I'm nearly certain this is not a font since I had to digitally reproduce the glyphs from signage in an old photograph, but I could be wrong. My main reason for posting was to see if anybody recognized the type, and if it had a name? possibly from an old specimen book or something?
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Had this silly pun in my mind when making this image:
Though the effect looks fancy, I would like some suggestions how to make the lettering part more "streamlined".
It was modelled with blender, with a simple screw command, which, can work with continuous lines.
How would you connect letters with horizontal segments?
I wouldn't prefer adding loops personally, so a regular script writing is a no-go.
Hi all, I expect find you fine in this new year. This is my first entrance of 2015, now releasing my latest type project CAMINITO, a layered font family inspired in Argentinean art craft «Fileteado Porteño». I started this project 2 years ago, taking inspiration from numerous ads, posters and signs installed along the city of Buenos Aires. Now the font family is available at MyFonts.com
I just wanted to show my first release of 2015. Spry Roman was first created with lettering I did with a Zebra G pointed nib and ink on slightly toothy paper. I rework my lettering in Photoshop, but try to leave the look reasonably close to the original writing for fonts like this. Spry Roman is a fully featured Opentype font. It include Central European language support, a full set of small caps, simple fractions, ordinals, and a variety of ornaments and flourishes.
Hello guys! Happy New Year 2015!
Today i have released new version of Wallington : it's Wallington Pro!
Wallington Pro is a decorative-serif font embodying vintage and elegant curves with functional structure. Style is adopted from Old English cultures with their descendants around mid-12th century and Art nouveau in 19th century, it was inspired by natural forms and structures and the curved lines. Crafted with love and easy-to-read letter design.
Wallington Pro consists of 721 glyphs including 268 unique ligatures, 30+ catchwords and 10 stylistic sets.
Get Wallington Pro Discount - 63% OFF until 7 January!
Find out more at http://ink.creativezeune.com
I've been looking and not really finding lettering from the 1930-1950 - real lettering, not remakes of.
The "Vespa" style is what I'd really like to find more of. Car logos have been my best resource so far,
but industrial style product or company logos would really be good. Attached is some of what I've found.
Any help would be much appreciated.
Recent video just made on the spirit of letter carving, where I discuss lettering in stone with particular reference to memorials and the importance of detail. This video gives you an insight into the techniques and discipline involved in letter cutting in stone. For more information and to see the full transcript visit http://stoneletters.com/video or for a trailer of the video visit http://stoneletters.com
Hey guys! allow me to introduce my first release font.
Wallington is a decorative-serif font embodying vintage and elegant curves with functional structure. Inspired by Old English cultures and their descendants between the mid-5th century and the mid-12th Century. Made up of two styles, Wallington Regular that consists of 491 glyphs and Wallington Small Caps with 365 glyphs. All glyphs are divided into several OpenType features such as Ligature, Contextual Alternates, Old Style Numeric and some astonishing special characters that allows you to mix and match pairs of letters to fit your design.
Find out more : http://ink.creativezeune.com
For a traditional 3 initial monogram, is the following a proper structure?
Left letter - first name initial
Right letter - middle name initial
Central letter - last name initial, usually larger than the left or right
Does that sounds about right?
I'm glad to be here and I'm looking forward to some great discussions. I thought I'd dive right in: I'm a graphic designer and just starting out with calligraphy and lettering. I've finished my first project and I'd appreciate some feedback on it. On any angle, really. I have no one here to critique my work and there seem to be some real pros here, so I hope I can learn a lot from you guys :)
Here's my project:
All the best,
Hey guys I've been working on this custom lettering project. What do you guys think? Is the composition balanced? Is this too busy? Your suggestions & constructive criticism would be much appreciated!
It's inspired by this quote... "Wealth is of the heart and mind, not the pocket" by Pharrell.
inuTattoo Script Font was inspired from tattoo lettering with swirl tattoos
SPECIAL OFFERING for this promotional
Available : UPPERCASE , lowercase, Numeric, symbol ( TTF and OTF )
FREE : supporting other swirl tattoos and poster Vector with border (ai,eps,cdr)
DOWNLOAD and TRYING
I’m currently looking for any information about vintage hand lettering signage in the city of OPorto in Portugal. I know it’s a difficult subject to find information about, but anyone who knows something about it, please let me know. Also, any info about the history of hand lettering signs would be really helpful. Thanks to everybody!!!
I'm working on a custom script as a logotype and would like to have you feedback - I have two versions with differing "L"s:
So, A or B? I feel pretty good with the "Hus" but I think that the "tle" still needs some working out. Additionally I'm aware of some of the Illustrator stroke issues with some jankiness that I'll attend to once I get the letter forms finalized.
Let me know if you see any other problem areas or have suggestions to improve it.
Okay, so I thought this might be of interest to you all:
There is a book called Sign Painters that came out several months ago by Faythe Levine and Sam Macon. Faythe Levine was the one who made that documentary called Handmade Nation. They have also made a movie called Sign Painters as well and there will be a free screening at UCLA Fowler Museum on July 25th (for folks living in Los Angeles, Orange County, Ventura County). There are screenings in other cities of the world as well.
I had the pleasure of having a piece of lettering and illustration accepted to the newly formed, designer-driven, profit sharing t-shirt company Cotton Bureau. I have two more days to achieve 3 more pre-orders, or nobody gets to sport my intricately crafted design. Would love to see this go to print and worn with pride, I'm not sure why I didn't think to post this here earlier. Here's the link: https://cottonbureau.com/products/practice
I am fairly new to vectorizing type and I would like some very constructive and critical feedback. I am very new to Glyphs and that is what I used to build this out (see the below to get all intimate with my nodes). Please let me know what you think! Where I can improve it, and other thoughts.
I've been trying to find a good online lettering class for a while. Its been very hard to find any class, let alone a good class. Any help or directions will be very appreciated.
Last year I created the Magical Unicorn Typeface: A typeface, while flawed, still managed to capture the spirit of these noble animals in graphemes. However, it wasn't the end, a continuation of the Unicorn Typeface was a must.
The Unicorn-Pegasus letters are an development of the Unicorn font. With the translation of the original drawings to the usable Unicorn font, many details disappeared and the hand-drawn character was lost. This series of initials is extremely detailed and compared to the Unicorn Font, no shapes have been cut. Each Unicorn-Pegasus is complete, from the tip of the horn to the far end of the tail.
About Heráldica Script
We are proud to add a very complex and new font to our collection.
Ornamented scripts are a Koziupa/Paul specialty, and Heraldica is one of their most expressive. It attains the very definition of deluxe by conjoining the classic thin-and-thick script treatment with thin-only counterpart strokes, then it goes the extra mile with a varied complement of overlaid flourishes. The usual assortment of multiple alternates and ending forms pushes it even further in class and versatility.
Monograms, logos, jewelry packaging and book covers are only a few of the possibilities with such a high-end script.
I'm working on a piece of lettering with plans of extending it to a full display typeface later.
I would highly appreciate any professional feedback on this stage.
(yep i want to stick with such leg for "R"=)
Here's a sample of some lettering I've been working on. I would love some feedback!
I'm a beginner when it comes to designing letterforms, this is one of my first renders in illustrator.
If you have any tips or comments or woes, please share.