed during the Medieval time in the Bulgarian kingdom. Following very close graphical characteristic of Greek alphabet, together with Latin, the new alphabet become third one from the same family. After Bulgaria was conquered from the Ottoman empire the development of this alphabet stopped. It was like that until 18th century, when Peter The Great of Russia decided to make some reforms in it. Some letters were disregarded, others emerged, third received graphical changes.Initially good, this Reform somehow made the gap between similar Greek and Latin grow bigger.
Good morning everyone.
I'm going to design a 12 pages newspaper – compact, 24*34cm, 9.4"*13" – for a not for profit organization. The association is devoted to the promotion of its territory: from conscious tourism to the preservation and valorisation of their local artistic and environmental heritage.
Being an organization funded by its own members, I have been asked to use only free or cheap typefaces.
I think I need a good sans serif, with a regular and condensed family, and a serif for body text. I'd like to have some personality on the pages, starting from typography, but I understand their budget issues.
Have you got any idea to spare with me? Thank you very much.
I'm new to the website and I've found all the information here very helpful. For my senior project I chose to design a typeface from scratch, and there are some technical issues that I am having. I am making an italic serif typeface in the old style/ transitional style. I've taken some inspiration from Giambattista Bodoni's Bodoni typeface, and it will be used for displays, pull quotes, and headers.
Can somebody help me to ID the typefaces on their website: http://www.21storiesforscouts.org/
Thank you in advance,
Does anyone know the story behind this mistake?
Adobe’s first release of ITC Eras (version 1.000) was not slanted 2° as was intended by the type designers; Adobe fixed the mistake with version 1.001.
Does anyone have any similar examples of errors from major type foundries?
I am designing the graphic content of a small museum celebrating the Italian immigrant contribution to Australian culture. My clients want a very contemporary look. I wondered if other typophiles might be able to recommend any recent (post Novarese) type design work coming out of Italy that would be appropriate. I need display type and a type family for bigger blocks of information. Any assistance much appreciated.