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Bengala is a trendy new type system. The family is made up of a script style, an extended all-caps style, and an ornament set that includes the animal illustrations shown here.
Pétala Pro gave his first steps almost ten years ago. During this time, the quest for perfection had forced several interruptions. It was necessary recalculate the route, tread other ways, discover new maps, and make easy curves. After all, a new milestone on typeface design was reached.
Pétala Pro combines readability with a gentle but strong personality. The smooth and balanced forms shares space with expressive ink traps. The 18 styles of the family – from Thin to Black – allow the flexibility needed to complex design briefs. When designing the different weights, rather than automated solutions, subtle adjustments were made to value the optical qualities of each style. Such care, makes all the difference under extreme conditions.
Doncaster is a bold display face which emphasises legibility and clarity, but which combines those qualities with a distinctive flair. The designs have a timeless quality, making them equally at home today or even in Victorian inspired design work. All of the faces are ideal for poster work, signage or for really eye-catching but not ostentatious headings and titles. Seven faces are offered combining upper and lower case forms with incised and embossed decoration as well as an italic form.
Here is a specimen sheet showing all seven faces:
I am currently using Verdana for an academic web site that is text heavy. The format of the page includes lots of captions and blurbs, some up to 20 lines long, but only 200 pixels wide.
I checked typekit and there are some but they don't seem significantly sharper than Verdana.
Any suggestions for clear legible fonts...?
Secondly is there a method to lock down the type to encourage students from copy and pasting the site content?
I'm studying graphic design in Finland and am quite new to the world of typography. I have been reading this forum for a some time now, and the time has come to ask for your assistance with a font from a logotype.
I tried identifying the font at WhatTheFont, without luck. I think it has some similarities with bold and semibold cuts of Stone Serif, Cambria, Georgia and some Garamonds. Having read my Bringhurst, I think it has some baroque (drop terminal ‘a’, moderate aperture, axis) but it looks modern to me. The serifs (or stem) on ‘n’ and variable terminals should make it easier to identify. I am quite sure it's something really obvious, I just don't see it.
Hey wow, first post! This looks like the place I might find an answer to a burning question. Firstly a little background. The company I work for has put me in charge of producing our "Year Of 2010" garments, with the names of graduating students printed on the back. We do this on behalf of universities and educational institutions all over the place. The maximum total print size for the artwork is A3, so obviously there's an upper limit to the number of names we can fit on, currently around 1600. Sometimes we have a graduating class of between 1600 and 1750, which requires the production of two pieces of artwork, and this is a real pain for pretty much every stage of the ordering, production and administration process.
Here are samples of Greater Albion Typefounders' latest two releases, which have just launched on myfonts.com and fontspring.com.
Paragon is a display Roman family of nine faces, combining elements of formality and fun. It embodies a high degree of contrast between near hairline horizontal strokes and bold vertical strokes. The family is offered in three widths and in regular, small capitals and title faces. Use Paragon to lend impact to your next design project.
Tradition meets tomorrow in Mexborough-Mexborough has just been released by Greater Albion and is being offered at 30% introductory discount on Myfonts.com. Here's a specimen sheet showing the six members of the Mexborough family.
Caridade is a bold and powerful script face. It draws some inspiration from heavy brush drawn vintage hand lettering but its heavy weight is much thicker with plenty of impact and more contemporary letterforms. The face offers a wide array of weights, from the powerful Heavy weight to the graceful Thin.
Caridade can get the job done for many unique design tasks.
I'm tired of Titillium and TitilliumText22L! It's not legible in small sizes or in 11, 13, 14px in the sites or blogs! Titillium isn't like Arial, Helvetica and Verdana. Titillium is totally legible only in Word 2007 with optimized ClearType, Paint, Photoshop, Illustrator, Inkscape and Gimp.
I need a free and ORIGINAL font which...
— totally legible in small sizes (10 to 14px)
Thanx u all!
Greater Albion has just released three new families on Myfonts.com.
Jonquin was inspired by some hand lettering seen on a World -War One recruiting poster. It’s a family of three faces for display work and headings designed to be used readily as an 'All-Capitals' face as well as in upper and lower case format. Regular and bold weights are offered, as well as an even more decorative incised form. The whole family is ideally suited for poster and advertising work, as well as book and record covers and period themed signage.
Ode is a pleasant and vibrant family with a strong personality. It comes in five weights and is equipped with every feature a high quality text typeface needs: ligatures, extended language support and various figure sets as well as a fractions feature. Ideal for everything culinary
Find out more and try it out at
Read the (German) article about the making of on
Ode is a pleasant and vibrant family with a strong personality. It comes in five weights and is equipped with every feature a good quality text typeface needs: ligatures, extended language support and various figure sets as well as a fractions feature. Ideal for everything culinary!
Find out more and try it out at MartinPlusFonts.com
Read the (German) article about the making of on www.designmadeingermany.de
I've been working on this font for about 5 months, and I figure it's about time to get some fresh eyes on it. It's designed to work at both text and display sizes -- my goal is for it to be bold and interesting at large sizes but be extremely legible at small sizes while taking up the least amount of room.
I currently have seven different weights, though I am also planning on doing a set of obliques (I will probably do true italic characters as alternates, or vice-versa) as well as small caps/fractions/old-style figures/other OpenType features.
Let me know what you think!
Howlett, which is now released on Myfonts.com, combines great character with extreme legibility.
It’s a simple display face that offers a sense of coziness and order, that speaks of all being well with the world. It is a modern design which pays due Acknowledgment to the past.
An extensive range of Opentype features, including old-style numerals, terminal forms, ligatures and stylistic alternatives are included.
Use it for headings and titles as well as eye catching poster work.
Help! I hate the childish, inconsistent, heavy-handed scrawl that passes for my handwriting. However, I'm not much happier with the readily available learn-at-home alternatives: italic or modern cursive. They are legible, but that's about it. They reek practicality, without having elegance or sophistication or individuality.
I am looking for a font to use as a model for my handwriting. My ideal would be something modern, distinctive, legible, fairly easy to write quickly and arresting or "cool" (whatever that means when applied to handwriting). A lot to ask, I know.
I would so appreciate any suggestions. Thank you in advance for your help.