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I found this image in an old french book of lettres. I was wondering if it could be desaturated and made into a font somehow. I do not have the resources or the know-how to do this. If you're able to do this and don't mind, I'd be very appreciative if you could send me over the .otf or .ttf file.
Hi, Typophiles! I've recently released a new typeface, GIBBS, which is currently on an introductory offer for 50% off.
I would like to tell you how magnificent Times New Roman in Indonesia is. Times New Roman (especially in 12 point for body text) is very standard in various writing. Every scientific writings, school assignments, government documents, law documents and other non-casual non-modular (i.e like advertisement etc) should use Times New Roman. I ever created a assignment in Georgia and my teacher in high school rejected my assignment. In every single University in Indonesia, all of scientific writing (minithesis, thesis, dissertation, paper etc) must be printed in Times New Roman 12. I don't know how why people standardize and convene Time New Roman as the one and only formal serif font that able to use in Indonesia. This kind of 'natural' convention is really irritating me.
New to design!
I have very little experience and only just started to act on my interest in typography.
This was mostly a dabbler's interest, until recently.
I submitted my first font, called Whale, to MyFonts. They promptly rejected it and basically said it was totally unprofessional. It's meant mainly for display, so I don't know why I bothered submitting to them in the first place, but I now have a stronger desire to make this font as good as it can be. Maybe even simplify it for use beyond just displays.
My feelings will not be hurt. I would greatly appreciate a serious critique of my design so that I can make the next version of Whale far better.
Thanks for your time.
“Kamenica” - named after a beautiful small mountain river in Serbia - is a font family containing 3 weights: Light, Regular and Bold.
The Kamenica river is only a few meters wide. Mostly shallow and cold, clear and green, it was the direct inspiration source for the creation of this condensed typeface. As our other typefaces, “Kamenica” also combines traditional shapes with modern forms, tall x-height and a collection of more than 300 glyphs.
Comparing the river with the font, we could say that letters are the fishes that lives in the Kamenica river and that the font weights are the seasons in which this river shows most of its own character.
Find out more at: http://www.tourdefonts.com/font-catalog/kamenica/
Few years ago i stumble upon some font on old poster, when i tried to find it, via various sites, nothing pop-up... then i thought, probably is old and it wasn't renewed and/or remaked.
But recently i encountered on it again, with slight changes, and most important on a new design, which means - it's still in use, and it exists. Tryed again with "what is this font" sites, nothing again...
Then i decided that i need your help!
This is the font.
Does the world really need one more vernacular pop culture typeface? We here, at astroluxtype shout a resounding yes!
Sure, you can find the apex of fine font design that will have your mind and eyes burst with joy at the level of sophistication and craftsmanship they exhibit- Koo Koo Puff Condensed and Light Condensed are not one of those fonts. But if kooky goofy is your thing, we're selling it at the astroluxtype booth.
For Immediate Release:
Alameda, CA- February 12th, 2013
Delve Fonts presents Rieven™ Roman, by Steven Skaggs.
Available now at: http://www.delvefonts.com/rieven_roman.html
In order to address those instances where the more contemporary letterforms are preferred, designer Steven Skaggs has expanded the Rieven family by creating a Roman version that can be used hand-in-hand with its predecessor, Rieven Uncial.
Just in time for Xmas and New Year celebration we are proud to introduce a new font to our growing collection.
Platinus Script Pro is the latest example of what has now become a Sudtipos tradition: Adapting conventional calligraphic methods from the last two centuries to produce modern digital scripts for the current one.
This time the resulting font explores the evolution of invitation scripts from the classic commercial lettering of the 1930s to the ideas clearly visible in the greeting cards of the 1980s and 1990s.
Most base characters are made up of a single stroke, with some of strokes driven from the top down,
Introducing our latest font family called "Vezus".
Includes Light, Regular, Bold and Black weights.
Find out more on:
Available from (during the week in most of the shops):
As well as designing and developing typefaces for sale, we’re seeking opportunities for collaboration on type-based projects.
We love to talk about type so don’t be shy! Get in touch at firstname.lastname@example.org
Follow us on Twitter @typgrp
The Power of the Engine
Victorian revivals and inspirations often seize on the period’s tendency toward florid decoration. However, the times were also the final surge of the industrial revolution, a time that witnessed the ultimate development in steam, diesel and oil: engines of all kinds. Engine Nine captures the nitty-gritty of a hard-boned indomitable age, boundless in its faith in the technologies of iron and steel, tempered by half-remembered neo-classical details such as the verticality of neo-gothic windows, and finely detailed finials. It’s all here in the brute strength of the verticals, the blackness of the tight setting, the contrasting delicacy of the terminal serifs.
For Immediate Release:
Alameda, CA - May 24th, 2012
Delve Fonts releases Oktal Mono, a new typeface by Joachim Müller-Lancé and Erik Adigard.
A monospaced type family composed of entirely mono-linear and modular structure, Oktal Mono first began in a design-philosophical discourse between Joachim Müller-Lancé and Erik Adigard of the design studio M-A-D in Sausalito, California. The typeface later came to life as a design experiment wherein a type designer (Joachim) and a graphic designer (Erik) collaborate each in their own capacity, from within their respective disciplines.
Sintesi Sans scores because of its readability, robustness and contemporary style. Its is a true Sans Serif and therefore really flexible, universally applicable especially as a body text font and in a broad number of other applications.
Download the trial version of the font families Sintesi and Mimix for free:
Catchy monoline script inspired by hand made products, from picky tasty food, soaps, chocolates, candies to ice creams, textile products and wedding invitations.
Refren comes as our 25th font family, on 7th May, on our 3rd birthday.
(will be available in all shops in next few days)
Floodfonts offers a new typeface for free download: POLARIS uses historical references as inspiration: slab-serif fonts in a turn-of-the-century style. In combination with modern elements and a technical-like drawing style the font develops an unusual, cool retro charm. Polaris comes with an extensive character set to support all central-european languages. http://www.floodfonts.com
The second release from astroluxtype, Dragon Fang, is a single weight headline display font. The style suggests Medieval font forms but in a contemporary sense. The font contains uppercase and lowercase letterforms which include a few alternate characters, look for the swash "B" and "D" to give your design project a special look. Influenced by everything from Rick Griffin and Linotext to tribal tattoo art this font will bring a contemporary edge to your design projects. Fantasy book cover art to that goth album cover you should find many uses for astroluxtype's Dragon Fang. Available Now at Myfonts.com Link: http://new.myfonts.com/fonts/astrolux/dragon-fang/
The second release from astroluxtype, Dragon Fang, is a single weight headline display font. The style suggests Medieval font forms but in a contemporary sense. The font contains uppercase and lowercase letterforms which include a few alternate characters, look for the swash "B" and "D" to give your design project a special look. Influenced by everything from Rick Griffin and Linotext to tribal tattoo art this font will bring a contemporary edge to your design projects. Fantasy book cover art to that goth album cover you should find many uses for astroluxtype's Dragon Fang. Available Now at Myfonts.com Link: http://www.new.myfonts.com/fonts/astrolux/dragon-fang
I'd like to announce the release of the work-in-progress version of my new typeface, Otama. All thoughts and opinions are very much welcome and appreciated.
Free to download from www.timdonaldson.com/otama-ep.zip
I posted earlier wanting help with the tittles, currently diamonds.
here is the rest of the lowercase. I've included a few extra letters that I want some input with.
the /a/, /b/, /k/, /y/ and /z/
‘Sendai’ is a new 6-weight typeface family, designed by British type designer Philip Kelly.
The typeface is comfortable in text usage with the slightly condensed shapes that help save space and also achieve punchy display headlines. The restrained serifs are a nod to the Latin styles of the past. The fonts are available exclusively from Philip Kelly Digital Design directly. The fonts are supplied in OpenType Postscript format which is Mac and Windows compatible. PDF Brochure available via: email@example.com
This is a very quick and rough (very rough) draft of my typeface. I was just looking for feedback and everyones first impressions keep in mind this is my first typeface and I am relatively new to the process.
I have currently only done the lowercase just because I'm not 100% sure what direction I should be going in. I was going for an italic serif loosely based off of Bodoni and I tried to go with the Old style/ Transitional style.
First impression, critique, technical aspects any comment will be helpful thank you.
I'm really having trouble with c/e/f/y/k/s/ but of course I will take any advice on all or any of the letters.
Just to say hello to this forum. I am a new member and this site seems appealing for us, junior graphic designers, who understand typography is one of the most important feature of the works we make. I am here to perfect my understanding and application of typography.
see you around