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Nimble: feedback please


Hello people,

I've had a growing interest in type design for about a year now, and this is perhaps my 4th attempt at a simple sans face. I just want to force myself to bring a project to completion, and produce a typeface that doesn't look too amateurish, even if it turns out very plain.

I was hoping for some feedback and suggestions about anything which you think stands out as needing some work. I'm still pretty new to this, but looking to learn—so please be kind!

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Please note, so far I've only been working on drawing the glyphs, and the metrics are just done automatically in Illustrator just now.

Also, please ignore the 'Pro' tag on the name and the MyFonts promo look; I was just playing around :)

my first font needs a harsh critique


New to design!
I have very little experience and only just started to act on my interest in typography.
This was mostly a dabbler's interest, until recently.
I submitted my first font, called Whale, to MyFonts. They promptly rejected it and basically said it was totally unprofessional. It's meant mainly for display, so I don't know why I bothered submitting to them in the first place, but I now have a stronger desire to make this font as good as it can be. Maybe even simplify it for use beyond just displays.
My feelings will not be hurt. I would greatly appreciate a serious critique of my design so that I can make the next version of Whale far better.
Thanks for your time.
- Stigmaa

Could any Fontlab gurus help a novice with hinting?


So a couple of years ago, I made my first font, Yagi Double. Then I wanted to hint it, got scared when I saw the amount of work involved. Now I'm ready to try again but it STILL seems too tedious, like I'm missing something. What I've read so far on the subject:

As I understand it, you come up with an array of numbers representing the location of stuff like the baseline, cap height, x-height, etc. You feed these into two different areas in Fontlab. With an inline font like this, there are twice as many of these numbers. It's a lot of hassle.

1. Does this really produce good hinting results at the end, if I could force myself to do it properly?

Kerning. Where to begin?



My first font. So far I made all the glyphs of all the 6 families of my font and spaced them as best as I could. Created oldstyle-, ornament-, smallcaps-, ligatures- and discretionary ligature features.

Now come the tidious part I understand. Kerning. What is the best way to go about it??
I was thinking about beginning to kern the Capital A next to lowercase glyphs with classes.
then B, C, etc. etc.

Question 1:
If I do it this way, can I work with classes in the kerning panel? Like this:

_kern1: A' @_lc @_sc

Question 2:

If I want to kern the lowercase a next to the capital A, do I have to drag in all of the a-diacretics symbols as well? Or do those composite glyphs just follow a when it is kerned